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War of the Worlds (2005 film)

War of the Worlds is a 2005 American science fiction action-horror film directed by Steven Spielberg and written by Josh Friedman and David Koepp, based on H. G. Wells' 1898 novel, The War of the Worlds. Tom Cruise stars in the main role alongside Dakota Fanning, Miranda Otto, and Tim Robbins, with narration by Morgan Freeman. It follows an American dock worker who must look after his estranged children as he struggles to protect and reunite them with their mother when extraterrestrials invade Earth and devastate cities with giant war machines.

Plot
A narrator opens the film stating that extraterrestrials with immense intelligence have grown envious of humanity's dominion of Earth and are plotting against them. Divorced longshoreman Ray Ferrier works as a crane operator at a dock in Brooklyn, New York and is estranged from his children, ten-year-old daughter Rachel and his teenage son Robbie. Ray's pregnant ex-wife, Mary Ann, drops the two off at his house in Bayonne, New Jersey on her way to visit her parents in Boston, Massachusetts. Later, a strange thunderstorm occurs, during which lightning strikes multiple times into the middle of a nearby intersection, causing an EMP that instantly disables almost all electronic devices. On his way to investigate the impacts, Ray suggests his mechanic friend Manny repair a customer's minivan by replacing a solenoid. He joins the crowd at the scene of the impacts, where a massive "tripod" war machine emerges from the ground following an earthquake and attacks the crowd using energy weapons to disintegrate most of the witnesses into ash. Ray collects his children and commandeers the van Manny has repaired; he attempts to persuade Manny to join them but is forced to leave him behind when the tripod attacks, resulting in Manny's death. Ray drives his children to Mary Ann's empty suburban New Jersey home to take refuge. Later, a Boeing 747 crashes into the neighborhood. Ray meets a wandering television news team scavenging the wreckage for food, upon which a correspondent reveals that many tripods have attacked major cities around the world and that they have force shields that protect them from humanity's defenses. She adds that the tripods' pilots traveled to Earth within the lightning storms to enter their machines, presumed to have been buried underground long ago. Ray transports his children to Boston to be with their mother, but a desperate mob swarms their vehicle, forcing them to abandon it. They eventually get on a ferry crossing over the Hudson River before tripods attack the refugees. One tripod emerges from the water and capsizes the ferry, forcing Ray and his children to swim to shore while the tripods abduct several refugees. They then witness a US military counter-offensive against the tripods. To Ray's dismay, Robbie joins the futile fight out of hatred for the invaders, leaving Ray and Rachel to flee. The military forces are obliterated, with Robbie presumed dead along with them. Shortly afterward, the pair are offered shelter in a nearby house by a former ambulance driver, Harlan Ogilvy. The three remain undetected for several hours, even as a tripod's probe and a group of aliens explore the basement. Tensions soon arise between Harlan and Ray, with Harlan insistent on fighting and killing the aliens, having heard that the Japanese military was successful in doing so in Osaka, while Ray prefers hiding with Rachel to avoid being spotted and killed by the aliens. They soon discover that the aliens have started cultivating a red-colored vegetation across the landscape that is quickly spreading. Later, Harlan suffers a mental breakdown after witnessing the tripods harvesting human blood and tissue to fertilize the alien vegetation. Fearing that his mad shouting will alert the aliens, Ray reluctantly kills him. Later in the night, a second tripod probe then catches the Ferriers sleeping, causing Rachel to flee outside only to be abducted by the tripod. Chasing after the tripod, Ray grabs a belt of grenades from an abandoned Humvee, that has been overgrown with the red vegetation, then intentionally allows himself to be abducted. With the help of other abductees, Ray destroys the tripod from within with the grenades. Ray and Rachel eventually reach Boston, where they find the alien vegetation withering and the tripods inexplicably collapsing. When another tripod appears, active yet unstable, Ray notices birds landing on it, indicating that its force shields have been disabled. He alerts the soldiers escorting the fleeing crowd, who shoot it down with Javelin missiles. As the soldiers advance on the downed tripod, a hatch opens, and a weak, horribly diseased alien struggles halfway out before dying. Ray and Rachel finally approach Mary Ann's parents' house, reuniting with Mary Ann and Robbie, who survived. Against a backdrop featuring multiple dead and destroyed tripods, the narrator explains that the aliens died because they could not have possibly prepared themselves against the countless microbes and viruses inhabiting the Earth, to which humanity has adapted over millennia. ==Cast==
Cast
Tom Cruise as Ray Ferrier, a crane operator and Rachel and Robbie's father • Dakota Fanning as Rachel Ferrier, Ray and Mary Ann's 10-year-old daughter and Robbie's younger sister • Miranda Otto as Mary Ann Ferrier, Ray's pregnant ex-wife and Rachel and Robbie's mother • Tim Robbins as Harlan Ogilvy, a former ambulance driver who is insistent on fighting and killing the aliens • Justin Chatwin as Robbie Ferrier, Rachel's older brother and Ray and Mary Ann's teenage son • Rick Gonzalez as Vincent, Ray and Julio's friend • Yul Vazquez as Julio, Ray and Vincent's friend • Lenny Venito as Manny the Mechanic, Ray's friend and a mechanic • Lisa Ann Walter as Sheryl, Ray's friend • Ann Robinson as Grandmother (she played the lead role of Sylvia van Buren in the 1953 film) • Gene Barry as Grandfather (he played the lead role of Dr. Clayton Forrester in the 1953 film) • David Alan Basche as Tim, Mary Ann's husband and Robbie and Rachel's step-father • Roz Abrams as Herself • Camillia Sanes as News Producer • Amy Ryan as Neighbor With Toddler • David Harbour as Dock Worker (deleted scene) • Danny Hoch as Policeman • Morgan Freeman as The Narrator (voice) • Columbus Short as Soldier • Daniel Franzese as National Guardsman • Dee Bradley Baker as Alien Vocals (uncredited) • Channing Tatum as The Boy In The Church • Ty Simpkins as 3 Year Old Boy ==Production==
Production
Development After collaborating on 2002's Minority Report, Steven Spielberg and Tom Cruise were interested in working together again. Spielberg stated about Cruise, "He's such an intelligent, creative partner, and brings such great ideas to the set that we just spark each other. I love working with Tom Cruise." Cruise met with Spielberg during the filming of Spielberg's Catch Me If You Can (2002) and gave three options of films to create together, one of them being an adaptation of The War of the Worlds. Spielberg cited Ridley Scott's Alien (1979) for inspiration for the film. Spielberg was intent on telling a contemporary story, with Kennedy stating the story was created as a fantasy, but depicted in a hyper-realistic way. Josh Friedman delivered a screenplay, which was then rewritten by David Koepp. After re-reading the novel, Koepp decided to do the script following a single narrator, "a very limited point of view, from someone on the very periphery of events rather than someone involved in events", and created a list of elements he would not use due to being "cliché", such as the destruction of landmark buildings. Some aspects of the book were heavily adapted and condensed: Tim Robbins' character was an amalgam of two characters in the book, with the name borrowed from a third. While changing the setting from 19th century to present day, Koepp also tried to "take the modern world back to the 1800s", with the characters being devoid of electricity and modern techniques of communication. Spielberg accepted the script after finding it had several similarities to his personal life, including the divorce of his parents (Ray and Mary Ann), and because the plight of the fictional survivors reflects his own uncertainty after the devastation of the September 11 attacks. Spielberg originally intended to shoot War of the Worlds after Munich (2005), but Tom Cruise liked David Koepp's script so much that he suggested Spielberg postpone the former while he would do the same with Mission: Impossible III (2006). Most of Munich crew was brought in to work on War of the Worlds as well. In 2004, the production crews quickly were set up on both coasts to prepare for the start date, scouting locations up and down the Eastern Seaboard and preparing stages and sets which would be used when the company returned to Los Angeles after the winter holiday. Pre-production took place in only three months, essentially half the amount of time normally allotted for a film of similar size and scope. Spielberg notes, however, "This wasn't a cram course for War of the Worlds. This was my longest schedule in about 12 years. We took our time." Later, Spielberg filmed several scenes in Virginia. The ferry scene was filmed in the New York town of Athens, and Mary Ann's parents' house was located in Brooklyn (but was featured in the film as Boston). dismantled it into several pieces, and built houses around them. The film used six sound stages, spread over three studio lots. In order to keep the realism, the usage of computer-generated imagery shots and bluescreen was limited, with most of the digital effects being blended with miniature and live-action footage. The visual effects crew tried to blend organic and mechanical elements in the Tripods depiction, and made extensive studies for the movements of the vehicle to be believable, considering the "contradiction" of having a large tank-like head being carried by thin and flexible legs. as it was the height described by Wells in the novel. and an amphibian quality particularly on the wet skin. A styrofoam alien was used as a stand-in to guide the actors in the basement scene. and a four-week deadline so the shot could be used in a Super Bowl trailer. Costume designer Joanna Johnston created 60 different versions of Ferrier's leather jacket, to illustrate the degrees to which he is weathered from the beginning of the journey to the end. "He begins with the jacket, a hoodie, and two t-shirts," explains Johnston. One piece of Dakota Fanning's costume that takes on a special importance is her lavender horse purse: "I wanted her to have something that made her feel safe, some little thing that she could sleep with and put over her face," Johnston notes. "That was the lavender horse purse. We tied it up on a ribbon and Dakota hung it on her body, so it was with her at all times." Johnston dressed Robbie for an unconscious emulation of his father, "They're more alike than they realize, with great tension on the surface," Johnston says. ==Soundtrack==
Soundtrack
Longtime Spielberg collaborator John Williams composed the score. A soundtrack album was released on June 21, 2005, by Decca Records, followed by an expanded "limited edition" soundtrack released through Intrada Records in 2020. Themes The film was described as an anti-war film, as civilians run and only try to save themselves and their family instead of fighting back against the alien Tripods. Debra J. Saunders of San Francisco Chronicle described the film as "If aliens invade, don't fight back. Run." Saunders compared the film to Independence Day, where the civilians do run, but they support the military efforts. Spielberg declared to ''Reader's Digest'' that beside the work being a fantasy, the threat represented was real: "They are a wake-up call to face our fears as we confront a force intent on destroying our way of life." Screenwriter David Koepp stated that he tried not to put explicit references to September 11 or the Iraq War, but said that the inspiration for the scene where Robbie joins the Marines was teenagers fighting in the Gaza Strip⁠"I was thinking of teenagers in Gaza throwing bottles and rocks at tanks, and I think that when you're that age you don't fully consider the ramifications of what you're doing and you're very much caught up in the moment and passion, whether that's a good idea or not." ==Release==
Release
War of the Worlds premiered at the Ziegfeld Theatre on June 23, 2005. There, Tom Cruise revealed his relationship with Katie Holmes. Six days later, on June 29, the film was released in approximately 3,908 theaters across America. The home video was released on November 22, 2005. Secrecy Spielberg kept most of the parts secret in the filmmaking, as the cast and crew were left confused about how the aliens looked. When asked about the secrecy of the screenplay, David Koepp answered, "[Spielberg] wouldn't give [the screenplay] to anybody." Koepp explained he would e-mail it to him, and he would give a section of the script that was relating to whatever somebody was doing. Spielberg admitted after keeping things secret for so long, there is in the end the temptation to reveal too much to the detriment of the story at the press conference of War of the Worlds. So, Spielberg only revealed the hill scene, where Ferrier tries to stop his son from leaving, stating "to say more would reveal too much." The actual budget of the film was $132 million. According to Vanity Fair, Spielberg's relations with Cruise were "poor" during the film's release because Spielberg believed Cruise's "antics" at the time (such as an erratic appearance on the Oprah Winfrey show) had "hurt" the film; also, a doctor whose name Spielberg had given to Cruise was picketed by Scientologists. Marketing and home media releases Paramount Pictures Interactive Marketing debuted a human survival online game on its official website on April 14 to promote the film. Hitachi collaborated with Paramount Pictures for a worldwide promotional campaign, under the title of "The Ultimate Visual Experience". The agreement was announced by Kazuhiro Tachibana, general manager of Hitachi's Consumer Business Group. Kazuhiro stated, "Our 'The Ultimate Visual Experience' campaign is a perfect match between Spielberg and Cruise's pursuit of the world's best in film entertainment and Hitachi's commitment to the highest picture quality through its digital consumer electronic products." The film grossed $113 million in DVD sales, bringing its total film gross to $704,745,540, ranking tenth place in the 2005 DVD sales chart. Paramount released the film on Blu-ray Disc on June 1, 2010. ==Reception==
Reception
Box office On , the film grossed $81 million worldwide, and earned the 38th-biggest opening week by grossing $98.8 million in 3,908 theaters, an average of $25,288. On Independence Day weekend, it grossed $64.9 million, an average of $16,601, and gave Tom Cruise his biggest opening weekend, replacing Mission: Impossible 2. It was the second-biggest film opening on Independence Day weekend, after Spider-Man 2. During its first five days of release, it made $100.2 million, breaking The Lost World: Jurassic Parks record for being the fastest Steven Spielberg film to reach $100 million. It earned $200 million in 24 days, ranking 37th in the list of fastest films to gross $200 million. It went on to make a total gross of $603.9 million worldwide. Overall, it was the fourth-highest-grossing film of 2005. Critical response On Rotten Tomatoes, War of the Worlds holds an approval rating of 76% based on 265 reviews, and an average rating of 7/10. The site's critical consensus states: "Steven Spielberg's adaptation of War of the Worlds delivers on the thrill and paranoia of H.G. Wells' classic novel while impressively updating the action and effects for modern audiences." Review aggregator website Metacritic gave the film an average score of 73 out of 100 based on 40 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. James Berardinelli praised the acting and considered that focusing the narrative on the struggle of one character made the film more effective, but described the ending as weak, even though Spielberg "does the best he can to make it cinematically dramatic". Total Film review gave War of the Worlds four out of five stars, considering that "Spielberg finds fresh juice in a tale already adapted for film, TV, stage, radio and record", and describing the film as having many "startling images", comparing the first Tripod attack to the Omaha Beach landing from Saving Private Ryan. Los Angeles Times Kenneth Turan, who commended the film's special effects, stated that Spielberg may actually have done his job in War of the Worlds "better than he realizes". Turan claimed that, by "showing us how fragile our world is", Spielberg raises a provocative question: "Is the ultimate fantasy an invasion from outer space, or is it the survival of the human race?" However, Broomfield Enterprise Dan Marcucci and Nancy Serougi did not share Berardinelli and Turan's opinion. They felt that Morgan Freeman's narration was unnecessary, and that the first half was "great" but the second half "became filled with clichés, riddled with holes, and tainted by Tim Robbins". Michael Wilmington of the Chicago Tribune gave the film three-and-a-half stars out of four, writing "War of the Worlds definitely wins its battle, but not the war." Wilmington stated that the film "takes [viewers] on a wild journey through two sides of [Spielberg]: the dark and the light." He also said the film contained a core sentiment similar to that of Spielberg's E.T. the Extra-Terrestrial. About.com's Rebecca Murray gave a positive review, stating, "Spielberg almost succeeds in creating the perfect alien movie", with criticism only for the ending. Jonathan Rosenbaum of Chicago Reader criticized the film as "shamelessly hokey", but was relatively more favorable towards the special effects and Cruise's performance. Roger Ebert criticized the "retro design" and considered that despite the big budget, the alien invasion was "rudimentary" and "not very interesting", regarding the best scenes as Ferrier walking among the airliner wreckage and a train running in flames, declaring that "such scenes seem to come from a kind of reality different from that of the tripods." The French film magazine Cahiers du cinéma ranked the film as 8th place in its list of best films of the 2000s. It is also Spielberg's first film to make the magazine's annual listings of the top 10 films of the year, which would be followed by Lincoln (2012), The Post (2017) and The Fabelmans (2022). Japanese film director Kiyoshi Kurosawa listed the film as the best film of 2000–2009. ==Accolades==
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