Early life and work Born in
Newark, New Jersey, Ross was one of two children of a well-off, upper-class family. His parents were Pierre Sanford Ross Jr., a civil engineer, and his wife Helen Halsey. His grandparents were New York socialites P. Sanford Ross and Kate Ostrom Van Court. He attended the
Taft School in
Watertown, Connecticut. Demonstrating an early talent in art, he studied at the
Art Students League of New York under
Thomas Hart Benton in 1928 and under
George Luks in 1929. He also studied lithography with
Adolf Dehn. He entered
Princeton University in 1930 but chose to leave a year later to pursue a career in art. He held his initial solo exhibitions at the Macbeth Gallery in New York in 1932-1933 to early critical approval of his
American scene painting. Subsequently, he showed regularly in New York at Rheinhart and Leeman and at the Van Diemen-Lilienfeld Galleries. His lithographic themes in this period were of rural roads stretching toward distant destinations and sometimes "impish and sardonic" depictions of New Jersey mansions. His
caricature of the Long Branch millionaire Solomon Guggenheim's lavish, Moorish-style summer home, Aladdin's Palace, recalled by one historian as "unrivaled for sheer vulgar exhibitionism and bad taste," was featured in the Sunday
New York Times in March 1932. Interviewed by
Arts Magazine, (then
Art Digest) in 1932, he expressed particular preference for Benton,
Edward Hopper,
Boardman Robinson and in portraiture,
Eugene Speicher. In 1933 he was commissioned by
Fortune magazine to make watercolor illustrations for an article on the grand homes of
Newport Rhode Island and in 1935 for an article on the
Saratoga racing scene. He was a
WPA artist in Connecticut in 1933. His works of the 1930s show clear influences of
Precisionism,
Regionalism and the
Ashcan School. His work was included in the special 1938 edition of
PM magazine that reproduced the best American prints of the previous five years, and in the Whitney Museum Annual Exhibition of Contemporary American Art in 1940.
Travel in the 1930s An avid sportsman and photographer who occasionally contributed articles to
Country Life, Ross regularly engaged in deep sea fishing. In December 1936 he left the United States to spend three months fishing in
New Zealand, then traveled through Asia to present-day Kenya where he hunted big game on safari. Returning in the fall of 1937, he produced a series of watercolors of Africa that subsequently toured the United States as an exhibit under the auspices of the
American Federation of Arts.
Later life In 1947 he married Rebecca Brock Hughes. Along with her three young daughters of a previous marriage, they moved to a farm he had purchased near
Barnard, Vermont. Their son Nicholas was born in 1950. In this rural setting well away from the New York galleries, Ross devoted himself to painting watercolors and oils of Vermont including scenes of ordinary farm work.
Dorothy Thompson, who owned a farm adjoining his, was a close friend as were other writers, intellectuals and artists who relocated from New York and war-ravaged Europe to that part of Vermont. Physically unqualified to serve in the military due to a permanent ankle injury, Ross spent the war years in Vermont, occasionally teaching art at nearby
Dartmouth College. A senior editor and writer for
Life magazine, Noel Busch, observed that his paintings during World War II, which often depicted dark winter or decay, reflected "their seasons in Vermont during a long Winter in the world." His brighter watercolors of the late 1940s were based on popular rural themes but also New York's
Central Park in various seasons. Much of his work of this period was reproduced under the auspices of the
American Artists Professional League. By 1950 Ross also had become known for his commissioned oil portraits of children whom he often depicted with serious, thoughtful expressions. He died suddenly of a heart attack in Barnard, Vermont on March 1, 1954. In conjunction with one of his last shows before his death, cultural historian and writer
René Fülöp-Miller observed that Ross's "untiring brush manages to depict the very soul of Vermont. This is his originality and makes for the impact of his paintings."
Collections In addition to private collections, the art of Sanford Ross appears in the collections of the following:
Addison Gallery of American Art, Cornell University,
Herbert F. Johnson Museum of Art, Dartmouth College
Hood Museum of Art, The Marsh-Billings-Rockefeller Mansion, Woodstock, Vermont, The
Newark Museum of Art, New York Academy of Sciences,
New York Public Library, Princeton University,
Fine Arts Museums of San Francisco,
Whitney Museum of American Art,
Zimmerli Art Museum at Rutgers University. Ross's prints are included in
Fifty Prints of the Year 1934,
Fine Prints of the Year 1937, Fine Prints of the Year 1938, Prize Prints of the Twentieth Century, and
Eyes on America: The United States as Seen by Her Artists. == References ==