Psalm 148

In the Septuagint, Psalms 145 to 148 are given the title "of Haggai and Zechariah". This psalm takes in all of God's creations, from the heights of the heavens, including the angels, the stars, and the sun and moon, down to the earth, the birds and insects, and the inhabitants of the ocean depths. Then it ascends again to man, and this all-encompassing view of God's creations gives him much to praise God for. Quoting Edinburgh minister John Pulsford, Charles Spurgeon notes that the last three psalms in the Book of Psalms (Psalms 148, 149, and 150) form "a triad of wondrous praise": "Heaven is full of praise, the earth is full of praise, praises rise from under the earth, 'everything that hath breath' joins in the rapture. God is encompassed by a loving, praising creation". The Midrash Tehillim identifies the entities to which the opening verses are addressed. "Praise you the Lord from the heavens" (v. 1) is addressing the ministering angels; "praise Him all you hosts" (v. 2) is addressed to those who fulfill God's will. "Praise you Him, sun and moon" (v. 3) refers to the Jewish Patriarchs and Matriarchs who are likened to the sun and moon in Joseph's dream (). "Praise Him, all you stars of light" (v. 3) refers to righteous individuals, as Daniel said, "And they that turn the many to righteousness as the stars forever and ever" (). The Midrash adds, "From this you learn that every [righteous individual] has his own star in heaven, and that his star shines according to his deeds". ==Uses==

Judaism Alexander Kirkpatrick observes that this psalm was "obviously written for liturgical use". It is recited in its entirety during Pesukei Dezimra, the first section of the daily morning prayer service. Verses 1–6 are recited at the opening to Kiddush Levanah in the Ashkenazi tradition, The first part of verse 13, beginning with the word "Yehallelu", is said by the Hazzan as he returns the Torah scroll to the ark during morning services; the congregation recites the last part of this verse and continues with the recital of verse 14. In the Italian rite, they begin with verse 12. It is good to say this Psalm before reciting the Perek Shira Catholic Church , 14th century Psalm 148 is one of the Laudate psalms and was sung as one of a trio of psalms, Psalms 148, 149, and 150, during Lauds in the Roman rite. Around 530 A.D., St. Benedict of Nursia chose these three psalms for the office of morning celebrated daily. In the Liturgy of the Hours, Psalm 148 is recited during Sunday Lauds in the third week. Book of Common Prayer In the Church of England's Book of Common Prayer, this psalm is appointed to be read on the evening of the thirtieth day of the month. Coptic Orthodox Church Psalms 148, 149 and 150 together constitute the fourth Hoos (or fourth Canticle) of the Tasbeha, the Midnight Praise of the Coptic Orthodox Church. Literature John Milton paraphrased some of the praises in this psalm in his epic poem Paradise Lost, Book 5. and St John the Evangelist's Church, Crawshawbooth, Scotland, with carvings. The Riverside Church in Manhattan features elements mentioned in Psalm 148 carved in oak on the ends of the choir stalls. ==Musical settings==

"Erfreue dich, Himmel, erfreue dich, Erde" is a hymn in German, in which Maria Luise Thurmair paraphrased Psalm 148 in 1969, based on an older Christmas carol. Heinrich Schütz composed a four-part setting of a metric German version for the Becker Psalter, " (Praise, ye Heavens, God the Lord), SWV 253. Marc-Antoine Charpentier set in 1679-1680 one "Laudate Dominum de coelis", H.177, for three voices, two treble instruments, and continuo. ''Darwall's 148th'' is John Darwell's musical setting for Psalm 148, composed for the inauguration of a new organ in Walsall parish church, then in Staffordshire, England. The first six verses of Psalm 148 have been set to music as a Hebrew song. American composer Leonard Bernstein adapted the text for his Psalm 148, a setting for voice and piano and dated in 1935, his earliest surviving composition. Alan Hovhaness adapted the text in 1958 for his setting for chorus and organ, split as two separate pieces (opus 160 Praise Ye Him, All His Angels and 160a Let Them Praise the Name of the Lord) when published by C.F. Peters. ==Text==

The following table shows the Hebrew text of the Psalm with vowels, alongside the Koine Greek text in the Septuagint and the English translation from the King James Version. Note that the meaning can slightly differ between these versions, as the Septuagint and the Masoretic Text come from different textual traditions. In the Septuagint, this psalm is numbered Psalm 147. Verse 14 :He has exalted the horn of His people, :The praise of all His saints— :Of the children of Israel, :A people near to Him. :Praise the Lord! Matthew Poole notes that in scripture, the "horn" generally denotes "strength, victory, glory, and felicity". ==Notes==