Conservation Traditional hunters used all parts of the walrus. The meat, often preserved, is an important winter nutrition source; the flippers are fermented and stored as a delicacy until spring; tusks and bone were historically used for tools, as well as material for handicrafts; the oil was rendered for warmth and light; the tough hide made rope and house and boat coverings; and the intestines and gut linings made waterproof parkas. While some of these uses have faded with access to alternative technologies, walrus meat remains an important part of local diets, and tusk carving and engraving remain a vital art form. In the 18th and 19th centuries, the walrus was heavily exploited by American and European
sealers and
whalers, leading to the
near-extinction of the Atlantic subspecies. As early as 1871 traditional hunters were expressing concern about the numbers of walrus being hunted by whaling fleets. Commercial walrus harvesting is now outlawed throughout its range, although
Chukchi,
Yupik and
Inuit peoples are permitted to kill small numbers towards the end of each summer. According to
Adolf Erik Nordenskiöld, European hunters and Arctic explorers found walrus meat not particularly tasty, and only ate it in case of necessity; however walrus
tongue was a delicacy. Walrus hunts are regulated by resource managers in
Russia, the United States, Canada, and
Greenland, and by representatives of the respective hunting communities. An estimated 4000–7000 Pacific walruses are harvested in
Alaska and in Russia, including a significant portion (about 42%) of struck and lost animals. Several hundred are removed annually around Greenland. The sustainability of these levels of harvest is difficult to determine given uncertain population estimates and parameters such as
fecundity and
mortality. The
Boone and Crockett Big Game Record book has entries for Atlantic and Pacific walrus. The recorded largest tusks are just over 30 inches and 37 inches long respectively. The effects of
global climate change are another element of concern. The extent and thickness of the pack ice has reached unusually low levels in several recent years. The walrus relies on this ice while giving birth and aggregating in the reproductive period. Thinner pack ice over the Bering Sea has reduced the amount of resting habitat near optimal feeding grounds. This more widely separates lactating females from their calves, increasing nutritional stress for the young and lower reproductive rates. Reduced coastal sea ice has also been implicated in the increase of stampeding deaths crowding the shorelines of the
Chukchi Sea between eastern Russia and western Alaska. Analysis of trends in ice cover published in 2012 indicate that Pacific walrus populations are likely to continue to decline for the foreseeable future, and shift further north, but that careful conservation management might be able to limit these effects. Currently, two of the three walrus subspecies are listed as
least concern by the
IUCN, while the third is
data deficient. In 1952, walruses in
Svalbard were nearly gone due to ivory hunting over a 300 years period, but the Norwegian government banned their commercial hunting and the walruses began to repopulate. By 2018, the population had increased to an estimated 5,503 walruses in the Svalbard area. File:Pacific Walrus - Bull (8247646168).jpg|Male Pacific Walrus, Alaska File:Walrus hunter 1911.jpg|Hunter sitting on dozens of walruses killed for their tusks, 1911 File:PolarBearWalrusTuskCarving.jpg|alt=Photo of section of tusk|Walrus tusk
scrimshaw made by
Chukchi artisans depicting polar bears attacking walruses, on display in the Magadan Regional Museum,
Magadan, Russia File:Valrossarna på Skansen matas av djurskötare och herre i paletå och hög hatt - Nordiska Museet - NMA.0048348.jpg|Walrus being fed at
Skansen in
Stockholm,
Sweden, 1908 File:Eskimo woman dressing walrus skin, Alaska, nd (COBB 273).jpeg|Native Alaskan woman dresses walrus skin
Culture Folklore The walrus plays an important role in the religion and
folklore of many
Arctic peoples. Skin and bone are used in some ceremonies, and the animal appears frequently in legends. For example, in a
Chukchi version of the widespread
myth of the Raven, in which
Raven recovers the sun and the moon from an evil spirit by seducing his daughter, the angry father throws the daughter from a high cliff and, as she drops into the water, she turns into a walrus . This myth is possibly related to the Chukchi myth of the old walrus-headed woman who rules the bottom of the sea, who is in turn linked to the Inuit goddess
Sedna. Both in
Chukotka and
Alaska, the
aurora borealis is believed to be a special world inhabited by those who died by violence, the changing rays representing deceased souls playing ball with a walrus head. File:Ivorymasks.jpg|alt=Photo of two masks: In the center is the image of a face, surrounded by a ring, in turn surrounded by eight white rectangular pieces.|Walrus ivory masks made by
Yupik in
Alaska File:Briny Beach.jpg|alt=Drawing of walrus, and square-headed men, both perched on rocks, with ocean and cliffs in background|
John Tenniel's illustration for
Lewis Carroll's poem "
The Walrus and the Carpenter" File:Hugo-de-Groot-Nederlandtsche-jaerboeken MG 0188.tif|Dutch explorers fight a walrus on the coast of
Novaya Zemlya, 1596 Most of the distinctive 12th-century
Lewis Chessmen from northern Europe are carved from walrus ivory, though a few have been found to be made of whales' teeth.
Literature Because of its distinctive appearance, great bulk, and immediately recognizable whiskers and tusks, the walrus also appears in the popular cultures of peoples with little direct experience with the animal, particularly in English children's literature. Perhaps its best-known appearance is in
Lewis Carroll's whimsical poem "
The Walrus and the Carpenter" that appears in his 1871 book
Through the Looking-Glass. In the poem, the
eponymous antiheroes use trickery to consume a great number of
oysters. Although Carroll accurately portrays the biological walrus's appetite for bivalve mollusks, oysters, primarily
nearshore and
intertidal inhabitants, these organisms in fact comprise an insignificant portion of its diet in captivity. The "walrus" in the cryptic song "
I Am the Walrus" by
the Beatles is a reference to the Lewis Carroll poem. Another appearance of the walrus in literature is in the story "The White Seal" in
Rudyard Kipling's
The Jungle Book, where it is the "old Sea Vitch—the big, ugly, bloated, pimpled, fat-necked, long-tusked walrus of the North Pacific, who has no manners except when he is asleep". == See also ==