Castration and overthrow and
Cristofano Gherardi, 1560 (Sala di Cosimo I,
Palazzo Vecchio) As Hesiod tells the story, Gaia "first bore starry Heaven [Uranus], equal to herself, to cover her on every side, and to be an ever-sure abiding-place for the blessed gods." Then, with Gaia, Uranus produced eighteen children: the twelve Titans, the three
Cyclopes, and the three
Hecatoncheires (Hundred-Handers), but hating them, he hid them away somewhere inside Gaia. Angry and in distress, Gaia fashioned a
sickle made of
adamant and urged her children to punish their father. Only her son Cronus, the youngest Titan, was willing to do so. So Gaia hid Cronus in "ambush", giving him the adamantine sickle, and when Uranus came to lie with Gaia, Cronus reached out and castrated his father, casting the severed testicles into the sea. Uranus's castration allowed the Titans to rule and Cronus to assume supreme command of the cosmos. For this "fearful deed", Uranus called his sons "Titans (Strainers) in reproach" and said that "vengeance for it would come afterwards." According to Hesiod, from the blood that spilled from Uranus onto the Earth came forth the
Giants, the
Erinyes (the avenging Furies), and the
Meliae (the ash-tree
nymphs). From the genitals in the sea came forth
Aphrodite. According to some accounts, the mythical
Phaeacians, visited by
Odysseus in the
Odyssey, were also said to have sprung from the blood of Uranus's castration. Various sites have been associated with Cronus's sickle, and Uranus's castration. Two of these were on the island of
Sicily. According to the Alexandrian poet
Callimachus (c. 270 BC), Cronus's sickle was buried at
Zancle in Sicily, saying that it was "hidden in a hollow under the ground" there. The other Sicilian site is
Drepanum (modern
Trapani), whose name is derived from the Greek word for "sickle". Another Alexandrian poet,
Lycophron (c. 270 BC), mentions "rounding the Cronos' Sickle's leap", an apparent reference to the "leap" of the sickle being thrown into the sea at Drepanum. However, other sites were also associated with the sickle. The geographer
Pausanias, reports that the sickle was said to have been thrown into the sea from the cape near
Bolina, not far from
Argyra on the coast of
Achaea, and says that "For this reason they call the cape
Drepanum". The historian
Timaeus located the sickle at
Corcyra, which the islanders claimed to be
Phaeacia, the island home of the Phaeacians, who (as noted above) were said to have been born from the blood of Uranus's castration. After his castration, Uranus recedes into the background. Uranus plays no further role in Greek mythology beyond the tradition that he and Gaia (now reconciled?) warned their son Cronus that he was destined to be overthrown by one of his children, advised their daughter
Rhea, Cronus's wife, to go to
Lyctus on
Crete to give birth to Zeus, so that Zeus would be saved from Cronus, and advised Zeus to swallow his first wife
Metis, so that Zeus would not in turn be overthrown by his son. He is, however, identified on the Gigantomachy frieze on the
Pergamon Altar, bearded and winged, fighting against the
Giants with a sword, not too far from his daughter Themis, who is seen attacking another Giant.
The sky (ouranos) After his castration, the Sky came no more to cover the Earth at night, but held to its place, and, according to
Carl Kerényi, "the original begetting came to an end". Uranus was scarcely regarded as anthropomorphic, aside from the genitalia in the castration myth. He was simply the sky, which was conceived by the ancients as an overarching dome or roof of bronze, held in place (or turned on an axis) by the Titan
Atlas. In formulaic expressions in the Homeric poems
ouranos is sometimes an alternative to
Olympus as the collective home of the gods; an obvious occurrence would be the moment in
Iliad 1.495, when
Thetis rises from the sea to plead with Zeus: "and early in the morning she rose up to greet Ouranos-and-Olympus and she found the son of Kronos ...".
William Sale remarks that "... '
Olympus' is almost always used [as the home of the
Olympian gods], but
ouranos often refers to the natural sky above us without any suggestion that the gods, collectively, live there". Sale concluded that the earlier seat of the gods was the actual
Mount Olympus, from which the epic tradition by the time of Homer had transported them to the sky,
ouranos. By the sixth century, when a "heavenly Aphrodite" (
Aphrodite Urania) was to be distinguished from the "common Aphrodite of the people",
ouranos signifies purely the celestial sphere itself. ==Comparative mythology==