,
Sousa,
Pereira, &
Vasconcelos in the '''', 1521. ,
Viceroy of India from the
Livro do Armeiro-Mor, 1509. Portuguese heraldry was born within the Iberian heraldry tradition, itself a constituent part of the Latin heraldry family, and has kept many of its features to the present day. In the late 14th century it came under significant influence from
English heraldry, also absorbing part of its features. Portuguese heraldry then evolved autonomously, and by the 16th century had many features of its own. These reached their peak with the ordinances of King
Manuel I of 1521, which defined strict heraldic rules and established the statutes for the
officers of arms. Heraldry declined in Portugal from the 17th to the 19th century. However, in the late 19th century, and especially in the 20th, it had a strong revival, mainly driven by the high development of the civic, corporate and military heraldries. Some features retained from the Iberian tradition include the frequent use of
bordures, the appearance of
mottos and legends inside the shield and the frequent use of some specific
charges like the
cauldron to represent the power of a nobleman to maintain and feed a military contingent and the
castle to represent a place where a memorable action occurred. However, Portuguese heraldry departs from that tradition in that almost all armorial bearings are granted with a
crest, which is rare in the rest of Latin heraldry. Additionally, it is characterized by the rarity of the granting of armorial bearings that include
supporters, although informal ones are commonly represented in their artistic displays. With the beginning of the
Age of Discovery in the 15th century, many coats of arms came to include charges related to Portuguese overseas expansion. These included
padrões,
ships,
flags and
weapons,
Moorish and
African heads, exotic animals and other motifs. Another feature of Portuguese heraldry is that when an achievement of arms includes a
coronet, it is represented over the helm - when it is represented - and not below it (as is common in English heraldry, for example).
Shape Since very early, the round bottom
shield has been the preferred shape to display the coat of arms in Portugal, causing this shape to often be referred as the "Portuguese shield". In 1911, it was adopted as the standard shield shape for the national coat of arms, and in 1930 became mandatory for the coats of arms of local governments. In the past, however, other formats were frequently used, such as the modern French style in the late 19th century, the
cartouche (oval) in the early 19th century, the Italian style (horse head shape) in the 18th century, the
heater shield in the 14th century and the Norman shield (almond shape) in the 12th century. Women's coats of arms are always represented in a lozenge (
lisonja), with the single exception of those of the Portuguese queens (
regnants or
consorts), which are represented in a shield. in the
Thesouro de Nobreza; 1675. family arms.
Cadency The Portuguese system of heraldic
cadency originates in the regulations of King
Manuel I. These regulations state that the head of a lineage, whether royal or common, is the only person to have the right to bear the full arms of the lineage without defacement. No other person can bear such full and undifferentiated arms, not even the
heir apparent of the lineage. The system of cadency for the royal family has the same features as similar systems of other European countries, using
labels to identify the order of the children of the monarch. However, the system of cadency of non-royal lineages is unlike any other. This system aims not to identify the place of the owner in the line of succession of each lineage, but instead aims to identify from which of his/her grandparents the coat of arms was inherited, this origin being signed by a specific mark of cadency, or
brisure. Although it is true that the brisure personalizes the arms, in Portugal anyone is entitled to choose
their surname and coat of arms from any of their ancestors, not necessarily the same ancestor for both.
Augmentations It was common for Portuguese monarchs to grant
augmentations of honour to the achievements of arms as a reward or recognition to their bearers. The most common of these augmentations was the inclusion of elements of the arms of Portugal: the escutcheon of Portugal ancient (arms of Portugal without the bordure),
quinas (escutcheons
Azure charged with five plates), or castles
Or in
Gules field. Occasionally, some augmentations were done with the inclusion of elements of the arms of other kingdoms in whose royal houses the Portuguese Monarchs had ancestors. In the late 19th century, some augmentations were done by the marshaling of the full and un-defaced arms of Portugal with the original arms of the bearers, which was a clear infraction of the heraldic rules that limit the use of those arms to the Monarch.
Tinctures As
tinctures, Portuguese heraldry uses the two metals (
Or [gold] and
Argent [silver]), the five traditional colours (
Gules [red],
Azure [blue],
Purpure [purple],
Sable [black], and
Vert [green]) and the furs (
ermine,
vair and their variations). Additional tinctures that are used in some other countries (like
tenné,
sanguine or
orange) are not used. However, some new armorial achievements, granted in the 19th century, broke with the heraldry rules in including unconventional tinctures like
azul celeste (
sky blue) and
carmesim (
crimson). The
carnation tincture is also occasionally used in the blazoning of human beings, and the description "proper" ("
de sua cor") is also sometimes used to indicate the blazoning of animals or trees in their natural colors. White (
branco) is not considered a different tincture from
Argent. However, probably by an heraldic error, it is so represented in some coats of arms, like those of the municipality of
Santiago do Cacém (in which the white of the fallen
Moor's clothing and the
knight's horse is distinguished from the argent of the distant castle) and in those of the Logistical and Administrative Command of the
Portuguese Air Force. In Portuguese heraldry, the terms
de ouro (
Or [gold]) and
de prata (
Argent [silver]) are however replaced, respectively, by
amarelo (yellow) and
branco (white) in the description of
flags. The rationale behind this is that
metal materials do not enter in the composition of flags, which are made entirely of cloth.
Terminology In English and some other countries' heraldry, achievements of arms are usually
blazoned in a specialized jargon that uses derivatives of
French terms. In Portuguese heraldry, however, achievements of arms are usually described in relatively plain language, using only
Portuguese terms and tending to avoid specialized jargon. Examples include the use of Portuguese
azul and
verde for blue and green, as compared to the French-derived
azure and
vert used in English blazon. The
hatchings in the right-hand half of the tincture illustrations are used to indicate the tincture in
monochrome renderings.
Particular charges Some particular
charges are frequently used in Portuguese heraldry, with some of them being referred by specific terms. Most of these are related with the coat of arms of Portugal or other heraldic emblems, being occasionally used as augmentations of honor. A
quina is one of the five escutcheons
Azure charged with five plates of the arms of Portugal.
Quina is the Portuguese term for
quincunx (the 5 face of a gaming die); it began to be used to designate the escutcheons of the Portuguese arms when the number of plates charging them was fixed at five in the late 14th century. Before that, each escutcheon was represented as
Azure semée of plates. By
synecdoche, the whole arms of Portugal are frequently refereed as the
Cinco Quinas (Five
Quinas) or simply as the
Quinas. Similarly, the Portuguese flag is often referred as the
Bandeira das Quinas (Flag of the
Quinas). The
Portugal antigo (Portugal ancient) is the version of the shield of Portugal without the bordure
Gules charged with castles
Or. This designation is however misleading, as the Portugal ancient is not the real old version of the Portuguese coat of arms. The real old version of the Portuguese arms - before the introduction of the bordure with castles - was similar to the Portugal ancient, but with the
dexter and
sinister escutcheons lying horizontal and pointing to the center, with all the escutcheons being
semée of plates and not just five plates. This real old version is occasionally also referred as "Portugal ancient". From the introduction of the bordure with castles in the arms of Portugal by King
Afonso III until the introduction of the heraldic rules of King Manuel I, the Portugal ancient was often used as the coat of arms of the illegitimate children of the Monarchs. From then on, it was used as an augmentation of honor to a coat of arms granted by the Monarch. The
esfera armilar (
armillary sphere) is also a charge that frequently appears in Portuguese heraldry, usually represented in
Or. The armillary sphere was granted by King
John II to Duke
Manuel of
Viseu as his personal badge when he was appointed heir of the Crown. When Manuel became King of Portugal in 1495, he continued to bear the armillary sphere. This reign coincided with the height of Portuguese overseas expansion and might, with the armillary sphere being widely displayed, alone or together with the Portuguese arms, in public buildings, documents, flags and other environments. The armillary sphere was so common in this period that it came to be considered not only as a royal personal badge but as a symbol of the country and of its overseas empire, with its use continuing even after the death of King Manuel I. The
cross of the Order of Christ, often referred to simply as the
cruz de Cristo (cross of Christ), is a cross patty G
ules charged with a small cross
Argent. It is the symbol of the Portuguese
Order of Christ, deriving from the old cross of the
Knights Templar (ancestors of the Knights of Christ). As Prince
Henry the Navigator was governor of the Order of Christ, the early Portuguese overseas maritime expeditions were sponsored by this Order, with the participating ships carrying the cross of Christ painted in their sails. The symbol was so heavily and prominently used in the Portuguese overseas expansion that it came to symbolize it and Portugal as a whole. As the government of the Order came into the hands of the King himself during the reign of Manuel I, the cross of Christ came to be also considered a royal badge (during that reign, being frequently represented together with the armillary sphere and the royal coat of arms) and later also as a national symbol. The cross of the Portuguese
Order of Aviz, referred simply as the
cruz de Avis (cross of Aviz), is a
cross fleury vert. As a heraldic badge, this cross had a high importance during the reigning of the
House of Aviz. The founder of this House was King
John I, who was the Master of the Order of Aviz before ascending to the throne. John I introduced this cross in the arms of Portugal, with its fleur-de-lis
verts points appearing over the bordure of the shield. This inclusion was however considered as heraldically incorrect, and the points were removed from the shield during the reign of John II. The castles
or over a bordure
gules were introduced by King Afonso III as a charge of the coat of arms of Portugal. Initially the bordure was charged with a
semée of castles, but in the early 16th century the number of castles was reduced to eight and later was fixed at seven. There is a common myth that the bordure with castles represent the Portuguese reconquest of Algarve from the Moors, which was completed during the reign of Afonso III. However, today it is commonly accepted that the bordure of castles was taken by Afonso III from the arms of his mother (
Urraca of Castile) and used by him as a differentiation of the arms of Portugal because its legitimate user would be his brother
Sancho II. The castles were also later used as augmentations of honor. == Personal and family heraldry ==