In September 2007,
Rolling Stone Japan rated
Satori #71 on their list of the "100 Greatest Japanese Rock Albums of All Time".
Satori topped musician and author
Julian Cope's top 50 albums of Japanese rock, as found in his 2007 book
Japrocksampler. Calling it one of the all-time great "hard-rock rages to have been unleashed upon the world", he wrote that the album defies comparison with others. Cope described the record as a festival of guitar worship, where each "Satanic riff" is interlaced with "a more dazzling stellar lick", and so "regally exultant and wantonly barbaric simultaneously, yet so musically complete" that it renders vocalist Yamanaka all but obsolete.
David Fricke of
Rolling Stone declared
Satori his favorite Japanese rock album of all time and described Ishima's lead lines on it as having a "curdled-distortion quality, like mad-cat wails, that contrast dramatically with his
Tony Iommi Jr. block-fuzz chords." Hernan M. Campbell of Sputnikmusic said that
Satori, with its traces of early
heavy metal,
progressive rock and
psychedelia, captures "the eclecticism of the '70s rock scene, and all of the different philosophies that were steadily evolving into fully recognized genres." Giving the album a 4.8 rating out of 5, he also wrote that like Ishima and Yamanaka's previous work on Kuni Kawachi's album
Kirikyogen,
Satori has "the formidable and ominous sound that would become the essence of
doom metal." ==Legacy==