Background For the October 1911 issue of the
Green Book Magazine, Louis Parker wrote a tongue-in-cheek account of how
Pomander Walk came to be. He said the title popped into his head after a foggy walk in London during November 1909. Acknowledging there was no connection between the title words, Parker said "And with the words came a mental picture: six little houses, six little families". The characters in each house came out and introduced themselves, according to Parker. He prepared a 70 page scenario, which was rejected by several English producers. When American producer
George C. Tyler was dining at Parker's home, Parker tried to interest him "in a really rather remarkable story I had just invented about a Danish prince whose mother had poisoned his father and married his uncle". Tyler, however, insisted on producing
Pomander Walk as soon as Parker dramatised it. Parker tried to dissuade him, saying
Pomander Walk had no plot, no hero, no heroine, not even a change of scenery, but Tyler was adamant. A less colorful account from
The Observer reported that Parker had withdrawn
Pomander Walk from the list of plays awaiting production at the
Haymarket.
Curtis Brown went further, saying the play was returned by
Herbert Trench of the Haymarket, as he had wanted some changes that Parker refused to make. This was just before Parker and his chosen cast set sail for
New York City on board
RMS Cedric. could play the role of Marjolaine, over the playwright's objections. Parker wanted her to use a stage name, but Tyler refused. Parker later said he hated the chore of casting, finding it difficult to say "no", especially to actresses. He vowed that his "next play should contain a hundred female parts or none at all."
Cast Opening Pomander Walk had its tryout at the Princess Theatre, in Montreal, on 12 December 1910. Local reviewers were impressed with the finely drawn characters and the actors playing them, while recognizing the story was trifling. Dorothy Parker was especially favored: "She is the quintessesnce of girlish charm, and plays the ingenue role with a grace, a witchery, and a winsomeness that captured the whole audience last night." Parker mentioned that after the first few performances, Liebler's director Hugh Ford revised the staging. There was also a cast change. As late as 18 December 1910 newspapers reported Geoffrey Douglas in the cast, but thereafter the role of Basil Pringle was recorded as belonging to Reginald Dance.
Broadway premiere and reception The production had its Broadway premiere at
Wallack's Theatre on 20 December 1910. The reviewer for
The New York Times said
Pomander Walk should be very popular, given it has "the rare charm of novelty and sweetness". The critic for
The Brooklyn Daily Eagle called
Pomander Walk "an original, wholesome, and thoroughly well-acted play".
Broadway closing Pomander Walk closed at Wallack's Theatre on 22 April 1911, with most of the company returning to England.
West End production Pomander Walk ran for 43 performances at the
Playhouse Theatre in London's
West End theatre in 1911, with a cast that included
Reginald Owen,
Frederick Culley,
Winifred Emery and
Margery Maude. ==Adaptations==