1945–1952: Florida, Los Angeles, and Seattle After leaving school, Charles moved to
Jacksonville to live with Charles Wayne Powell, who had been friends with his late mother. He played the piano for bands at the
Ritz Theatre in
LaVilla for over a year, earning $4 a night (US$, in value). He joined
Local 632 of the
American Federation of Musicians, in the hope that it would help him get work, and was able to use the union hall's piano to practice, since he did not have one at home; he learned piano licks from copying the other players there. He started to build a reputation as a talented musician in Jacksonville, but the jobs did not come fast enough for him to construct a strong identity, so, at age 16, he moved to
Orlando, where he lived in borderline poverty and went without food for days. Charles eventually started to write arrangements for a pop music band, and in the summer of 1947, he unsuccessfully auditioned to play piano for
Lucky Millinder and his sixteen-piece band. In 1947, Charles moved to
Tampa, where he held two jobs, including one as a pianist for Charles Brantley's Honey Dippers. In his early career, Charles modeled himself on
Nat King Cole. His first four recordings—"Wondering and Wondering", "Walking and Talking", "Why Did You Go?" and "I Found My Baby There"—were allegedly done in Tampa, although some discographies claim he recorded them in Miami in 1951 or else Los Angeles in 1952. There, under the tutelage of
Robert Blackwell, he met and befriended the 15-year-old
Quincy Jones. With Charles on piano, McKee on guitar, and Milton Garred on bass,
The McSon Trio (named for
McKee and Robin
son) started playing the 1–5 A.M. shift at the Rocking Chair. Publicity photos of this trio are some of the earliest known photographs of Charles. In April 1949, he and his band recorded "
Confession Blues", which became his first national hit, soaring to the second spot on the Billboard R&B chart. After signing with
Swing Time Records, Charles recorded two more R&B hits under the name Ray Charles: "Baby, Let Me Hold Your Hand" (1951), which reached No. 5, and "Kissa Me Baby" (1952), which reached No. 8. Swing Time folded the following year, and
Ahmet Ertegun signed Charles to
Atlantic.
1952–1959: Atlantic Records In June 1952, Atlantic bought Charles's contract for $2,500 (US$ in dollars). His first recording session for Atlantic ("The Midnight Hour"/"Roll with My Baby") took place in September 1952, although Charles's last Swing Time release ("Misery in My Heart"/"The Snow Is Falling") would not appear until February 1953. In 1953, "
Mess Around" became Charles's first small hit for Atlantic; during the next year, he had hits with "
It Should've Been Me" and "Don't You Know". It became one of his most notable hits, reaching No. 2 on the R&B chart. Charles hired a female singing group,
the Cookies, and renamed them
the Raelettes. In 1958, Charles and the Raelettes performed for the famed
Cavalcade of Jazz concert produced by
Leon Hefflin Sr. held at the
Shrine Auditorium on August 3. The other headliners were
Little Willie John,
Sam Cooke,
Ernie Freeman, and
Bo Rhambo.
Sammy Davis Jr. was also there to crown the winner of the Miss Cavalcade of Jazz beauty contest. The event featured the top four prominent disc jockeys of Los Angeles. Charles reached the pinnacle of his success at Atlantic with the release of "
What'd I Say", which combined gospel, jazz, blues and Latin music. Charles said that he wrote it spontaneously while he was performing in clubs with his band. Despite some radio stations banning the song because of its sexually suggestive lyrics, the song became Charles's first top-10 pop record. It reached No. 6 on the
Billboard Pop chart and No. 1 on the
Billboard R&B chart in 1959. ABC offered him a $50,000 (US$ in dollars) annual advance, higher royalties than before, and eventual ownership of his
master tapes—a very valuable and lucrative deal at the time. During his Atlantic years, Charles had been hailed for his inventive compositions, but by the time of the release of the largely instrumental jazz album
Genius + Soul = Jazz (1960) for ABC's subsidiary label
Impulse!, he had given up on writing in favor of becoming a
cover artist, giving his own eclectic arrangements of existing songs. With "
Georgia on My Mind", his first hit single for ABC-Paramount in 1960, Charles received national acclaim and four
Grammy Awards, including two for "Georgia on My Mind" (
Best Vocal Performance Single Record or Track, Male, and
Best Performance by a Pop Single Artist). Written by
Stuart Gorrell and
Hoagy Carmichael in 1930, the song was Charles's first work with
Sid Feller, who produced, arranged and conducted the recording. Charles's rendition of the tune helped elevate it to the status of an American classic, and his version also became the state song of Georgia in 1979. Charles earned another Grammy for the follow-up track "
Hit the Road Jack", written by R&B singer
Percy Mayfield. In 1961, Charles had expanded his small road ensemble to a
big band, partly as a response to increasing royalties and touring fees, becoming one of the few black artists to cross over into mainstream pop with such a level of creative control. Concerts in Antibes and later Zurich, Lyon and Paris led to Charles becoming the No. 1 bestselling jazz artist in France for many years. This success, however, came to a momentary halt during a concert tour in November 1961, when a police search of Charles's hotel room in Indianapolis, Indiana, led to the discovery of heroin in the medicine cabinet. The case was eventually dropped, as the search lacked a proper
warrant by the police, and Charles soon returned to music. and its sequel,
Modern Sounds in Country and Western Music, Vol. 2, helped to bring
country music into the musical mainstream. Charles's version of the
Don Gibson song "
I Can't Stop Loving You" topped the Pop chart for five weeks, stayed at No. 1 on the R&B chart for ten weeks, and gave him his only No. 1 record in the UK. In 1962, he founded his record label,
Tangerine, which ABC-Paramount promoted and distributed. In 1964,
Margie Hendrix was kicked out of the Raelettes after a big argument. In 1964, Charles's career was halted once more after he was arrested for a third time for possession of heroin. including the dance number "
I Don't Need No Doctor" and "
Let's Go Get Stoned", which became his first No. 1 R&B hit in several years. His cover version of "
Crying Time", originally recorded by country singer
Buck Owens, reached No. 6 on the pop chart and helped Charles win a Grammy Award the following March. In 1967, he had a top-20 hit with another ballad, "
Here We Go Again".
1967–1983: Commercial decline , 1972 (photo by
Oliver F. Atkins) Charles's renewed chart success proved to be short lived, and by the 1970s, his music was rarely played on radio stations. The rise of
psychedelic rock and harder forms of rock and R&B music had reduced Charles's radio appeal, as did his choosing to record pop standards and covers of contemporary rock and soul hits, since his earnings from owning his master tapes had taken away the motivation to write new material. Charles nonetheless continued to have an active recording career. Most of his recordings between 1968 and 1973 evoked strong reactions: either adored or panned by fans and critics alike.
A Message from the People included his unique gospel-influenced version of "
America the Beautiful" and a number of protest songs about poverty and civil rights. Charles was often criticized for his version of "America the Beautiful" because it was very drastically changed from the song's original version. On July 14, 1973,
Margie Hendrix, the mother of Ray's son Charles Wayne Hendrix, died at 38 years of age, which led to Ray having to care for the child. The official cause of her death is unknown. In 1974, Charles left ABC Records and recorded several albums on his own label, Crossover Records. A 1975 recording of Stevie Wonder's hit "
Living for the City" later helped Charles win another Grammy. In 1977, he reunited with Ahmet Ertegun and re-signed to Atlantic Records, for which he recorded the album
True to Life, remaining with his old label until 1980. However, the label had now begun to focus on rock acts, and some of their prominent soul artists, such as
Aretha Franklin, were starting to be neglected. In November 1977, Charles appeared as the host of the NBC television show
Saturday Night Live. In April 1979, his version of "Georgia on My Mind" was proclaimed the
state song of Georgia, and an emotional Charles performed the song on the floor of the state legislature. In 1980, Charles performed in the musical film
The Blues Brothers. Before the release of his first album for Warner,
Would You Believe, Charles made a return to the R&B charts with a cover of the
Brothers Johnson's "
I'll Be Good to You", a duet with his lifelong friend Quincy Jones and the singer
Chaka Khan, which hit No. 1 on the R&B chart in 1990 and won Charles and Khan a Grammy for their duet. Prior to this, Charles returned to the pop charts with "
Baby Grand", a duet with singer-songwriter
Billy Joel. In 1989, he recorded a cover of the
Southern All Stars' "Itoshi no Ellie" for a Japanese TV advertisement for the
Suntory brand, releasing it in Japan as "Ellie My Love", where it reached No.3 on its
Oricon chart. In the same year he was a special guest at the
Verona Arena during the tour promoting
Oro Incenso & Birra of the Italian singer
Zucchero Fornaciari. , one of his last public performancesIn 2001–02, Charles appeared in commercials for the
New Jersey Lottery to promote its campaign "For every dream, there's a jackpot." In 2003, he headlined the
White House Correspondents' Association Dinner in Washington, D.C., attended by President
George W. Bush,
Laura Bush,
Colin Powell and
Condoleezza Rice. Also in 2003, Charles presented
Van Morrison with Morrison's award upon being inducted in the
Songwriters Hall of Fame, and the two sang Morrison's song "
Crazy Love" (the performance appears on Morrison's 2007 album
The Best of Van Morrison Volume 3). In 2003, Charles performed "Georgia on My Mind" and "America the Beautiful" at a televised annual banquet of electronic media journalists held in Washington, D.C. His final public appearance was on April 30, 2004, at the dedication of his music studio as a historic landmark in Los Angeles. ==Legacy==