Theatrical cartoon short (1948) '' (1948) Rudolph made his first screen appearance in 1948, in a cartoon short produced by
Max Fleischer for the
Jam Handy Corporation that was more faithful to May's original story than Marks' song, which had not yet been written. It was reissued in 1951 with the song added.
View-Master reels (1950, 1955) The stereoscope
View-Master version of the story was issued and copyrighted by
Sawyer's on August 1, 1950, as a 14-frame, 7-image reel numbered "FT-25". The text was provided by Thomas L. Dixon and the model and diorama work by Florence Thomas. A follow-up 3-reel packet, also with Thomas involved, was copyrighted on September 10, 1955. These showcased new stories by Robert L. May:
Rudolph, the Red-Nosed Reindeer and J. Baddy, the Brilliant Bear (FT-26),
Rudolph, the Red-Nosed Reindeer and Uncle Bigby, the Blue-Nosed Reindeer (FT-27) and
Rudolph, the Red-Nosed Reindeer Shines Again (FT-28). Later reissue packets of the 1960s and beyond replaced the FT-28 version with the 1950 FT-25 version. The 1955 packet was promoted on television at the time by
Arlene Francis.
Comic books (beginning in 1950) DC Comics, then known as National Periodical Publications, published a series of 13 annuals titled
Rudolph the Red-Nosed Reindeer from 1950 to 1962. Rube Grossman drew most of the 1950s stories. In 1972, DC Comics published a 14th edition in an extra-large format. Subsequently, they published six more in that format: ''
Limited Collectors' Edition C-20, C-24, C-33, C-42, C-50 and All-New Collectors' Edition'' C-53, C-60. Additionally, one digest format edition was published as
The Best of DC #4 (March–April 1980). The 1970s Rudolph stories were written and drawn by
Sheldon Mayer.
Children's book (1958) In 1958,
Little Golden Books published an illustrated storybook adapted by Barbara Shook Hazen and illustrated by
Richard Scarry. The book, similar in story to the
Max Fleischer cartoon short, is no longer in print, but a revised Little Golden Books version of the storybook was reissued in 1972.
Stop-motion animation television special (1964) and sequels (1976–1979) Perhaps the most well-known version of all the Rudolph adaptations is the New York-based
Rankin/Bass Productions' Christmas television special from 1964. Filmed in
stop-motion "Animagic" at
Tadahito Mochinaga's MOM Productions in
Tokyo, Japan, with the screenplay written by
Romeo Muller and all sound recordings (with supervision by
Bernard Cowan) done at the RCA studios in
Toronto, Ontario, Canada, the show premiered on
NBC. As the producers of the special,
Arthur Rankin, Jr. and
Jules Bass, only had the song as source material and did not have a copy of the original book, they interpolated an original story around the central narrative of the song, one that differed from the book. This re-telling chronicles Rudolph's social rejection among his peers and his decision to run away from home. Rudolph is accompanied by a similarly outcast elf named Hermey, who skipped elf practice to become a dentist, along with a loud, boisterous, eager prospector named Yukon Cornelius who was in search of wealth. Additional original characters include Rudolph's love interest, Clarice; the Bumble, an
abominable snow monster; and, as narrator, Sam, the Living Snowman, voiced by
Burl Ives. Rudolph is born to Donner the reindeer and Donner's wife. He is discovered by Santa to have a shiny, glowing red nose. For a while he hides this quality that makes him different, but when his nose is discovered and he is ostracized, Rudolph runs away with Hermey. On their aimless journey, they run into Yukon Cornelius and attempt to stay away from the Bumble. Their journey leads them to the Island of Misfit Toys, where sentient but unorthodox toys go when they are abandoned by their owners. When Rudolph returns, he discovers his family went to look for him and must be rescued. Then Santa announces that because of bad weather Christmas must be canceled. Santa changes his mind when he notices Rudolph's red nose and asks Rudolph to lead the sleigh team, which he happily accepts. After the story's initial broadcast, its closing credits were revised. Images of wrapped presents being dropped from Santa's sleigh were replaced by a scene in which Santa stops to pick up the Misfit Toys and delivers them to the homes of children below via umbrellas (with the exception of the misfit toy bird that swims but does not fly who is dropped to its destination). The changes were prompted by viewer feedback pleading for a happy ending for the Misfits Toys as well. The special aired for over five decades on
CBS, before returning to NBC for its 60th anniversary in 2024 in addition to cable airings on
Freeform's 25 Days of Christmas since 2019. The special and its original assortment of characters have acquired iconic status, subject to
frequent parodies and homages. The success and popularity of the special led to two sequels ''
Rudolph's Shiny New Year'' (1976) which continued the reindeer's journeys, and the series was made into a trilogy with the feature-length film ''
Rudolph and Frosty's Christmas in July (1979), which integrated the Rudolph'' universe into that of Rankin/Bass's adaptation of
Frosty the Snowman (1969). Being one of the most popular Rankin/Bass characters, Rudolph also made his cameo appearances in two "Animagic" specials ''
Santa Claus is Comin' to Town (1970) and Nestor, the Long–Eared Christmas Donkey (1977), and in the Easter television special The First Easter Rabbit'' (1976) with cel animation by Toru Hara's
Topcraft.
Animated feature-length films Rudolph the Red-Nosed Reindeer: The Movie (1998) is an 2D-animated feature film presented by
GoodTimes Entertainment and Golden Books Family Entertainment (now
Western Publishing), and produced by Tundra Productions in Hollywood, California. It received only a limited theatrical release before debuting on
home video. Its inclusion of a
villain, a love interest, a sidekick, and a strong protector are more derivative of the Rankin/Bass adaptation of the story than the original tale and song (the characters of Stormella, Zoey, Arrow, Slyly, and Leonard parallel the Rankin/Bass characters of the Bumble, Clarice, Fireball, Hermey, and Yukon Cornelius, respectively). The movie amplifies the early backstory of Rudolph's harassment by his schoolmates (primarily his cousin Arrow) during his formative years. It was produced and directed by William R. Kowalchuk, and written by Michael Aschner, with music and songs by
Al Kasha and
Michael Lloyd, and with most of the casting being assembled at BLT Productions in Vancouver, British Columbia. The film's recording facilities were Pinewood Sound in Vancouver, Schwartz Sound in New York, and
Wally Burr Recording in Hollywood. Among the all-star cast of voices were American actors
John Goodman,
Whoopi Goldberg,
Debbie Reynolds,
Richard Simmons and
Bob Newhart, British actor
Eric Idle, and Canadian actress
Kathleen Barr as Rudolph. Animation production services for the film were outsourced to Colorland Animation Productions in Hong Kong. GoodTimes Entertainment, the producers of
Rudolph the Red-Nosed Reindeer: The Movie, brought back most of the same production team for a CGI-animated sequel,
Rudolph the Red-Nosed Reindeer and the Island of Misfit Toys (2001). Unlike the previous film, the sequel featured the original characters from the Rankin/Bass special as GoodTimes soon learned that Rankin/Bass had made a copyright error that made the characters unique to their special free to use.
Other A live-action version of Rudolph (complete with the glowing nose) along with Donner and Blitzen appears in the
Doctor Who Christmas special titled "
Last Christmas", which was broadcast on
BBC One on December 25, 2014. In this special, Santa is able to park him like a car and turn off his nose. Nathaniel Dominy, an anthropology professor at
Dartmouth College (Robert L. May's alma mater), published a scholarly paper on Rudolph's red nose in the
open access online journal
Frontiers for Young Minds in 2015. In the paper, Dominy noted that reindeer eyes can perceive shorter wavelengths of light than humans, allowing them to see ultraviolet light; ultraviolet light, however, is much more easily scattered in fog, which would blind reindeer. Thus, Rudolph's red nose, emitting longer-wavelength red light, would penetrate the fog more easily. A summary of Dominy's findings was released in an
Associated Press article on December 22. ==See also==