1975–1987: Short stories and "Ian Macabre" phase McEwan's first published work was a collection of short stories,
First Love, Last Rites (1975), which won the
Somerset Maugham Award in 1976. He achieved notoriety in 1979 when the BBC suspended production of his play
Solid Geometry because of its supposed obscenity. His second collection of short stories,
In Between the Sheets, was published in 1978.
The Cement Garden (1978) and
The Comfort of Strangers (1981), his two earliest novels,
were both adapted into films. The nature of these works caused him to be nicknamed "Ian Macabre". These were followed by his first book for children,
Rose Blanche (1985), and a return to literary fiction with
The Child in Time (1987), winner of the
1987 Whitbread Novel Award.
1988–2007: Mainstream success and Booker Prize win After
The Child in Time, McEwan began to move away from the darker, more unsettling material of his earlier career and towards the style that would see him reach a wider readership and gain significant critical acclaim. This new phase began with the publication of the mid-
Cold War espionage drama
The Innocent (1990), and
Black Dogs (1992), a quasi companion-piece reflecting on the aftermath of the Nazi era in Europe and the end of the Cold War. McEwan followed these works with his second book for children,
The Daydreamer (1994). His 1997 novel,
Enduring Love, about the relationship between a science writer and a stalker, was popular with critics, although it was not shortlisted for the
Booker Prize. It was adapted into
a film in 2004. In 1998, he won the
Booker Prize for
Amsterdam. His next novel,
Atonement (2001), received considerable acclaim;
Time magazine named it the best novel of 2002, and it was shortlisted for the Booker Prize. In 2007, the critically acclaimed film
Atonement, directed by Joe Wright and starring Keira Knightley and James McAvoy, was released in cinemas worldwide. His next work,
Saturday (2005), follows an especially eventful day in the life of a successful
neurosurgeon.
Saturday won the
James Tait Black Memorial Prize for 2005. His novel
On Chesil Beach (2007) was shortlisted for the 2007 Man Booker Prize and was adapted into
a film starring
Saoirse Ronan in 2017, for which McEwan wrote the screenplay. McEwan has also written a number of produced screenplays, a stage play, children's fiction, and an
oratorio and a libretto titled
For You with music composed by
Michael Berkeley. In 2006, McEwan was accused of plagiarism; specifically that a passage in
Atonement (2001) closely echoed a passage from a memoir,
No Time for Romance, published in 1977 by
Lucilla Andrews. McEwan acknowledged using the book as a source for his work. McEwan had included a brief note at the end of
Atonement, referring to Andrews's autobiography, among several other works. The incident recalled critical controversy over his debut novel
The Cement Garden, key elements of the plot of which closely mirrored some of those of ''
Our Mother's House, a 1963 novel by British author Julian Gloag, which had also been made into a film. McEwan denied charges of plagiarism, claiming he was unaware of the earlier work. Writing in The Guardian'' in November 2006, a month after Andrews' death, McEwan professed innocence of plagiarism while acknowledging his debt to the author of
No Time for Romance. Several authors defended him, including
John Updike,
Martin Amis,
Margaret Atwood,
Thomas Keneally,
Kazuo Ishiguro,
Zadie Smith, and
Thomas Pynchon.
2008–present: Political works and continued acclaim McEwan's first novel of the 2010s,
Solar, was published by Jonathan Cape and Doubleday in March 2010. In June 2008 at the Hay Festival, McEwan gave a surprise reading of this work-in-progress. The novel includes "a scientist who hopes to save the planet" from the threat of
climate change, with inspiration for the novel coming from a Cape Farewell expedition McEwan made in 2005 in which "artists and scientists ... spent several weeks aboard a ship near the north pole discussing environmental concerns". McEwan observed: "The novel's protagonist Michael Beard has been awarded a Nobel prize for his pioneering work on physics, and has discovered that winning the coveted prize has interfered with his work." and was published in late August 2012. In an interview with
The Scotsman newspaper to coincide with publication, McEwan revealed that the impetus for writing
Sweet Tooth had been "a way in which I can write a disguised autobiography". He revealed in an interview with
The Wall Street Journal, in November 2012, that the film rights to
Sweet Tooth had been bought by
Working Title Films – the company that had adapted
Atonement as a film.
Sweet Tooth was followed two years later by
The Children Act, which concerned
High Court judges, UK family law, and the right to die. Two years after
The Children Act, McEwan's 2016 novel
Nutshell, a short novel closer in style and tone to his earlier works, was published. McEwan's next work, a short novella, was titled
My Purple Scented Novel – part of which was published previously as a short story by the same title in
The New Yorker in 2016. This short work was published to mark McEwan's 70th birthday in June 2018. McEwan followed
Nutshell in April 2019 with the alternate history/science fiction novel
Machines Like Me. It concerns
artificial intelligence and an alternate history in which Great Britain loses the
Falklands War and the
Labour Party, led by
Tony Benn, eventually wins the
1987 UK general election. In September 2019, McEwan announced a quick surprise follow-up novella inspired by Brexit,
The Cockroach. McEwan published his novel
Lessons in 2022 to much critical acclaim. Andrew Billen of
The Times calls it McEwan's "500-page masterpiece", and
The New Statesman claims the novel "may well be remembered as one of the finest humanist novels of its age". In 2025, McEwan published his 18th novel
What We Can Know, which follows the academic Tom Metcalfe. Set in a 2120 dystopia, Metcalfe and a companion search for a long-lost poem. The book received positive reviews from several critics, including
Dwight Gardner of
The New York Times, who described the book as the best written by the author in years. == Themes and style ==