Murderball (film)

Murderball was shot on a low budget. The main camera used was a Panasonic AG-DVX100; a Sony PD150 was used to shoot some of the early interviews. The crew rigged a Sennheiser shotgun microphone to use as a boom and relied heavily on lavalier wireless microphones as well. Available lighting was used almost exclusively. Additional light was provided using an inexpensive china ball. In one example of on-the-spot lighting, a flashlight was diffused using only a napkin. ==Reception==

Murderball garnered almost universally positive reviews. On Rotten Tomatoes, it has an approval rating of 98% based on reviews from 141 critics, and an average rating of 8.37/10. This film also appears on the Rotten Tomatoes countdown of the top sports movies in 14th place as of 2023. Metacritic gives an aggregated score of 87 out of 100, based on 33 critics, indicating "universal acclaim". Murderball also received positive reviews from Hollywood.com and Roger Ebert, who said "This is one of those rare docs, like Hoop Dreams, where life provides a better ending than the filmmakers could have hoped for." In December 2005, as part of the United Nations' International Day of Persons with Disabilities, the UN Department of Economic and Social Affairs screened the film at the Dag Hammarskjöld Auditorium in its New York City headquarters. The movie was particularly celebrated for examining sexuality after spinal cord injuries. In April 2024, it was selected by Britain's The Observer newspaper as one of their "20 best sports movies". ==Awards==

==Musical score and soundtrack==

The film score was composed and performed by Jamie Saft and the soundtrack album, which featured selections from Saft's score along with previously released tracks by Ministry, Ween, The Polyphonic Spree, Sam Prekop, The Moldy Peaches, The Whiles, Chessie and Scratch Massive used in the documentary, was released on the Commotion label in 2005. Additional music composed for the film was released on Saft's A Bag of Shells (Tzadik, 2010). {{Music ratings Allmusic's James Christopher Monger said "Hearing Ministry's Alaine Jourgensen screaming "thieves, thieves & liars, murderers" over the clash of metal on metal during a wheelchair rugby match dutifully amplifies the primal nature of competition, especially when all of the players involved have overcome near-death physical (and psychological) injuries. ... The film's producers have compiled a rousing soundtrack that reflects the sport's brutality while maintaining an undercurrent of regretful stoicism. Keyboard player/composer Jamie Saft provides Murderballs backbone, laying down an original score that boasts atmospherics which are both tender and visceral. Other highlights include the engaging "Something" from the Sea and Cake's Sam Prekop, a trippy instrumental from Ween and the Moldy Peaches "Anyone Else But You."". ; Track listing All compositions by Jamie Saft except where noted • Ministry: "Thieves" (Paul Barker, Al Jourgensen) – 4:59 • Jamie Saft: "Murderball Remix" – 4:44 • Ween: "The F**ked Jam" (Aaron Freeman, Michael Melchiondo) – 2:55 • The Polyphonic Spree: "Light & Day" (Tim DeLaughter) – 3:24 • Sam Prekop: "Something" (Sam Prekop) – 3:47 • Jamie Saft: "Robert's Theme" – 2:27 • The Moldy Peaches: "Anyone Else but You" (Kimya Dawson) – 2:57 • The Whiles: "Song for Jerry" (The Whiles) – 1:31 • Chessie: "Follow Me Home" (Chessie) – 6:51 • Jamie Saft: "Penultimatum" – 3:21 • Scratch Massive: "Keep on Workin'" (Sebastien Chenut, Maud Geffray) – 5:12 • Jamie Saft: "Dungeonous Warfare" – 1:27 • Ministry: "Waiting" (Jourgensen, Mike Scaccia, Max Brody) – 5:04 ==References==