The song is divided into four parts:
Part 1: Paradise The song opens with a male and female character reminiscing about days as a young high school couple on a date. They are parking by a lake and having fun, experiencing "paradise by the
dashboard light", until the young male character insists they're "gonna
go all the way tonight".
Part 2: Baseball broadcast The male character's advances are mirrored by
New York Yankees announcer
Phil Rizzuto broadcasting a portion of a baseball game that serves as a
metaphor for the male character's attempts to achieve his goal, accompanied by
funk instrumentation and back-and-forth dialog between the male and female characters.
Part 3: Let Me Sleep On It Just as the couple is about to consummate, the female character suddenly sings "Stop right there!" She refuses to go any further unless the male character first promises to love her forever and marry her. Reluctant to make such a long-term commitment, the male character repeatedly asks her to consent and promises to give his answer in the morning. The female character remains steadfast, and the male character finally offers his promise: "I started swearing to my God and on my mother's grave/That I would love you 'til the end of time".
Part 4: Praying For the End of Time Back in the present, both characters express how each can no longer stand the other. Remaining true to the vow he made on that night in the past, he is now "praying for the end of time" to arrive and relieve him from his obligation. The song gradually fades out, juxtaposing his gloomy "it was long ago, it was far away, it was so much better than it is today!" with her nostalgic "it never felt so good, it never felt so right, we were glowing like the metal on the edge of a knife". In early live performances of the song, this part was followed by a spoken-word epilogue in which the two characters, presumably having been married for a number of years, argued about what to keep after the couple's divorce. The argument was cut short by the female shouting "...And I'll keep the baby!", which left Meat Loaf's character, previously unaware of the pregnancy, speechless; immediately after, he ended the argument by screaming incoherently at her. The exchange was repeated with different female vocalists, in different versions and with different endings, in most of Meat Loaf's subsequent live tours and remained in the set until his death, when it was still occasionally performed by Meat Loaf and his featured vocalist
Patti Russo. ==Production==