Box office Despite critical acclaim, the film under-performed at the box office, earning just $65,900,249 worldwide against an estimated $90 million production budget. Its companion film
Letters From Iwo Jima was more profitable with a box office run of $71 million on a budget of $19 million.
Critical reception On review aggregator
Rotten Tomatoes,
Flags of Our Fathers has an approval rating of 76% based on 239 reviews, with an average rating of 7.1/10. The site's consensus states: "
Flags of Our Fathers is both a fascinating look at heroism, both earned and manufactured, and a well-filmed salute to the men who fought at the battle of Iwo Jima." On
Metacritic, the film scored a 79 out of 100 based on 39 reviews, indicating "generally favorable" reviews. Audiences polled by
CinemaScore gave the film an average grade of "A-" on an A+ to F scale.
Roger Ebert gave the film four stars out of four praising the film for its depiction of war. The film made the top-10 list of the
National Board of Review. Eastwood also earned a
Golden Globe nomination for directing. The film was nominated for two
Academy Awards — for
Best Sound Mixing (
John T. Reitz,
David E. Campbell,
Gregg Rudloff, and
Walt Martin) and
Sound Editing. Film critic Richard Roeper said, "Clint Eastwood's
Flags of Our Fathers stands with the Oscar-winning
Unforgiven and
Million Dollar Baby as an American masterpiece. It is a searing and powerful work from a 76-year-old artist who remains at the top of his game... [and]
Flags of Our Fathers is a patriotic film in that it honors those who fought in the Pacific, but it is also patriotic because it questions the official version of the truth, and reminds us that superheroes exist only in comic books and cartoon movies."
Top ten lists Flags of Our Fathers was listed on numerous critics' top ten lists for 2006. • 1st –
Kenneth Turan,
Los Angeles Times (tied with
Letters from Iwo Jima) • 1st – Michael Wilmington,
Chicago Tribune • 1st – Kirk Honeycutt,
The Hollywood Reporter • 1st –
Stephen Hunter,
The Washington Post • 2nd – Scott Foundas,
L.A. Weekly (tied with
Letters from Iwo Jima) • 3rd –
Peter Travers,
Rolling Stone (tied with
Letters from Iwo Jima) • 3rd –
Shawn Levy,
Portland Oregonian (tied with
Letters from Iwo Jima) • 3rd – Jack Matthews,
New York Daily News (tied with
Letters from Iwo Jima) • 3rd –
Richard Roeper,
At the Movies (tied with
Letters from Iwo Jima) • 3rd – Claudia Puig,
USA Today • 4th – William Arnold,
Seattle Post-Intelligencer • 5th – Ray Bennett,
The Hollywood Reporter • 5th –
Richard Schickel,
Time • 5th –
David Edelstein,
Fresh Air (tied with
Letters from Iwo Jima) • 7th –
Roger Ebert,
Chicago Sun-Times (tied with
Letters from Iwo Jima) • Best of 2006 (listed alphabetically, not ranked) –
David Denby,
The New Yorker Spike Lee controversy At the 2008
Cannes Film Festival, director
Spike Lee, who was making
Miracle at St. Anna, about an all-Black U.S. division fighting in Italy during
World War II, criticized director Clint Eastwood for not depicting Black Marines in
Flags of Our Fathers. Citing historical accuracy, Eastwood responded that his film was specifically about the Marines who raised the flag on
Mount Suribachi at
Iwo Jima, pointing out that while Black Marines did fight at Iwo Jima, the U.S. military was segregated during World War II, and none of the men who raised the flag were Black. Eastwood believed Lee was using the comments to promote
Miracle at St. Anna and angrily said that Lee should "shut his face". Contrary to Lee's claims, however, Black Marines (including an all-Black unit) are seen in several scenes during which the mission is outlined, as well as during the initial landings, when a wounded Black Marine is carried away. During the end credits, historical photographs taken during the Battle of Iwo Jima show Black Marines. Although Black Marines fought in the battle, they were restricted to auxiliary roles, such as ammunition supply, and were not involved in the battle's major assaults; they did, however, take part in defensive actions. According to Alexander M. Bielakowski and Raffaele Ruggeri, "Half a million African Americans served overseas during World War II, almost all in segregated second-line units." The number of African Americans killed in action was 708. Spielberg later intervened between the two directors, after which Lee sent a copy of a film on which he was working to Eastwood for a private screening as a seeming token of apology. Similarly, until October 16, 2019,
Rene Gagnon was also misidentified. In reality, marines
Harold Keller and
Harold Schultz were in their places respectively, and the two were not depicted in the film. ==See also==