Along with upsets from spectators, the tour received mixed to negative reviews from critics for the Australian and European legs of the tour. • Kathy McCabe (
The Daily Telegraph) was not impressed with Houston's performance at the Acer Arena. She states, "Her acoustic set of old favourites unfortunately could not hide the very obvious problems with her voice, the strain and those coughs that punctuated the Brisbane show were back. By the time she got to the gospel section of the show a steady stream of disappointed, saddened and angry fans started streaming out the doors." • Cameron Adams (
Herald Sun) gave Houston's performance at the Rod Laver Arena a positive review, despite media upset from her performance in Brisbane. He writes, "Houston is just a more human superstar in 2010, now with added flaws that give her character. She hits all the right notes in
I Look to You, the new song about what she calls her 'down times'. Indeed every time she hits a huge note her devoted audience break into applause." • Candice Keller (
The Advertiser) states that Houston still has "it" after viewing her performance at the Adelaide Entertainment Centre. She continues to write, "She knows how to engage a crowd and keep the fans eating from the palm of her hand. She'll tease with a knowing and tuneful hum, or tell a story about what brought her to today." • Morwenna Ferrier (
The Observer) applauds Houston's concert at the Trent FM Arena Nottingham. She further writes, "She kicks off successfully with two ballads from her 2009 album,
I Look to You, 'For the Lovers' and 'Nothin' But Love' (love really is a theme with Houston.) The crowd, now warmed up, begins rattling with joy as she struts around all finger-clicky, black and proud during 'It's Not Right'. The songs include moments of genuine bonkersness." • John Meagher (
The Independent) praised Houston's backing vocalist and her brother, Gary Houston for the performance at The O2 in Dublin. He continues to write, "She spends more time chatting to the audience than singing in the early stages, although her conversation rarely strays beyond the 'I love you, Dublin' type. At one point she fixates on a young girl in the front row, but what initially is charming tries the patience of the audience and eventually becomes tedious. Even the more tolerable songs -- 'My Love is Your Love', for instance -- are carried by the strength of her backing vocalists and the enthusiastic singing of the crowd. There are slivers of the super-talented young Whitney -- a high note here, a spine-tingling pause there on 'I Will Always Love You' -- but they arrive so infrequently it hardly matters. Instead, you are left with the memory of her botched attempts to wring some magic from 'I Wanna Dance with Somebody' and 'How Will I Know?'" • John Aizlewood (
Evening Standard) gave her performance at The O2 Arena one out of five stars, stating "Where once she soared, now she wheezes and croaks, bludgeoning her perfect pop single I Wanna Dance With Somebody (Who Loves Me) into karaoke submission; stripping the moving My Love Is Your Love of all emotion and inflicting grisly carnage on I Will Always Love You (if she is late-period
Judy Garland, this is her Over The Rainbow)." • Fiona Shepherd (
The Scotsman) gave the show at the Scottish Exhibition and Conference Centre two out of four stars. She writes, "It was obvious from this performance that she has lost her vocal agility, her stamina, her poise and her wits – or so it seemed from her nervous laughter, repetitive thank yous and rambling personal tributes. Her band were practiced at covering for her while she took time out to pat away the sweat, re-apply her make-up, impart another nugget of eccentric insight and generally procrastinate." ==Personnel==