Concept Hodgson is credited for devising the show's concept. Prior to the show, Hodgson was an up-and-coming comedian from Minneapolis having moved to Los Angeles and made appearances on
Late Night with David Letterman and
Saturday Night Live. He had been invited by
Brandon Tartikoff to be on an
NBC sitcom co-starring
Michael J. Fox, but Hodgson felt the material was not funny and declined (the proposed sitcom went unrealized). He further became dissatisfied with the Hollywood attitudes when they tried to double their offer, acquiring what he called a "healthy disrespect" for the industry. He moved back to
Minneapolis-St. Paul, taking a job in a T-shirt printing factory that allowed him to conceive of new comedy ideas while he was bored. One such idea was the basis of
MST3K, a show to comment humorously on movies and that would also allow him to showcase his own
prop comedy-style humor. In terms of movie selection, Hodgson had recalled that his college roommate had a copy of
The Golden Turkey Awards, and he had previously wondered why no one had made any program about these "adorable, weird movies" listed within it. 's
Goodbye Yellow Brick Road, from which Hodgson took inspiration for
MST3Ks theme and approach Hodgson said that part of the idea for
MST3K came from the illustration for the song "I've Seen That Movie Too" (drawn by Mike Ross) in the
liner notes from
Elton John's
Goodbye Yellow Brick Road album, showing silhouettes of a couple sitting in a theater watching
Gone with the Wind. Hodgson wanted the feel of the show to appear homemade, and cited the example of a crude mountain prop used during the
Saturday Night Live sketch "Night on Freak Mountain" that received a humorous reaction from the studio audience as the type of aesthetic he wanted for the show. Crow T. Robot was inspired by the song "Crow" from
Jim Carroll's
Catholic Boy, The "door sequence" was created to transition from host segments to the theater segments, which Hodgson took inspiration from the
Mickey Mouse Club, noting that the commonality to the title credits of
Get Smart was coincidental. The show's theme song, the "Love Theme from Mystery Science Theater 3000", was written by Hodgson and Weinstein, which helped to cement some of the broader narrative elements of the show, such as the Mads and Joel being part of an experiment. Camera work was by
Kevin Murphy, who was employed by KTMA. Murphy also created the first doorway sequence and theater seat design. These initial episodes were recorded at the long since-defunct
Paragon Cable studios and customer service center in
Hopkins, Minnesota. On review, Hodgson found that of the robots, Beeper's design was not working well, and tried a quick modification by replacing its head with a toy gumball machine top, creating the basis of Tom Servo.
Comedy Channel (1989–1991) and Comedy Central (1991–1996) eras '', a 1962 film mocked in season five The Comedy Channel offered Best Brains $35,000 per episode but allowed Best Brains to retain the show's rights. After this, they carefully scrutinized entire films for other such offensive content, and once one was selected and assured the rights, committed to completing the episode with that film. and some with upwards of 800 riffs. Hodgson stated that their goal in writing riffs is not to ridicule films as some have often mistaken, but to rather instead consider what they are doing as "a variety show built on the back of a movie". Production of an average episode of
MST3K during the Comedy Central period took about five to nine days once the movie was selected and its rights secured. The first few days were generally used for watching the movie and scripting out the riffs and live action segments. The subsequent days were then generally used to start construction of any props or sets that would be needed for the live action segments while the writers honed the script. A full dress rehearsal would then be held, making sure the segments and props worked and fine tuning the script. The host segments would then be taped on one day, and the theater segments on the next. A final day was used to review the completed work and correct any major flaws they caught before considering the episode complete. Hodgson also stated that Mallon's insistence on producing a feature film version of the show led to his departure, giving up his rights on the
MST3K property to Mallon. Hodgson later told an interviewer: "If I had the presence of mind to try and work it out, I would rather have stayed. 'Cause I didn't want to go, it just seemed like I needed to." Though they held casting calls for a replacement for Hodgson on camera, the crew found that none of the potential actors really fit the role; instead, having reviewed a test run that Nelson had done with the 'bots, the crew agreed that having Nelson (who had already appeared in several guest roles on the show) replace Hodgson would be the least jarring approach. Conniff left the show after Season Six, looking to get into writing TV
sitcoms in Hollywood. TV's Frank was soon replaced on the show by Dr. Forrester's mother,
Pearl (Pehl).
Cancellation By 1996, Comedy Central had started creating an identity for its network under the new leadership of
Doug Herzog, which would lead to successful shows like
The Daily Show, ''
Win Ben Stein's Money, South Park and Dr. Katz, Professional Therapist.
This left MST3K
as an oddity on the network taking up limited program space. Herzog, though stating that MST3K'' "helped put the network on the map" and that its fans were "passionate", believed it was necessary to change things around due to the show's declining and lackluster ratings. The network cancelled
MST3K after a six-episode seventh season. This effort led the Sci-Fi Channel, a subsidiary of
USA Networks, to pick up the series. Rod Perth, then-president of programming for USA Networks, helped to bring the show to the Sci-Fi Channel, stating himself to be a huge fan of the show and believing that "the sci-fi genre took itself too seriously and that this show was a great way of lightening up our own presentation". Writing and production of the show remained relatively unchanged from the Comedy Central period. Before Season Eight commenced filming, Beaulieu opted to leave the show, feeling that anything creative that would be produced by Best Brains would belong to Mallon, and wanted to have more creative ownership himself. With this replacement, the series' entire original cast had been turned over.
MST3K ran for three more seasons on the Sci-Fi Channel. During the Sci-Fi era, Best Brains found themselves more limited by the network: the pool of available films was smaller and they were required to use science fiction films (as per the network's name and programming focus), and the USA Network executives managing the show wanted to see a story arc and had more demands on how the show should be produced. Another campaign to save the show was mounted, including several
MST3K fans taking contributions for a full-page ad in the
trade publication Daily Variety magazine, but unlike the first effort, this campaign was unsuccessful. The Season 10 finale,
Danger: Diabolik, premiered on August 8, 1999, during which, in the show's narrative, Pearl Forrester accidentally sends the
Satellite of Love out of orbit, with Mike and the 'bots escaping and taking up residence in an apartment near Milwaukee, where they continue to riff movies. Hodgson also considered the timing to be ideal, with non-traditional outlets like
Netflix picking up original series, and the success of
crowdfunding for entertainment projects. However, Hodgson needed to reacquire the rights to the series, at that point still held by Mallon and Best Brains. By 2013, Hodgson was working closely with
Shout! Factory, the distribution company handling the home media releases of
MST3K, and completed negotiations with Mallon to buy the rights for
MST3K for a seven-figure sum by August 2015, enabling a
Kickstarter campaign to fund the revival to move forward. Hodgson felt the Kickstarter approach was necessary so that the show's style and approach would be determined by fans rather than through a network if he had sought traditional broadcast funding, as well as to demonstrate the demand for the show through a successful campaign. The Kickstarter was launched in November 2015, seeking $2 million for the production of three episodes, with stretch goals with additional funding for 12 total episodes. The Kickstarter effort was led by Ivan Askwith, a consultant who also had worked on the
Veronica Mars and
Reading Rainbow Kickstarter campaigns. The campaign ended on December 11, 2015, with total funding of $5,764,229 from 48,270 backers, with an additional $600,000 in backer add-ons, which allowed Hodgson to plan two more additional episodes, including a Christmas episode, to bring the total season to fourteen episodes. The Kickstarter became the largest one for Film & Video, surpassing the $5.70 million raised for the
Veronica Mars film, but was ultimately surpassed in March 2019 for an animated series based on the web series
Critical Role.
Casting Hodgson believed that the revival would need a whole new cast, pointing out that the cast had completely turned over in the original series. Comedian
Jonah Ray plays
Jonah Heston, the new host aboard the Satellite of Love, watching and riffing on the films. Hodgson had met Ray while recording an episode of
The Nerdist Podcast, and felt he would be a good fit. The voices of Crow and Tom Servo are provided by comedians
Hampton Yount and
Baron Vaughn, respectively, both of whom Ray recommended to Hodgson. Hodgson felt it was important for Ray to have his say on who would play these parts, since it would help Ray be comfortable in the role. Day had been one of the last to be cast, as Hodgson had scripted out the concept for Forrester's daughter while casting Ray and the others. Hodgson had met Day at the 2015
Salt Lake Comic Con, where she stated her love of
MST3K to him. Hodgson had seen Day's performance in shows like
The Guild and ''
Dr. Horrible's Sing-Along Blog'', and felt she matched his idea for the character he had envisioned.
Patton Oswalt plays Kinga's henchman, Max, or as his character prefers to be known, "TV's Son of TV's Frank"; Hodgson had already planned to invite Oswalt, a longtime friend and self-professed
MST3K fan, as a special guest writer for an episode of the revived series, but decided during the Kickstarter that he would also be a good fit on-camera. Rebecca Hanson, an alum of
The Second City, took the role of Gypsy as well as Synthia, a clone of Pearl Forrester who assists Kinga.
Har Mar Superstar leads the "Skeleton Crew", a
house band in Kinga's lair. Pehl, Corbett, and Murphy cameo on the revival, reprising their roles as Pearl, Brain Guy, and Professor Bobo, respectively. Hodgson opened up to the show any of the other cast members to make cameo appearances or aid in the creative process. However, Nelson and Beaulieu stated that they would not be involved with the
MST3K revival; Nelson said, "The brand does not belong to me, and I make and have made (almost) zero dollars off it since it stopped production in 1999." Conniff noted on his Twitter that Shout! Factory would be "cutting [the former cast members] in, financially at least" on the profits from the series. In addition, other cameos on the new episodes include
Neil Patrick Harris,
Jerry Seinfeld, and
Mark Hamill as P. T. Mindslap. Weinstein initially stated that he had no interest in returning to the show, but eventually reprised his role as Dr. Laurence Erhardt in Seasons 12 and 13.
Writing and recording Hodgson aimed to follow in the pattern of what made for fan-favorite episodes from the original series, borrowing equally from the Joel and Mike eras; he noted there were about 30 episodes that he and fans universally agreed were the show's best, and expected to use these as templates as the basis of the new show. Behind the scenes, the lead writer was
Elliott Kalan, former head writer for
The Daily Show with Jon Stewart and host of
The Flop House, a podcast about bad movies.
Dan Harmon and
Joel McHale also wrote for the show, along with the on-screen cast members. The revival retains the live, handcrafted look from the original, a decision that Hodgson had to set down against others involved in production. Justin was tasked with creating full sized versions of new robots M. Waverly and Growler. Other returning staff included: Charlie Erickson, who composed the original show's theme song and composed the new show's theme and other musical arrangements; Beth "Beez" McKeever, who worked on the original show's props and designed costumes and props for the new show; Crist Ballas created hair and makeup design; and
Paul Chaplin, one of the show's original writers to help write the new shows, along with contributions from Pehl and Corbett. Hodgson himself remained primarily off-camera as the executive producer for the remake, though does appear briefly as Ardy, one of Kinga's henchmen who send Jonah the episode's movie. The film selection was narrowed down to about twenty movies as of February 2016, with the rights obtained for about half of them, while Shout! Factory was working to secure worldwide distribution rights for the others. In the revival, Ray, Yount, and Vaughn recorded the riffs for all fourteen episodes in a sound studio over a period of a week, allowing them to better synchronize the riffs with the film. This also helped to simplify the process of recording the theater segments, since they then only needed to act out their parts. The 'bots were controlled by multiple puppeteers both in the theater and in skits; Yount and Vaughn used
radio-controlled equipment to move the 'bots' mouths, while members from
The Jim Henson Company helped with manipulating the bodies, allowing them to achieve effects they could not do in the series' original run such as having Crow appear to walk on his own. All skits for the episodes were completed within a single day, which did not allow them for doing multiple takes unless necessary. Campaign backers at higher tiers were able to see the first episode at limited "Red Carpet Kickstarter Screening" events shown in a few theaters during February and March 2017. During the 2017 "Turkey Day" Marathon, Hodgson announced that Netflix had greenlit a twelfth season of
MST3K. Shooting of the twelfth season started on June 4, 2018, and would have six episodes, written to encourage bingewatching and make the series more amenable to non-fans. Further, they created a stronger narrative in the host segments, so that casual viewers would recognize the series having a definitive start, middle, and end. Other changes included
Rob Schrab coming on as co-director, and actress Deanna Rooney, Ray's wife, playing Dr. Donna St. Phibes, a "B-movie monster conservationist" who works with the Mads. Former cast member Weinstein returned to reprise his role as Dr. Erhardt. Hodgson had been trying to also bring back both Beaulieu and Conniff for this season, but could not work out the logistics in time. The 12th season was broadcast on Netflix on Thanksgiving aka "Turkey Day", November 22, 2018, which coincided with the show's 30th anniversary. To avoid conflicting with the new season's release, the annual Turkey Day Marathon was pushed forward to November 18, 2018. In November 2019, Hodgson confirmed to Kickstarter backers that the show would not return for a third season on Netflix, but that he would be looking into alternative outlets to carry the show. The two seasons made for Netflix will remain on the service. Ray stated in an April 2020 interview that "Joel's got some ideas in the pipeline, and it's pretty exciting, what he's working on", and expected further news later in the year. Hodgson had praised Netflix for helping to bring new fans to
MST3K and said that his production company Alternaversal Productions was still looking for ways to bring the show back through other means, though he did criticize Netflix for forcing an embargo that kept him from providing updates to his fans on the progress on the show until they were ready to announce details.
Gizmoplex era (2022) On April 7, 2021, Hodgson launched a second Kickstarter campaign to continue production of more
MST3K episodes. Given the difficulties with Netflix, Hodgson envisioned a sustainable production approach based on the support of fans and backers who wanted more episodes but without having to worry about the financial support of a broadcast or cable network. In this project, Hodgson set out to produce more episodes and the creation of "The Gizmoplex", an online platform designed to showcase these new episodes as well as reruns of past episodes and live events, presented as another experiment by the Mads. Further, by establishing the continuation of the show in the Gizmoplex format,
MST3K could continue even without Hodgson's involvement, so long as the demand from fans of the show remained. The Kickstarter surpassed its minimum funding goal of within 25 hours of launch, Hodgson reprised his Joel Robinson character for three episodes. Pehl and Weinstein reprised their roles as Pearl Forrester and Dr. Laurence Erhardt, respectively, within this block of episodes. Further, Nelson, Murphy, and Corbett of
RiffTrax will offer some of their material to be included among the Gizmoplex' archives. During the annual 2021 Turkey Day Marathon, the thirteen movies to be riffed as part of the 13th season were announced. These include:
Santo in The Treasure of Dracula,
Robot Wars,
Beyond Atlantis,
Munchie,
Doctor Mordrid,
Demon Squad,
Gamera vs. Jiger,
The Batwoman,
The Million Eyes of Sumuru, ''
H. G. Wells' The Shape of Things to Come, The Mask, The Bubble, and The Christmas Dragon. The public launch of the platform and the thirteenth season was released on May 6, 2022. The second and third episodes premiered in succeeding days, and with remaining episodes and shorts premiering every two weeks afterwards. A year after the season was first shown on the Gizmoplex service, episodes were made available through the MST3K'' channel on
PlutoTV. Fundraising for a fourteenth season began in October 2023, with a minimum target of $4.8 million to bring six full movies and six shorts and a stretch goal of $7.4 million for twelve of each. The goal was later adjusted to $4 million for six full movies and shorts in an attempt to complete the base goal due to slowing donations on the in-house crowdfunding platform. The campaign failed to reach its lowered goal, with only 68% raised. Without funds to produce season 14, the series was once again in hiatus. The Gizmoplex announced in May 2026 that it would be shutting down by September 30, 2026, allowing users to download episodes from the site until then, with episodes otherwise still available through many streaming options like YouTube and Twitch.
Rifftrax era (2026) Hodgson, via Alternaversal, sold the
MST3K property rights to Radial Entertainment, the result of the merger of Shout! Studios and
FilmRise, in January 2026. Radial plans to continue to develop more
MST3K, with Hodgson remaining as a brand ambassador and consultant but giving him the freedom to explore new projects. In February 2026, Nelson, Murphy and Corbett announced the start of production of four episodes of
MST3K: The Rifftrax Experiments, with the three returning to their roles of Mike, Tom Servo/Bobo and Crow/Brain Guy along with Pehl returning as Pearl. The production is being financed by a Kickstarter with a nominal goal of $20,000 as part of Rifftrax's 20th anniversary, though production will go ahead regardless of the dollar amount raised; by the completion of the campaign, nearly $2.7 million had been raised. Beaulieu and Conniff will replay their roles as the Mads guest starring in the fourth episode, as well as participate in the writing for that episode. Beaulieu will also act as art director for all of the new episodes.
Jonathan Coulton will record a new version of the show's theme for these episodes. The movies to be riffed include
Deathsport (1978),
Space Raiders (1983), and
Sting of Death (1966). One episode will also include a short. Nelson expects that the episodes will be delivered via their Rifftrax platform, along with one episode to be shown in theaters through
Fathom. ==Cast==