The Palace of Westminster contains over 1,100 rooms, 100 staircases and of passageways,
Layout The palace is a roughly rectangular building with its long axis parallel to the River Thames. The building is planned around the Central Lobby, a large hall from which corridors lead north to the Commons Chamber, south to the Lords Chamber, and west to the public entrance and Westminster Hall; to the east are committee rooms and libraries. A suite of rooms known as the Royal Apartments is at the disposal of the reigning monarch; they lie beyond the Lords' Chamber at the far south of the palace. The palace has separate entrances for its different users: the monarch, members of the House of Lords, members of Parliament and the public. The Sovereign's Entrance is at the base of the Victoria Tower in the south-west corner of the palace, and leads directly to the Royal Apartments. Members of the House of Lords use the Peers' Entrance in the middle of the Old Palace Yard façade, which opens to an entrance hall. A staircase from there leads, through a corridor and the Prince's Chamber, to the Lords Chamber. Members of Parliament enter their part of the building from the Members' Entrance on the south side of New Palace Yard. Their route passes through a cloakroom in the lower level of the Cloisters and eventually reaches the Members' Lobby directly south of the Commons Chamber. St Stephen's Entrance, in the approximate centre of the building's western front, is the public entrance. From it, visitors walk through a flight of stairs to St Stephen's Hall, which houses a collection of marble statues of prominent parliamentarians, and then to the Central Lobby.
Royal Apartments Norman Porch The Sovereign's Entrance is beneath the Victoria Tower. It was designed for the use of the monarch, and is used by them during the
State Opening of Parliament. The Sovereign's Entrance is also the formal entrance used by visiting dignitaries, as well as the starting point of public tours of the palace. From the entrance, a staircase leads up to the principal floor in a broad, unbroken flight of 26 steps made of grey granite. At the top is the Norman Porch, a square landing with a central
clustered column and a ceiling of four
groin vaults with
lierne ribs and
carved bosses. The porch was named for its proposed decorative scheme, which was never completed but would have consisted of statues of the Norman kings and frescoes depicting
Norman history. As completed, the porch contains stained glass windows depicting
Edward the Confessor and a young Queen Victoria, a copy of a 1900 painting of Victoria by
Jean-Joseph Benjamin-Constant, and busts of prime ministers who have sat in the House of Lords on the plinths intended for the statues. A double door opposite the stairs leads to the Royal Gallery, and another to the right opens to the Robing Room. It is where the Sovereign prepares for the State Opening of Parliament by changing into their official robes and putting on the
Imperial State Crown. The focus of the room is the chair of state, which sits on a dais of three steps under a canopy adorned with the arms and floral emblems of England, Scotland and Ireland. A panel of purple velvet forms the backdrop to the chair, embroidered by the
Royal School of Needlework with the royal arms, surrounded by stars and
VR monograms. Five frescoes painted by
William Dyce between 1848 and 1864 cover the walls, depicting allegorical scenes from the legend. Each scene represents a chivalric virtue; the largest, between the two doors, is titled
Admission of Sir Tristram to the Round Table and illustrates the virtue of Hospitality. It has also been used on occasion by visiting statesmen from abroad when
addressing both Houses of Parliament, as well as for receptions in honour of foreign dignitaries, and more regularly for the Lord Chancellor's Breakfast; in the past it was the theatre of several trials of peers by the House of Lords. Documents from the Parliamentary Archives are on display in the Royal Gallery (including a facsimile of
Charles I's death warrant), and the tables and seating offer a workspace for members of the Lords that is conveniently close to their debating chamber. Another decorative element with military undertones are the eight statues of gilded
Caen stone that flank the three doorways and the bay window of the Gallery, sculpted by
John Birnie Philip. Each depicts a monarch during whose reign a key battle or war took place. Above the portraits, at window level, are copies of six of the ten
Armada tapestries, which hung in the chamber of the House of Lords until their destruction in the 1834 fire and depicted the defeat of the
Spanish Armada in 1588. The project was put on hold in 1861 (by which time only one painting had been completed), and was not revived until 2007; , all six paintings are now in their intended places. The room also contains a statue of Queen Victoria, seated on a throne (itself placed on a pedestal) and holding a sceptre and a laurel crown, which show that she both governs and rules. The sculptural ensemble, made of white marble and carved by
John Gibson in 1855, reaches in height; its size has long been considered out of proportion with the fittings of the Prince's Chamber, and the flanking statues ended up in storage between 1955 and 1976. However, the size and location of the group, in the archway opposite the doors to the Royal Gallery (which are removed before State Openings of Parliament to facilitate the royal procession), indicate that it was meant to be seen from a distance, and to symbolically remind the monarch of their royal duties as they would walk down the Royal Gallery on their way to deliver their speech.
Precincts of the House of Lords Lords Chamber The Chamber of the
House of Lords is located in the southern part of the Palace of Westminster. The lavishly decorated room measures . The rest of the floor is paved with encaustic tiles featuring heraldic designs and Latin mottoes. The walls are faced with white stone and each is pierced by a doorway; above the arches are displayed arms representing the six royal dynasties which ruled England until Queen Victoria's reign (
Saxon,
Norman,
Plantagenet,
Tudor,
Stuart and
Hanoverian). Between them, there are windows stained with the arms of the early aristocratic families of England. Of the doorways, the one to the south—which leads into the Lords' Chamber—is the most magnificent, sporting much gilding and decoration, including the full royal arms. The Brass Gates enclose it, a pair of elaborately pierced and studded doors together weighing 1.5 tonnes. The side doors, which feature clocks, open into corridors: to the east extends the Law Lords Corridor, which leads to the libraries, and nearby to the west lies the Moses Room, used for Grand Committees. To the north is the vaulted Peers' Corridor, which is decorated with eight murals by
Charles West Cope depicting historical scenes from the period around the
English Civil War. The frescoes were executed between 1856 and 1866, and each scene was "specifically chosen to depict the struggles through which national liberties were won". and allows a person standing under the great chandelier to see both the Royal Throne and the Speaker's Chair, provided that all the intervening doors are open. Constituents may meet their Members of Parliament here, even without an appointment, and this practice is the origin of the term
lobbying. The hall is also the theatre of the Speaker's Procession, which passes from here on its way to the Commons Chamber before every sitting of the House. The Central Lobby measures across and from the floor to the centre of the vaulted ceiling. Each wall of the Lobby is contained in an arch ornamented with statues of English and Scottish monarchs; on four sides there are doorways, and the
tympana above them are adorned with mosaics representing the patron saints of the United Kingdom's constituent nations:
Saint George for England,
Saint Andrew for Scotland,
Saint David for Wales and
Saint Patrick for Ireland. The other four arches are occupied by high windows, under which there are stone screens—the hall's post office, one of two in the palace, is located behind one of these screens. In front of them stand four bigger-than-life statues of 19th-century statesmen, including one of four-time prime minister
William Gladstone. The East Corridor leads from the Central Lobby to the Lower Waiting Hall, and its six panels remained blank until 1910, when they were filled with scenes from Tudor history. They were all paid for by
Liberal peers and each was the work of a different artist, but uniformity was achieved between the frescoes thanks to a common colour palette of red, black and gold and a uniform height for the depicted characters. One of the scenes is probably not historical:
Plucking the Red and White Roses in the Old Temple Gardens, depicting the origin of these flowers as emblems of the
Houses of Lancaster and
York respectively, was taken from Shakespeare's play
Henry VI, Part 1.
Precincts of the House of Commons Members' Lobby (right) in the Members' Lobby during a tour of the Palace in May 2011. With him are, from the left: the
Lord Great Chamberlain, the
Marquess of Cholmondeley, holding his white staff of office; the
Lord Speaker,
Baroness Hayman; and the
Speaker of the House of Commons,
John Bercow. Continuing north from the Central Lobby is the Commons' Corridor. It is of almost identical design to its southern counterpart and is decorated with scenes of 17th-century political history between the Civil War and the
Revolution of 1688. They were painted by
Edward Matthew Ward and include subjects like
Monk Declaring for a Free Parliament and
The Lords and Commons Presenting the Crown to William III and Mary II in the Banqueting Hall. The room is similar to the Peers' Lobby but plainer in design and slightly larger, forming a cube on all sides.
Commons Chamber The
Chamber of the
House of Commons is at the northern end of the Palace of Westminster; it was opened in 1950 after the Victorian chamber had been destroyed in 1941 and rebuilt under the architect
Giles Gilbert Scott. The Chamber measures the benches, as well as other furnishings in the Commons side of the palace, are coloured green. Members of the public are forbidden to sit on the benches. Other parliaments in
Commonwealth nations, including those of
India,
Canada,
Australia and
New Zealand, have copied the colour scheme under which the Lower House is associated with green, and the Upper House with red. , House of Commons Speaker
John Bercow and Foreign Secretary
William Hague examine the
despatch boxes on 25 February 2013. At the north end of the Chamber is the
Speaker's Chair, a present to Parliament from Australia. The current British Speaker's Chair is an exact copy of the Speaker's Chair given to Australia (itself a copy of the original chair) by the United Kingdom Branch of the
Empire Parliamentary Association, to celebrate the opening of
Provisional Parliament House, Canberra. In front of the Speaker's Chair is the Table of the House, at which the clerks sit, and on which is placed the Commons'
ceremonial mace. The Table was a gift from Canada. The
dispatch boxes, which front-bench
Members of Parliament (MPs) often lean on or rest notes on during Questions and speeches, are a gift from New Zealand. There are green benches on either side of the House; members of the Government party occupy benches on the Speaker's right, while those of the Opposition occupy benches on the Speaker's left. There are no cross-benches as in the House of Lords. The Chamber is relatively small, and can accommodate only 427 of the 650 Members of Parliament—during
Prime Minister's Questions and in major debates MPs stand at either end of the House. By tradition, the British Sovereign does not enter the Chamber of the House of Commons. The last monarch to do so was
King Charles I, in 1642. The King sought to arrest five Members of Parliament on charges of
high treason, but when he asked the Speaker,
William Lenthall, if he had any knowledge of the whereabouts of these individuals, Lenthall famously replied: "May it please your Majesty, I have neither eyes to see nor tongue to speak in this place but as the House is pleased to direct me, whose servant I am here." Since then, in the
State Opening of Parliament, when
Black Rod representing the monarch approaches the doors to the chamber of the House of Commons to make the summons, the doors are pointedly slammed in his or her face. Black Rod has to strike the door three times with a staff to be admitted and issue the summons from the monarch to the MPs to attend. When repairs after the Second World War bombing were completed, the rebuilt chamber was opened by
King George VI on 26 October 1950, who was invited to an "unofficial" tour of the new structure by Commons leaders. The two red lines on the floor of the House of Commons are Protocol dictates that MPs may not cross these lines when speaking; opposition Members will lambaste a Member of Parliament who violates this convention. == Westminster Hall ==