Ethiopian traditions The rukh is identified in the abridged Arabic version of the
Kebra Negast, an Ethiopian holy book, as the agent responsible for delivering the blessed piece of wood to
Solomon which enabled him to complete
Solomon's Temple. This piece of wood also is said to have transformed the
Queen of Sheba's foot from that of a goat to that of a human. The piece of wood that the rukh brought was therefore given an honored place in the Temple that Solomon built and decorated with silver rings. According to tradition, these silver rings were given to
Judas Iscariot as payment for betraying
Jesus; the piece of wood became
Jesus's cross.
Marco Polo , 1590 As quoted in
Attenborough (1961: 32),
Marco Polo stated: It was for all the world like an eagle, but one indeed of enormous size; so big in fact that its
quills were twelve
paces long and thick in proportion. And it is so strong that it will seize an elephant in its talons and carry him high into the air and drop him so that he is smashed to pieces; having so killed him, the bird swoops down on him and eats him at leisure. showing two roc-like birds carrying a deer and an elephant; a third grapples with a lion. Polo claimed that the roc flew to
Mogadishu "from the southern regions", and that the
Great Khan sent messengers to the island who returned with a feather (likely the frond from a
Raffia palm). He explicitly distinguishes the bird from the griffin. In addition to Polo's account of the
rukh in 1298, Chou Ch'ű-fei (周去非, Zhōu Qùfēi), in his 1178 book
Lingwai Daida, told of a large island off Africa with birds large enough to use their quills as water reservoirs. Fronds of the
raffia palm may have been brought to
Kublai Khan under the guise of roc's feathers.
In folklore In
The Arabian Nights the roc appears on a tropical island during
Sinbad's second voyage. Because of Polo's account, others identified the island as Madagascar, which became the location for stories about other giant birds. In one of the four tales in which it was mentioned, Sinbad discovered an enormous dome with no entrance, 50 paces in circumference, and he realised it was an egg when he looked up to the heavens and saw the fabled roc, said to feed elephants to its young, blocking out the sun. When the bird settled on the egg Sinbad was trapped underneath, only to be carried off when the bird took flight the next morning, after he had secured himself to its feet with his turban. Doubtless, it was Polo's description that inspired
Antonio Pigafetta, one of
Ferdinand Magellan's companions, who wrote or had
ghost-written an embroidered account of the
circumglobal voyage: in Pigafetta's account the home grounds of the roc were the seas of
China. Such descriptions captured the imaginations of later illustrators, such as
Stradanus 1590, or
Theodor de Bry in 1594 who showed an elephant being carried off in the roc's talons, and depicting the roc destroying entire ships in revenge for destruction of its giant egg, as recounted in the fifth voyage of
Sinbad the Sailor.
Ulisse Aldrovandi's
Ornithologia (1599) included a
woodcut of a roc with a somewhat pig-like elephant in its talons.
Michael Drayton Through the 16th century the existence of the roc could be accepted by Europeans. In 1604,
Michael Drayton envisaged the rocs being taken aboard
Noah's Ark: All feathered things yet ever knowne to men, From the huge Rucke, unto the little
Wren; From Forrest, Fields, from Rivers and from Pons, All that have webs, or cloven-footed ones; To the Grand Arke, together friendly came, Whose severall species were too long to name.
Modern era In the
rational world of the
17th century, the roc was regarded more critically. The roc, like many other mythological and folkloric creatures, has entered the
bestiaries of some
fantasy role-playing games such as
Dungeons & Dragons. The
Scaled Composites Stratolaunch carries the nickname
Roc; it is one of the
largest aircraft ever built. ==Rationalization==