1975–1981 The Hit Factory's facility at 353 West 48th Street used a mixture of recording equipment. Consoles included a
Neve 8068 32-channel console, a Custom
API 32 input console, an
MCI JH-500 36-channel console, and an MCI JH-636 36 channel console. The analog tape machines were Studer A80 24-track 2-inch (
wide body) analog recorders, Studer A80 16-track 2-inch (
narrow body) analog recorders, Studer A80 2-track 1/4-inch analog recorders and an MCI JH-24 24-track 2-inch analog recorder. The outboard gear was a combination of numerous custom pieces from that period plus Eventide, Neve, Lang, Teletronix, Universal,
Pultec, Orban, Kepex, EMT, Fairchild and API. The monitoring was a combination of Westlake, Hidley, Altec, UREI and Auratone. Microphones were Neumann, AKG, Sennheiser, Sony, Norelco, Shure, and Electrovoice. The studios also had
EMT 140 plate reverbs, Cooper Time Cubes and Spring reverbs.
1981–2002 This period saw multiple locations: The Hit Factory Broadway, at 237 West 54th Street, and The Hit Factory Times Square, at 130 West 42nd Street. There were a mixture of desks between the locations as the consoles moved between the seven studios. An MCI JH-636 36 channel console with MCI automation in Studio A2 (
moved from West 48th Street). A Neve 8068 32 channel console with Necam 1 moving fader automation, then GML moving faders in Studio A1 & Studio A (
moved from West 48th Street). A Custom API 32 input console without automation in Studio A3 (
moved from West 48th Street). A pair of
Solid State Logic 4000 SL48 E Series 48 channel consoles in Studio A1 & A2, then an additional SSL 4000 SL64 G Series with Ultimation was added to Studio 2. A Solid State Logic 4000 SL64 E Series 64 channel console in Studio M1 and a Solid State Logic 6000 SL72 E Series console in Studio M1. A pair of Neve VR 60 channel consoles in Studio A1, A2 & A3, a Neve VR 36 channel console in Studio A3, a Neve VR 72 channel console in Studio A1, a Neve V Series Vatican 60 channel console in Studio A3, a Neve 8068 40 channel console with Necam II moving fader automation, then GML moving faders in Studio A3 & Studio B, and a Neve 8128 28 channel console in Studio A4. The tape machines were Studer A800 24 track 2 inch analog recorders, Studer A820 24 track 2 inch analog recorders, Studer A827 Meyer, Altec, and David's. The microphones collection included Telefunken, Neumann, Sony, B&K, RCA, Schoeps, Beyer Dynamic, AKG, Sennheiser, Norelco, Electrovoice & Shure.
1993–2005 This paragraph focuses solely on the main headquarters at 421 West 54th Street -- known as The Hit Factory. The consoles consisted of a Neve 8068 72 channel console with Flying Faders in Studio 2. Also a Neve VSP 72 channel console with Flying Faders in Studio 1, followed by a Euphonix System 5 digital console. A Solid State Logic K Series 9080 80 channel console was in Studio 6 and a Solid State Logic K Series 9080 80 channel console was in Studio 7. The analog tape machines were Studer A800 24 track 2 inch analog recorders, Studer A827 24 track 2 inch analog recorders, a Studer A827 16 track 2 inch analog recorder, Studer A820 2 track 1/2 inch analog recorders, and Studer A80 2 track 1/2 inch analog recorders. The digital tape machines were Sony 3348 48 channel 1/2 inch digital recorders, Mitsubishi X880 32 track 1 inch digital recorders, Sony PCM-3402 DASH 2 track 1/4 inch digital recorders, and Sony PCM 1630 2 track digital recorders. The monitoring systems changed from Boxers to Augspurgers Eventide, API, Focusrite, SSL, Avalon, Telefunken, Sennheiser, AKG, Schoeps, B&K, Sony, Shure, RCA, Norelco, Beyer Dynamic & Electrovoice.
1989–1993 The Hit Factory London was located on Whitfield Street in Soho London. There were three studios and the consoles consisted of a Neve VR 72 channel console in Studio 1 for orchestral recording & mixing, a Neve VR 72 channel console in Studio 2 for overdub recording & mixing and a Solid State Logic 4000 SL56 E Series 56 channel console for band recording & mixing. The analog tape machines were Studer A820 & Studer A827 24 track 2 inch analog recorders and Studer A80 2 track 1/2 inch analog recorders. The digital tape machines included Sony 3348 48 channel 1/2 inch digital recorders, and Sony PCM 1630 2 track digital recorders. The monitoring systems were Boxer's as well as Yamaha, Genelec & Auratone near field speakers. The outboard gear was a large selection of AMS, Neve, SSL, GML, Lexicon, EMT, Pultec, Tube-Tech, Teletronix, Universal Audio, Manley, Eventide, API & Focusrite. The microphone collection consisted of Neumann, Telefunken, Sennheiser, AKG, Sony, Shure, Electrovoice, Beyer Dynamic, Coles, B&K.
2008–present The Hit Factory in New York's Noho consists of two studios. The consoles are a pair of Solid State Logic Duality Delta 48 channel consoles for recording and mixing in Studio 1 and Studio 2. Both studios are equipped with Avid Pro Tools PT Ultimate 2024.6 HDX3 64/64 systems with the Apple Mac Studio M1 computers and Sonnet expansion racks. The monitoring systems are custom Exigy S412G monitors with custom dual 18" subwoofers in each of the control rooms. The near field speakers are Genelec 8040B active monitors, Amphion One 18 passive monitors, Avantone CLA-10 active monitors, Avantone CLA-10 passive monitors, Yamaha NS-10M Studio passive monitors, Avantone Mix Cube passive & active monitors, KRK Rokit 7 G4 monitors, and Auratones. The outboard gear is an arsenal of selected pieces from Neve, API, Chandler, Retro Instruments, Lavry, Bricasti, AMS, Focusrite, Universal Audio, Tube-Tech, Moog, Heritage Audio, Empirical Labs, Black Lion, SSL. The microphone collection consists of Telefunken, Neumann, Coles, Sennheiser, DPA, Schoeps, AKG, Shure, Austrian Audio, Royer, AEA, Electrovoice, Beyer Dynamic, Tul, Yamaha and Sony. The collection of plug-ins include Avid, Eventide, Waves, Antares, Apogee, Fabfilter, Focusrite, Izotope, MCDSP, Native Instruments, Oeksound, Plugin Alliance, Abbey Road Collection, Audio Ease, Metric Halo, Universal Audio, Softube, Sonnox, Soundtoys, Slate Digital, SSL, TC Electronic and The Hit Factory Plugins HitVerb. ==References==