Despite the paucity of direct evidence, Prometheus' foreshadowing of future events in the trilogy's first play suggests that the final play concerned itself with Prometheus' knowledge of a secret that could potentially lead to Zeus's downfall, and how the revelation of this secret leads to reconciliation between the Titan and Olympian. The secret is this:
Thetis the
Nereid, whom Zeus wants to take as a lover, is fated to bear a child greater than its father. Lying with her, then, would result in Zeus's being overthrown just as he had overthrown his own father,
Cronus. During the course of the drama, Prometheus decides to warn Zeus about Thetis. Rather than lie with her, Zeus marries her off to the mortal
Peleus, King of
Aegina. The product of this union will indeed be a son greater than the father, namely
Achilles, Greek hero of the
Trojan War. Consequently, Zeus reconciles with Prometheus. Finally,
Athenaeus wrote of a contemporary Athenian festival dedicated to Prometheus: Some scholars have taken this to mean that in the
Unbound, Prometheus prophesies that eventually (in the
Fire-Bringer), Zeus would reconcile with him, and institute some kind of festival in his honor. Given the title of the play, and considering that Aeschylus'
Oresteia provides an
aetiology for
Athens's
Areopagus, it has been suggested that
Prometheus the Fire-Bringer concludes with providing an aetiology for a yearly Athenian torch race honoring the Titan. A minority of scholars believe that
Prometheus the Fire-Bringer is actually the first play in the trilogy. One reason is that
Prometheus Bound begins
in medias res. According to this theory,
Prometheus the Fire-Bringer would dramatize the Titan's theft of fire as described in the
Theogony. == References ==