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Robert Ardrey

Robert Ardrey was an American playwright, screenwriter and science writer perhaps best known for The Territorial Imperative (1966). After a Broadway and Hollywood career, he returned to his academic training in anthropology in the 1950s.

Life
Ardrey was born in Chicago, the son of Robert Leslie Ardrey, an editor and publisher, and Marie (née Haswell). His father died in 1919 from pneumonia during the influenza epidemic and he was raised by his mother. He grew up on the South Side of Chicago and attended the nearby University of Chicago, graduating Phi Beta Kappa in 1930 as a Ph.B. While in attendance, he studied creative writing with Thornton Wilder, who would become his lifelong mentor. His first play, Star Spangled, opened on Broadway in 1935 and lasted only a few days, but resulted in the award of a Guggenheim Fellowship. There he wrote many screenplays, including those for adaptations such as The Three Musketeers (1948, with Gene Kelly), Madame Bovary (1949), The Secret Garden (1949), and The Wonderful Country (1959, with Robert Mitchum; The Wonderful Country also had a cameo from famed Negro leagues pitcher Satchel Paige). He also wrote original screenplays, including the screenplay for Khartoum (1966, directed by Basil Dearden, starring Charlton Heston and Laurence Olivier) for which he was nominated for the Academy Award for Best Writing, Story, and Screenplay. At the same time and largely by accident, he renewed his interest in human origins and human behavior, which he had studied at the University of Chicago. His ashes, along with those of his wife, are interred in the Holy Trinity Church overlooking False Bay. ==Theater and film career==
Theater and film career
After graduating from the University of Chicago, under the continuing mentorship of Thornton Wilder, Ardrey wrote a novel, several plays, and many short stories, all of which remained unpublished. The plays opened ten days apart and were massive failures. In his preface to Plays of Three Decades Ardrey writes: Ardrey signed a contract with Metro-Goldwyn-Mayer and moved for the first time to Hollywood to work as a screenwriter. He worked on several projects, including Samuel Goldwyn's notorious boondoggle remake of Graustark, which was cancelled, and a western called The Cowboy and the Lady, from which he was dropped (though he later used most of the plot for his smash success Lady Takes A Chance). During the summer of 1940 Ardrey discovered, when he read a syndicated column from Britain, that unbeknownst to him Thunder Rock had been having a massively successful run in London. The British rights had been sold to Herbert Marshall, who had launched a production starring Michael Redgrave. The play had been so successful that the British Minister of Information, Duff Cooper, arranged to have the Treasury department fund a production at the Globe Theatre in London's West End. The play deeply resonated with a British public under siege. Eminent theater critic Harold Hobson wrote of Thunder Rock: Following its success in London, Thunder Rock has had a lasting legacy. Later in 1940 the BBC broadcast a live radio version, and in 1946 they produced an adaption for television. In 1942, Thunder Rock was turned into a film, directed by the Boulting Brothers, also starring Michael Redgrave. (See Thunder Rock (film)) Shortly following the war, productions of Thunder Rock were quickly launched in Vienna, Prague, Budapest, and, most famously, in Allied-occupied Berlin where it was the first modern play to go up in the American zone. Following these successes in Hollywood, Ardrey returned to New York to reengage the theater. There he wrote Jeb. Jeb Jeb was a play about a disabled African American soldier returning to his home in the rural south after having fought in the war in the Pacific. He has lost one leg, but gained the ability to run an adding machine. Seeking out employment, he is faced with the bigotry of his countrymen. Jeb opened in New York in 1946. It received largely positive reviews (famed American theatre critic George Jean Nathan called it the best play on the topic of civil rights) and found small but enthusiastic audiences. The critical consensus, with which Ardrey came to agree, was that Jeb was far ahead of its time. Hollywood 1946–1966 Following the short run of Jeb Ardrey moved back to Hollywood and signed a two-picture deal with MGM. In 1946 and '47 he wrote The Secret Garden. In 1947 he wrote the screenplay for The Three Musketeers, (which would become the second-highest-grossing film of 1948. Also in 1954 Ardrey wrote the adaptation of John Masters' novel Bhowani Junction. Due in part to the intervention of the banks financing the film, Ardrey entered into contested negotiations over rewrites. Eventually he quit and took his name off the film. In 1958 Ardrey wrote the play Shadow of Heroes about the Hungarian Uprising of 1956. The play resulted in the release from Soviet custody of two political prisoners, Julia Rajk and her son. Ardrey next turned his attention toward Africa. He was soon to begin his pioneering work in paleoanthropology, but he also continued his career as a screenwriter. In 1964 he wrote the first screenplay adaptation of Isak Dinesen's novel Out of Africa. In 1966 he wrote another screenplay set in Africa, the Academy Award-nominated Khartoum. Khartoum Khartoum was written and produced in 1966, directed by Basil Dearden. The film is based on historical accounts of British Gen. Charles "Chinese" Gordon's defense of the Sudanese city of Khartoum from the forces of the Mahdist army during the Siege of Khartoum. Khartoum starred Charlton Heston as General Gordon and Laurence Olivier as the Mahdi (Muhammad Ahmed). Heston, in his autobiography, wrote about his decision to take the role: "It's a good part, presents the challenge of doing a mystic, as well as the English thing. Also, it's a helluva good script." The academy agreed with Heston's assessment of the script. In 1967 Khartoum earned Ardrey a nomination for the Oscar for Best Original Screenplay. Ardrey died, aged 71, in South Africa. ==Africa==
Africa
In 1955, when Ardrey was considering a trip to Africa, Max Ascoli, publisher of The Reporter, offered to buy anything that Ardrey would write there. Ardrey wrote an article about Dart's theory for The Reporter. After receiving significant attention, it was reprinted in Science Digest and led to The Smithsonian Institution contacting Dart. This trip would serve as the beginning of Ardrey's renewed interest in the human sciences and the initiation of his writing on paleoanthropology. ==Paleoanthropology==
Paleoanthropology
Ardrey spent the latter part of his life working as a science writer. In 1969 he was also contracted by Universal to write a screenplay of Baroness Karen Blixen's memoir Out of Africa, but it was never produced. His work was so popular that some scientists cited it as inspiring them to enter their fields. Ardrey wrote for popular audiences on topics in paleoanthropology, which encompasses anthropology, ethology, paleontology, zoology and human evolution. He was praised for crossing the boundaries of scientific specialism. The Observer, for instance, in its review of The Social Contract, wrote that "Robert Ardrey ... leaps across the fences with which scientists nowadays surround their special subjects. He reports their findings in clear English. He attempts to relate them in a single science of Man, by which all of us may try to know ourselves." This single "science of Man" was postulated in Ardrey's influential Nature of Man Series, which is composed of four books: African Genesis: A Personal Investigation into the Animal Origins and Nature of Man (1961), The Territorial Imperative: A Personal Inquiry Into the Animal Origins of Property and Nations (1966), The Social Contract: A Personal Inquiry into the Evolutionary Sources of Order and Disorder (1970), and The Hunting Hypothesis: A Personal Conclusion Concerning the Evolutionary Nature of Man (1976). Along with Raymond Dart and Konrad Lorenz, Robert Ardrey became one of the three most famous proponents of the hunting hypothesis and the killer ape theory. Ardrey postulated that precursors of Australopithecus survived millions of years of drought in the Miocene and Pliocene epochs, as the savannah spread and the forests shrank, by adapting the hunting ways of carnivorous species. Changes in survival techniques and social organization gradually differentiated pre-humans from other primates. More meat in the diet increased brain function. The killer ape theory posits that aggression, a vital factor in hunting prey for food, was a fundamental characteristic which distinguished prehuman ancestors from other primates. Ardrey also argued that aggression was therefore an inherited evolutionary trait still present in man. He challenged the reigning blank-slate hypothesis (similarly aligned with cultural determinism). The blank-slate hypothesis was defended (and Ardrey was famously attacked) by Ashley Montagu. This debate led to popular interest in human origins. Ardrey's ideas influenced director Sam Peckinpah, to whom Strother Martin gave copies of two of Ardrey's books, More recently, according to archeology expert K. Kris Hirst, reviewing the Dawn of Humanity (2015 PBS film) documentary which describes the 2015 studies of fossils of Homo naledi, the violent behavior of apes in the "Dawn of Man" sequence of 2001 has been "proven false", since contemporary evidence suggests that they were actually vegetarians. Although Ardrey's theories on aggression have been disproven, A 1966 review by Edmund Leach said Ardrey was "a mine of scientific-sounding misinformation" and his book was "noisy and foolish". A 1967 review by Patrick Bateson said "The arguments on which he bases his conclusions are shot through with such elementary mistakes, and his definitions are so loose, that he will surely mislead anyone who takes him seriously . . . Ardrey seems to be scarcely aware of the interactions involved in biological processes and to know nothing of the scientific method." A 1970 review by Carroll Quigley said "Ardrey pretends to be a scientist, or at least a science reporter; but in this book there is no more science than there is in a comic strip . . . It is true that Ardrey has read a great deal about animal behavior, but he never seems to grasp what it all means, and his biases prevent him from seeing what is really there." Around 1970, anthropologist Sherwood Washburn described Ardrey as "a popularizer of data he does not understand". A 1970 review by C. E. S. Franks said "however well written they may be, his books are neither scientific works nor the works of a scientist. Robert Ardrey has misunderstood two of the basic concepts of the new biology, "aggression" and "territory", and has misapplied them in discussing human society". A 1972 review by anthropologist Michael G. Kenny said "though Ardrey says on occasion that one cannot reasonably argue from animals to man, he systematically ignores his own advice" and that Ardrey "does not in general cite any clear evidence for his case" and "pays no attention at all to much material which, for good or ill, could bear on his case. The result is that he became so thoroughly muddled there was no possibility that he might have given some kind of sense to the analysis of the bio-social nature of society". A 1972 review by David Pilbeam said Ardrey's ideas were "based upon misinterpretation of ethological studies and a total ignorance of the rich variety of human behavior documented by anthropologists". A 1976 review said "Ardrey started with an idea that he derived from Raymond Dart and set out to prove it by selecting only the evidence that favored his viewpoint". A 1984 article said "the hard evidence for Ardrey's killer-ape hypothesis, all from Dart, is slim" and was refuted in the early 1970s by paleontologists, in particular CK Brain and Elisabeth Vrba. A 1996 article by anthropologist Glenn E. King suggested Ardrey was a pseudoscientist. King said "when a person who is 'not a formally trained scientist' who flatly contradicts highly trained experts who have done original research" and "that person accuses scientists of avoiding 'awkward facts' that contradict their views, this is the typical rhetoric of the pseudoscientist seeking the support (and usually the money) of a gullible public". King cited Ardrey as an example of this. A 2023 article said the disconfirmation of Ardrey's theories started arriving as early as 1966. ==Books==
Books
FictionWorlds Beginning (1944) (Cited in Everett F. Bleiler's The Checklist of Fantastic Literature, 1948.) • The Brotherhood of Fear (1952) • Plays of Three Decades: Thunder Rock / Jeb / Shadow of Heroes (1968) (Includes an autobiographical preface) NonfictionAfrican Genesis: A Personal Investigation into the Animal Origins and Nature of Man (1961) • The Territorial Imperative: A Personal Inquiry into the Animal Origins of Property and Nations (1966) • The Social Contract: A Personal Inquiry into the Evolutionary Sources of Order and Disorder (1970) • The Hunting Hypothesis: A Personal Conclusion Concerning the Evolutionary Nature of Man (1976) • Aggression and Violence in Man: A Dialogue Between Dr. L.S.B. Leakey and Robert Ardrey (1971) Online version ==Plays==
Plays
Star Spangled (1936) • Casey Jones (1938) • How to Get Tough About It (1938) • Thunder Rock (1939) (filmed in 1942 in the UK, released 1944 in the US) • God and Texas (1943) • Jeb (1946) • Sing Me No Lullaby (1954) • Shadow of Heroes (1958) (produced in London as Stone and Star) ==Screenplays==
Screenplays
They Knew What They Wanted (1940) • The Animal Within (1975) documentary ==Awards and honors==
Awards and honors
• 1935: Sergel Drama Award. • 1937: Guggenheim Fellowship. • 1940: Sidney Howard Memorial Award. • 1961: Theresa Helburn Memorial Award. • 1963: Willkie Brothers Grant for Anthropology. • Fellow of the Royal Society of Literature ==See also==
Additional resources
There are a number of university libraries that house Robert Ardrey's papers. The primary archive for the Robert Ardrey Collection is at the Howard Gotlieb Archival Research Center in the Mugar Memorial Library at Boston University. Rutgers, and the University of Chicago. ==References==
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