Kannada epic poetry mainly consists of
Jain religious literature and
Lingayat literature.
Asaga wrote
Vardhaman Charitra, an epic which runs in 18
cantos, in 853 CE, the first
Sanskrit biography of the 24th and last
tirthankara of Jainism,
Mahavira, though his Kannada-language version of Kalidasa's epic poem,
Kumārasambhava,
Karnataka Kumarasambhava Kavya is lost. The most famous poet from this period is
Pampa (902–975 CE), one of the most famous writers in the
Kannada language. His
Vikramarjuna Vijaya (also called the
Pampabharatha) is hailed as a classic even to this day. With this and his other important work
Ādi purāṇa he set a trend of poetic excellence for the Kannada poets of the future. The former work is an adaptation of the celebrated
Mahabharata, and is the first such adaptation in Kannada. Noted for the strong human bent and the dignified style in his writing, Pampa has been one of the most influential writers in Kannada. He is identified as
Adikavi "first poet". It is only in Kannada that we have a
Ramayana and a Mahabharata based on the Jain tradition in addition to those based on Brahmanical tradition.
Shivakotiacharya was the first writer in prose style. His work
Vaddaradhane is dated to 900 CE.
Sri Ponna (939–966 CE) is also an important writer from the same period, with
Shanti Purana as his magnum opus. Another major writer of the period is
Ranna (949-? CE). His most famous works are the
Jain religious work
Ajita Tirthankara Purana and the
Gada Yuddha, a birds' eye view of the
Mahabharata set in the last day of the battle of
Kurukshetra and relating the story of the Mahabharata through a series of flashbacks. Structurally, the poetry in this period is in the
Champu style, essentially poetry interspersed with lyrical prose. The
Siribhoovalaya is a unique work of multilingual
Kannada literature written by
Kumudendu Muni, a
Jain monk. The work is unique in that it does not employ letters, but is composed entirely in
Kannada numerals. The
Saangathya metre of
Kannada poetry is employed in the work. It uses numerals 1 through 64 and employs various patterns or
bandhas in a frame of 729 (27×27) squares to represent letters in nearly 18 scripts and over 700 languages. Some of the patterns used include the
Chakrabandha,
Hamsabandha,
Varapadmabandha,
Sagarabandha,
Sarasabandha,
Kruanchabandha,
Mayurabandha,
Ramapadabandha, and
Nakhabandha. As each of these patterns are identified and decoded, the contents can be read. The work is said to have around 600,000 verses, nearly six times as big as the ancient Indian epic
Mahabharata. The
Prabhulingaleele,
Basava purana,
Channabasavapurana and
Basavarajavijaya are a few of the Lingayat epics. == Meitei epics ==