Frantz Fanon and subjugation In
The Wretched of the Earth (1961),
psychiatrist and
philosopher Frantz Fanon analyzes and medically describes the nature of
colonialism as essentially destructive. Its societal effects—the imposition of a
subjugating colonial identity—is harmful to the mental health of the native peoples who were subjugated into colonies. Fanon writes that the ideological essence of colonialism is the systematic denial of "all attributes of humanity" of the colonized people. Such
dehumanization is achieved with physical and mental violence, by which the colonist means to inculcate a
servile mentality upon the natives. For Fanon, the natives must violently resist colonial subjugation. Hence, Fanon describes violent resistance to colonialism as a mentally cathartic practise, which purges colonial servility from the native
psyche, and restores self-respect to the subjugated. Thus, Fanon actively supported and participated in the
Algerian Revolution (1954–62) for independence from France as a member and representative of the
Front de Libération Nationale. As postcolonial
praxis, Fanon's mental health analyses of colonialism and imperialism, and the supporting economic theories, were partly derived from the essay "
Imperialism, the Highest Stage of Capitalism" (1916), wherein
Vladimir Lenin described colonial imperialism as an advanced form of
capitalism, desperate for growth at all costs, and so requires more and more human exploitation to ensure continually consistent profit-for-investment. Another book that predates postcolonial theories is Fanon's
Black Skin, White Masks. In this book, Fanon discusses the logic of colonial rule from the perspective of the existential experience of racialized subjectivity. Fanon treats colonialism as a
total project which rules every aspect of colonized peoples and their reality. Fanon reflects on colonialism, language, and racism and asserts that to speak a language is to adopt a civilization and to participate in the world of that language. His ideas show the influence of French and German philosophy, since existentialism, phenomenology, and hermeneutics claim that language, subjectivity, and reality are interrelated. However, the colonial situation presents a paradox: when colonial beings are forced to adopt and speak an imposed language which is not their own, they adopt and participate in the world and civilization of the colonized. This language results from centuries of colonial domination which is aimed at eliminating other expressive forms in order to reflect the world of the colonizer. As a consequence, when colonial beings speak as the colonized, they participate in their own oppression and the very structures of alienation are reflected in all aspects of their adopted language.
Edward Said and orientalism Cultural critic Edward Said is considered by
E. San Juan, Jr. as "the originator and inspiring patron-saint of postcolonial theory and discourse" due to his interpretation of the theory of
orientalism explained in his 1978 book,
Orientalism. To describe the us-and-them "binary social relation" with which Western Europe intellectually divided the world—into the "
Occident" and the "
Orient"—Said developed the denotations and connotations of the term
orientalism (an art-history term for Western depictions and the study of the Orient). Said's concept (which he also termed "orientalism") is that the cultural representations generated with the us-and-them binary relation are
social constructs, which are mutually constitutive and cannot exist independent of each other, because each exists on account of and for the other. Notably, "the West" created the cultural concept of "the East," which according to Said allowed the Europeans to suppress the peoples of the Middle East, the Indian Subcontinent, and of Asia in general, from expressing and representing themselves as discrete peoples and cultures. Orientalism thus conflated and reduced the non-Western world into the homogeneous cultural entity known as "the East." Therefore, in service to the colonial type of imperialism, the us-and-them orientalist paradigm allowed European scholars to represent the Oriental World as inferior and backward, irrational and wild, as opposed to a Western Europe that was superior and progressive, rational and civil—the opposite of the Oriental Other. Reviewing Said's
Orientalism (1978),
A. Madhavan (1993) says that "Said's passionate thesis in that book, now an 'almost canonical study', represented Orientalism as a 'style of thought' based on the antinomy of East and West in their world-views, and also as a 'corporate institution' for dealing with the Orient." In concordance with philosopher
Michel Foucault, Said established that
power and knowledge are the inseparable components of the intellectual binary relationship with which Occidentals claim "knowledge of the Orient." That the applied power of such cultural knowledge allowed Europeans to rename, re-define, and thereby control Oriental peoples, places, and things, into imperial colonies. These subjective fields of academia now synthesize the political resources and think-tanks that are so common in the West today. Orientalism is self-perpetuating to the extent that it becomes normalized within common discourse, making people say things that are latent, impulsive, or not fully conscious of it. There have been other attempts to generalize the concept of Orientalism beyond the limited historical case of "the West and the rest." For example, in their edited volume
Grammars of Identity/Alterity: A Structural Approach, anthropologists Gerd Baumann and Andre Gingrich propose that Orientalism should be re-appropriated as one of three basic modes of human relations. The others are Segmentation (under which others are accepted as legitimate and equal), and Encompassment (under which the other's separate existence is rejected and denied; the other can only be seen as a subset of the self). Orientalism, then, is an unequal mix of recognition, fascination, and contempt. The book's many authors examine how this scheme may be applicable in multiple ethnographic and literary contexts around the world (=mostly outside the West/Rest paradigm, such as examining the relation between dominant lowlanders and dominated highland ethnic groups, in Laos).
Gayatri Spivak and the subaltern In establishing the Postcolonial definition of the term
subaltern, the philosopher and theoretician
Gayatri Chakravorty Spivak cautioned against assigning an over-broad connotation. She argues: Spivak also introduced the terms
essentialism and
strategic essentialism to describe the social functions of postcolonialism.
Essentialism denotes the perceptual dangers inherent to reviving subaltern voices in ways that might (over) simplify the cultural identity of heterogeneous social groups and, thereby, create stereotyped representations of the different identities of the people who compose a given social group.
Strategic essentialism, on the other hand, denotes a temporary, essential group-identity used in the praxis of discourse among peoples. Furthermore, essentialism can occasionally be applied—by the so-described people—to facilitate the subaltern's communication in being heeded, heard, and understood, because strategic essentialism (a fixed and established subaltern identity) is more readily grasped, and accepted, by the popular majority, in the course of inter-group discourse. The important distinction, between the terms, is that strategic essentialism does not ignore the diversity of identities (cultural and ethnic) in a social group, but that, in its practical function, strategic essentialism temporarily minimizes inter-group diversity to pragmatically support the essential group-identity. Moreover, Spivak further cautioned against ignoring subaltern peoples as "cultural Others", and said that the West could progress—beyond the colonial perspective—by means of introspective
self-criticism of the basic ideas and investigative methods that establish a culturally superior West studying the culturally inferior non–Western peoples.
R. Siva Kumar and alternative modernity In 1997, on the occasion of the 50th anniversary of India's Independence, "
Santiniketan: The Making of a Contextual Modernism" was an important exhibition curated by
R. Siva Kumar at the
National Gallery of Modern Art. In his catalogue essay, Kumar introduced the term Contextual Modernism, which later emerged as a postcolonial tool in the understanding of
Indian art, specifically the works of
Nandalal Bose,
Rabindranath Tagore,
Ramkinkar Baij, and
Benode Behari Mukherjee. In the post-colonial history of art, this marked the departure from Eurocentric unilateral idea of
modernism to alternative context sensitive
modernisms. Several terms including
Paul Gilroy's
counterculture of modernity and
Tani E. Barlow's
Colonial modernity have been used to describe the kind of alternative modernity that emerged in non-European contexts. Professor Gall argues that 'Contextual Modernism' is a more suited term because "the colonial in
colonial modernity does not accommodate the refusal of many in colonized situations to internalize inferiority. Santiniketan's artist teachers' refusal of subordination incorporated a counter vision of modernity, which sought to correct the racial and cultural essentialism that drove and characterized imperial Western modernity and modernism. Those European modernities, projected through a triumphant British colonial power, provoked nationalist responses, equally problematic when they incorporated similar essentialisms."
Dipesh Chakrabarty In
Provincializing Europe (2000),
Dipesh Chakrabarty charts the
subaltern history of the Indian struggle for independence, and counters
Eurocentric, Western scholarship about non-Western peoples and cultures, by proposing that Western Europe simply be considered as culturally equal to the other cultures of the world; that is, as "one region among many" in human geography.
Derek Gregory and the colonial present Derek Gregory argues the long trajectory through history of British and American colonization is an ongoing process still happening today. In
The Colonial Present, Gregory traces connections between the
geopolitics of events happening in modern-day Afghanistan,
Palestine, and Iraq and links it back to the us-and-them binary relation between the Western and Eastern world. Building upon the ideas of the other and Said's work on orientalism, Gregory critiques the economic policy, military apparatus, and transnational corporations as vehicles driving present-day colonialism. Emphasizing discussion of ideas around colonialism in the present tense, Gregory utilizes modern events such as the
September 11 attacks to tell spatial stories around the colonial behavior happening due to the War on Terror.
Amar Acheraiou and Classical influences Acheraiou argues that colonialism was a
capitalist venture moved by appropriation and plundering of foreign lands and was supported by military force and a discourse that legitimized violence in the name of progress and a universal civilizing mission. This discourse is complex and multi-faceted. It was elaborated in the 19th century by colonial ideologues such as
Ernest Renan and
Arthur de Gobineau, but its roots reach far back in history. In
Rethinking Postcolonialism: Colonialist Discourse in Modern Literature and the Legacy of Classical Writers, Acheraiou discusses the history of colonialist discourse and traces its spirit to ancient Greece, including Europe's claim to racial supremacy and right to rule over non-Europeans harboured by Renan and other 19th-century colonial ideologues. He argues that modern colonial representations of the colonized as "inferior," "stagnant," and "degenerate" were borrowed from Greek and Latin authors like
Lysias (440–380 BC),
Isocrates (436–338 BC),
Plato (427–327 BC),
Aristotle (384–322 BC),
Cicero (106–43 BC), and
Sallust (86–34 BC), who all considered their racial others—the Persians, Scythians, Egyptians as "backward," "inferior," and "effeminate." Among these ancient writers
Aristotle is the one who articulated more thoroughly these ancient racial assumptions, which served as a source of inspiration for modern colonists. In
The Politics, he established a racial classification and ranked the Greeks superior to the rest. He considered them as an ideal race to rule over Asian and other 'barbarian' peoples, for they knew how to blend the spirit of the European "war-like races" with Asiatic "intelligence" and "competence." Ancient Rome was a source of admiration in Europe since the enlightenment. In France,
Voltaire (1694–1778) was one of the most fervent admirers of Rome. He regarded highly the Roman republican values of rationality, democracy, order and justice. In early-18th century Britain, it was poets and politicians like
Joseph Addison (1672–1719) and
Richard Glover (1712 –1785) who were vocal advocates of these ancient republican values. It was in the mid-18th century that ancient Greece became a source of admiration among the French and British. This enthusiasm gained prominence in the late-eighteenth century. It was spurred by German Hellenist scholars and English romantic poets, who regarded ancient Greece as the matrix of Western civilization and a model of beauty and democracy. These included:
Johann Joachim Winckelmann (1717–1768),
Wilhelm von Humboldt (1767–1835), and
Goethe (1749–1832),
Lord Byron (1788–1824),
Samuel Taylor Coleridge (1772–1834),
Percy Bysshe Shelley (1792–1822), and
John Keats (1795–1821). In the 19th century, when Europe began to expand across the globe and establish colonies, ancient Greece and Rome were used as a source of empowerment and justification to Western civilizing mission. At this period, many French and British imperial ideologues identified strongly with the ancient empires and invoked ancient Greece and Rome to justify the colonial civilizing project. They urged European colonizers to emulate these "ideal" classical conquerors, whom they regarded as "universal instructors." For
Alexis de Tocqueville (1805–1859), an ardent and influential advocate of la "Grande France," the classical empires were model conquerors to imitate. He advised the French colonists in
Algeria to follow the ancient imperial example. In 1841, he stated:[W]hat matters most when we want to set up and develop a colony is to make sure that those who arrive in it are as less estranged as possible, that these newcomers meet a perfect image of their homeland....the thousand colonies that the Greeks founded on the Mediterranean coasts were all exact copies of the Greek cities on which they had been modelled. The Romans established in almost all parts of the globe known to them municipalities which were no more than miniature Romes. Among modern colonizers, the English did the same. Who can prevent us from emulating these European peoples?.The Greeks and Romans were deemed exemplary conquerors and "
heuristic teachers," The incorporation of ancient concepts and racial and cultural assumptions into modern imperial ideology bolstered colonial claims to supremacy and right to colonize non-Europeans. Because of these numerous ramifications between ancient representations and modern colonial rhetoric, 19th century's colonialist discourse acquires a "multi-layered" or "
palimpsestic" structure. It forms a "historical, ideological and narcissistic continuum," in which modern theories of domination feed upon and blend with "ancient myths of supremacy and grandeur." ==Postcolonial literary study==