Serbian traditional clothing

'' painting, Uroš Predić, 1919. in typical Ottoman-influenced Serbian city costume of the first half of the 19th century, complete with a turban Serbian costume is also known for the variety of textures and embroidery. The jelek is a waistcoat made from wool or velvet while women's jackets are lined with fur. Characteristic features of Serbian dress include opanci, footwear dating back to antiquity. Traditional Serbian female dress consists of opanci, embroidered woolen socks that reached to the knees and nazuvice. Skirts were very varied, of plaited or gathered and embroidered linen, with tkanice serving as a belt. An important part of the costume were aprons (pregače) decorated with floral motifs. Shirts were in the shape of tunics, richly decorated with silver thread and cords was worn over the shirt. In some areas it was replaced by an upper sleeveless dress of red or blue cloth, knee-long, richly decorated and buttoned in front (zubun). Scarves and caps bordered with cords were worn as headdress. Girls also wore collars, or a string of gold coins around their throats, earrings, bracelets, and their caps were decorated with metal coins or flowers. In medieval times, rulers, the nobility and senior churchmen brought many of their fabrics from the Republic of Ragusa. The most common fabric for ordinary Serbs was sclavina or schiavina, a coarse woolen fabric. Linen was also made within Serbia while silk was grown at the Dečani Monastery as well as near Prizren. Few secular garments have survived from the medieval period, the most notable being the costume worn by Lazar Hrebeljanović at the Battle of Kosovo. More decorated vestments have survived from the period. The typical Serbian costume consists of shirts, trousers, skirts, sleeveless coats called jeleks, ordinary coats, jubun, socks, belts and headgear, often called oglavja. The trousers are believed to hail from the pre-Slavic Balkan era, while the woolen cord ornaments have a Thracian, Illyrian origin. The designs of civil clothes were developed from ancient times, to Roman then Byzantine, and later under Turkish (Oriental) influence, and in towns of the Pannonian area and the Adriatic coast, primarily under European influence. Under the influence of the mentioned factors certain common wearing elements within the wider cultural and geographic zones were created, such as Adriatic, Alpine, Dinaric, Morava, Pannonian, and Vardar zones (or styles) with their own particularities. In the wake of Serbia's newfound autonomy following the Second Serbian Uprising, there was a push among Serbian intellectuals from the Austrian Empire to Europeanize the Serbian city costume. The transition (which is most evident in Serbian portrait painting from the mid-19th century) to western attire took several decades and wealthy Serbian men continued to wear full Ottoman costume with turbans on formal occasions well into the 1860s. By the late 1870s, the male Serbian urban costume favored by officials and the mercantile class (when not wearing increasingly popular Western fashion) still consisted principally of braided Turkish-cut breeches, an embroidered vest, and a striped cashmere or silk shawl, several yards in length, wrapped around the torso in which ornamental pistols and swords were placed. In winter time, this costume was complemented by a long, fur-bordered pelisse. In the southern regions of Serbia, men at the time frequently wrapped a white cloth around their fezzes, similarly to their Albanian neighbors. ==Main attire==

Overall traditional wear include: • Opanci shoes: Shoes most commonly worn by peasants (pl. опанци, lit. "climbing footwear"); a construction of leather, lack of laces, durable, and have horn-like ending on toes. The design of the horn-like ending indicates the region of Serbia the shoes are from. Until 50 years ago, they were usually worn in rural areas of Bosnia and Herzegovina, Bulgaria, Croatia, Macedonia, Romania and Serbia. • Šajkača cap: Easily recognisable by its design; the top looks like the letter V or like the bottom of a boat (viewed from above). It was derived from the 18th-century military cap part of the uniform worn by the Šajkaši, river troops guarding Belgrade, Danube and Sava against the Ottoman Empire, during the 16th- to 19th centuries. It subsequently spread throughout the civilian population of central Serbia, and in the 19th century it became an official part of the Serbian military uniform, first worn only by soldiers, then after 1903 it replaced the officer's French-style Kepis and Peaked caps. It would continue to be used by the Royal Yugoslav Army. It continued its use by the Chetniks in World War II, but also Serbs of the Yugoslav Partisans until it was replaced by "Titovka" cap (named after Josip Broz Tito) for soldiers and Peaked cap for officers' parade uniform. During the Bosnian war, the hat was worn by Bosnian Serb military commanders and many volunteer units in the 1990s. It is seen as a Serbian symbol. Today it is commonly seen in rural villages across Serbia, Bosnia and Herzegovina and Montenegro, often worn by elderly men. • Šubara hat: A shepherd hat (Шубара, fur hat), during harsher and colder times (winter). It is in a conical or cylindrical shape predominantly of Black colour, because of the black lamb/sheep fur (woolen). It was used in the World War I by the Serbian soldiers and by the Chetniks in World War II and again during the Yugoslav Wars, usually with a cockade (kokarda) of the Serbian eagle or cross. Today, it is part of the folk attires of east and southeast Serbia. • Fez: Until the late 19th century, the fez was the most commonly worn hat among Serbs and was used by both men and women. Though associated strongly with Turkey and North Africa, the fez was the preferred choice of headwear for Balkan Christians of all classes during this time. Early uniform regulations of the Serbian civil service specified the wear of fezzes embroidered with the Serbian coat of arms. In 1850, the Russian Consul to Serbia, Dmitrii Sergeevich Levshin insisted that Serbian officials cease wearing the fez and adopt Western hats. The request was refused and Serbian uniform regulations continued to require the fez. Over time, the fez was replaced in Montenegro by the Montenegrin cap, and in most of Serbia by other forms of headwear. In regions of Southern Serbia, however, the fez remains part of the traditional folk costume. File:Pester Plateau, Serbia - 4977.jpg|Opanci. File:Шајкача.jpg|Šajkača cap. File:Düsseldorf, 1. Mai 2014, Serbische Lammfellmützen 'Subara' (3).jpg|Šubara hat. File:Dusanka Vest.png|Dušanka vest, Montenegro. File:Zubun, XX vek.jpg|Zubun robes, 20th century. File:Зубун косово и метохија.jpg|Zubun robes, Kosovo. File:Serbian folk costumes from Kosovo 02.jpg|Embroidery, Kosovo. File:Vunena suknja.jpg|Woolen skirt. File:Vunene čarape.jpg|Woolen socks. File:Etnografski muzej Beograd Dungodung 49.jpg|Female folk dress jewelry, Belgrade Ethnographic museum. File:Pafta.jpg|Pafte (belt buckle), early 19th century, Belgrade Museum of Applied Arts. File:Tepeluk i bareš.jpg|Tepeluk (cap), late 19th century, Belgrade Museum of Applied Arts. ==Serbia==

In Serbia, Serb folk dress are divided into several groups: Dinaric, Morava, Pannonian, and Vardar styles, all of which can also be placed under regional groups such as: Northern Serbia (which mostly includes Vojvodina), Central Serbia, Southern and Eastern Serbia and Western Serbia. Northern Serbia The Serb folk dress of Northern Serbia, or Vojvodina, are part of the Pannonian style. As part of a cultural zone with Croatia, Hungary and Romania, the attire has likeness to those in adjacent Croatian, Hungarian, Romanian provinces (there are also some small Bunjevac, German, Slovakian, and Rusyn cultural influences in areas where those minorities live). They also take some small influences from the Morava, and Dinaric styles. Vojvodina , Banat region, Vojvodina, Northern Serbia. region, Vojvodina, Northern Serbia. "'' painting, Jovan Pačić, 19th century. "'' painting, Uroš Predić, 1887. "'' painting, Paja Jovanović, 1895. The fertile Plain of Vojvodina provided not only grain, but also abundantly provided raw materials for making human clothing. The Pannonian climate, with long and hot summers and very harsh and windy winters, also conditioned the way of its inhabitants. The main raw materials for the production of the old Serbian costume were vegetable fibers of mullet, flax and cotton. In addition to vegetable fibers, wool, lamb and sheep fur were used for winter clothing, which was favored by basic industries. 19th century clothing made in domestic handicrafts was of simple design. Basic linen was characterized by straight-cut pieces of clothing, the width of which was molded to the body by folding fabrics. By adopting more sophisticated tailoring in upper garments, which came to Serbian costume through the influence of urban and central and western European fashion, especially Viennese, sewing of such costume was left to the tailors. Village dressmakers introduced new fashion elements into folk costume, which influenced and contributed to the rapid loss of Serbian folk costume in Vojvodina. Women braid their hair, placing their long braids around the head which is then hold by toothpick clamps and adorned by jewelry with flower motifs. The shirt is made of linen or knitted fabric. The upper part is sewn to the lower. Around the neck, around the sleeves and at the bottom of the hem, the shirt is closed and festooned with a lace of thicker cotton. A jelek vest is placed over the shirt. Long pleated skirts can be in a variety of different colors (often in a kilt like pattern), most common ones are clean white or black. Skirt embroidery is stitched at the lower parts of the dress, usually in vibrant floral patterns. The apron is the most beautiful part of the costume, every girl and woman hand-make it for themselves, which leads to many variants in terms of technique and vividness. Over the apron and shirt but and under vest a belt called a kolan is fastened. The belt tied with beads and multicolored buttons with pafts, metal buckles that close under the breast. Ducats and other jewelry cover half the breasts. In more common Šumadija dress, women wear a vibrantly colored cloth around the waist instead (commonly red). The socks are knitted and patterned in colorful wool with floral ornaments. Flax and hemp have grown well in this area and have been one of the main foundations of homework. In this area, all the techniques of weaving (square weaving, kneeling, quilting, embroidery and knitting) were developed. The sleeves, aprons, zbubins, rugs in ornamentation are dominated by geometric shapes – rhombuses, squares, crosses, stylized flowers and twigs. Besides simple rhombus, meander is one of the most popular motifs of textile folk crafts. In an elaborate scale of handicrafts, the dominant place is occupied by the manufacture of rugs, which were usually two-faced, woven on a horizontal break by two techniques – squatting and kneeling. ==Kosovo ==

The Serb folk dress of Kosovo Serbs is divided into three groups: the Dinaric, Morava, and Vardar styles. As part of a cultural zone with Albania and North Macedonia, the attire has likeness to those in adjacent Albanian and Macedonian provinces, such as jelek, zubun, anterija, opanak, gunj, and fez instead of šajkača. Kosovo and Metohija , "Autochrome", Auguste Léon, May 9th 1913. , 19th century, Belgrade Ethnographic museum. Serbian costumes in Kosovo and Metohija regions are distinguished by their very diverse folk costumes, known for their richness and abundance of shapes and decorations. Created over many years, the costumes contain elements of the various cultural influences that confronted this area during the historical epochs, such as from old Slavic and old Balkan civilizations. Serbian costumes from Kosovo stand out for their exceptional beauty and variety. The wealth of imagination and craftsmanship in creating basic shapes and decorative motifs are visible on jeleci, dolame, zubuni, anterije, shirts, aprons, belts, headscarves, headgear, caps, etc., made by women, girls and terzije (folk costume tailor). The ornaments are mostly general geometrical shapes, geometric plant shapes, regular plant motifs, and in rare examples animal motifs. The color is often red. Its symbolic and magical meaning – a symbol of life and health – combined with other colors like silver and gold, adds to the vibrant color harmony of these costumes. The city's costume was under direct oriental influence. It remained in use until almost before World War II. In its overall stylistic design, it had the same features throughout Kosovo, with slight variations in particular environments. It was worn in Prizren, Peja, Gjakova, Pristina, Mitrovica, Gjilan and other smaller townships. City costumes were mostly made by terzije tailor masters. The city's men's costume is mainly based on the Turkish-Oriental clothing tradition, with influences from the Greek costume. Each town men wore a fez, usually darker in color and always with a black tassel. A tufted dark blue and black suit was also worn. Clothing parts of Serbian folk costumes in Kosovo: Male Kosovo Serb folk costume: • Fez cap • Šajkača cap • Šubara hat • Shits • Jelek vest • Džoka robe • Japundža raincoat • Džemadan • Čakšir pants • Opanci (bovine skin) Female Kosovo Serb folk costume: • Headscarves • Headgear • Caps • Jelecim robes • Dolama robes • Zubuni robes • Anterija robes • Shirts • Aprons • Belts (Pafts, Kovanik) • Various jewelry • Opanci (pig skin) ==Bosnia and Herzegovina==

The Serb folk dress of Bosnia and Herzegovina are divided into two groups; the Dinaric and Pannonian styles, all of which can also be placed under regional groups such as: Bosnian Krajina, East Herzegovina, Ozren, Sarajevo Field, etc. They also take some small influences from the Adriatic and Morava styles. Bosnia Bosnian Krajina , Bosnia. , Bosnia. The costumes of the Bosnian Krajina belong to the type of Dinaric costumes that extend from western Bosnia to the Imljan, Banja Luka and Travnik regions in the east, from the slopes of Grmeč, across Potkozar to Prnjavor in the north, and to Grahovo, Glamoča, Kupresa and Bugojno in the south. However, some of the costumes in this group are classified in the group of Middle Bosnian and Posavina costumes. In such a widespread area there is a large number of variants of Serbian costumes with significant differences in the pattern of clothing, ornamentation or in the way of wearing individual pieces. The main features of Dinaric women's costume are: long linen shirt, wool apron and belt. Shorter and longer gowns, including a woolen dress often referred to as modrina or raša, woolen socks, opanci, and a red cap with a white scarf called bošča. The main features of the Dinaric Men's costume are: shorter linen shirt, čakšire pants, Woolen ječerma robe, cloths, socks, opanci, and red cap with or without fringe. The linen shirt is the basic clothing item of Dinaric men's and women's costumes. As a rule, the shirt dresses on the body itself and in summer and winter. A belt cloth is tied or banded over it. Weaved from cotton on the flat (canvas maker). Men wear hats. Each men's bag is differently decorated. In female costumes, shirts are made of cotton or mixed birch, long to the ankle, with pleated wedges under the arms, which make them very wide. Zubun, as the most important robe, is not as uniform here as in Dinaric costumes. Some of the costumes in this area do not have ''zubun's, but short gunjiće or čerme. These are always made of black cloth, mostly decorated with red braid, or without ties, as in eastern Bosnia and Birač. The pregača'' apron in women's costumes was also not a common dress element. For footwear in addition to knitted opanci, leather opanci of different shapes and colors are also worn. The socks are knee-deep of length, mostly black wool, patterned in different colors, with floral motifs in eastern Bosnia, while geometric patterns are found around Sarajevo. For headdress maidens wore the typical red fezić, while women wore various forms of rolls woven from wands, with a square headscarf placed over it, mostly with without ties. Integral parts of the Serb Herzegovina folk costume: Male Herzegovina folk costume: • Zavrata, Herzegovina cap • Toke jacket, only well known and richer Serbs wore it • Dušanka • Male belt • Pants • Woolen socks • Opanci Female Herzegovina folk costume: • Burundžuk female hat • Đurdija scarf • Shirt • Koret jacket • Aprons • Pahte, silver jewelry worn on the belt • Opanci Gacko Traditional peasant attire. Women wear home-made linen dresses with darker embroidery around sleeves, weaved fringed apron, dark-blue zobun made of heavy cloth hemmed with dark-red narrow stripes and a cap on the head. Men’s costume consists of white trousers, long gunj, dark-red weaved belt and also a cap on the head. They wear the opanci ==Croatia==

The Serb folk dress of Croatia are divided into several groups; Adriatic, Alpine, Dinaric, and Pannonian styles, all of which can also be placed under regional groups such as: Baranya, Dalmatia, Istra, Slavonia, etc. Baranya and Slavonia Folk costumes of the Pannonian area are characterized by the use of konoplje and flax. The basic elements of a men's costume in Baranya are wide canvas shorts, which extend down to the ankles, and a linen shirt, which is worn over the pants. The upper parts of the garment consist of a sleeveless vest, most often embellished with embroidery or applications, multicolored buttons, and pieces of glass. In the cold winter months, he also wore a long white cloak of cloth with a very decorative square collar, with applied ornaments of the same material. Sheepskin raincoat as well as various fur coats with sleeves were used as winter outerwear. The everyday costume was simple, unadorned, while for festive occasions the shirts received a very nice embroidery on the chest made of red, blue or white thread, and for the most festive occasions a golden thread. Baranya's women's costume comes in many variants, but is basically a one-piece linen shirt that covers the body from the shoulders to the ankles. It is made of several half canvases that are joined by a rich pleating on the neckline. Knin Zagorje, the people of the Knin Krajina still wear what their grandfathers used to wear. That suit lasts from generation to generation. There is no end in Europe where there are as many quirky and original ways of costume as in Dalmatia. The costume is traditional, and so is the pattern or grease blue (blue), red and white, yellow, green and black. Married on her head she wears a white canvas called bošča. Wherever she wears a colorful towel. The females, as they marry, are wearing a red cap. The married woman knits her hair in two braids and throws it across her neck. In these braids, advances, ilk, cyanics are interwoven, and girls wear caps with chains, hearts, glass beads, etc. The girls knit their hair in one braid and pull it down. The hat she wears is red-pale and shallower. They comb their hair well, smooth it with wooden combs, help with young butter or oil, through the same variety of jewelry, and even infuse money. The folk costumes of the Serbian Orthodox people of Lika differs in some sense from the national costume of the Catholic people of Lika, both in color and in the names of the individual parts of which the costume consists. The Serb Lika costumes are consist of male and female Lika costumes, each with different types of clothing for work, everyday (both contemporary and old), ceremonies, and secular use. The traditional Serb costume of Lika is much like the traditional Montenegrin folk attire. Integral parts of the Serb Lika folk costume: Male Lika folk costume: • Lika cap • Shirt • Trousers • Breveneci pants • Vest • Čerma, a waistcoat with silver buttons • Ćemer • Pašnjača • Lička maja • Aljinac • Lika waistcoat, a woolen waistcoat (lički kožun) • Woolen socks • Loafers • Opanci (oputari, kapičari) • Lika bag Female Lika folk costume: • Female Lika cap • Rubac scarf • Shirt • Kiklja skirt • Vest • Aprons • Tkanica cloth • Đender • Aljinac • Woolen waistcoat (kožun) • Woolen socks • Natikače, shoes • Opanci • Coklje, shoes • Lika bag ==Montenegro==

in folk costume from Montenegro, 1920s. The folk dress of Montenegro are part of the Old Herzegovina style, exclusively worn by ancient Serbian Clans and descent, which are traditionally worn in the following areas: Morača, Cetinje and in northwestern Montenegro, region of Durmitor and Ljubišnja, the entire length of the Tara River Canyon, and in all parts of Montenegro and East Herzegovina, where autochthonous Serbian Slav Clans lived. The ceremonial costume that became a symbol of the Serb ethnic community in Montenegro was created by Prince-Bishop Petar II Petrović-Njegoš, who also liked to wear it himself. When worn by Njegoš, the costume was described in elaborate detail: "He wore a red waistcoat, hemmed with gold; the shirt sleeves which could be seen under the sleeveless jacket were of the finest linen...; he had the weapon belt tied around his waist and the brown girdle with two guns and the long dagger stuck into it. The wide blue panes and knee socks...the fine socks and black leather shoes completed his attire." The red waistcoat, the blue panes, and the white knee socks symbolized the Serbian tricolour flag by which the Montenegro had identified itself with since 1876. Costumes in Montenegro and in Herzegovina regions consist of: • Montenegrin cap • Shirt with collar, ie. shirt with no collar or with a small collar • Džamadan, men's jacket the red part that wears after the shirt • Dušanka the female jacket • Jaketa jacket • Kanice the female belt • Zubun the long wool coat with light green color, a common part of both men's and women's costume • Silav, a leather strap for a weapon that is placed under the pojas • Blue pants with wide-fitting • Ankle stockings • Bjelače Woolen socks (shorts) • Opanci (leather) Often boots are worn instead of leggings, but not worn with socks or soles. ==Gallery==

File:Serbian national costume - female.jpg|Female folk dress, Šumadija region. File:Serbian Shop.jpg|Serb male Šop dress. File:Šopske igre (KOLO).jpg|Serb female Šop dress. File:Narodnja nosnja Vranje.jpg|Male folk dress, Vranje. File:Praha, Staré Město, Prašná brána, srbští tanečníci s vlajkou.JPG|Eastern Serb male dress with šubara, Prague. File:Praha, Staré Město, Ovocný trh, Pražský jarmark, srbští tanečníci.JPG|Eastern Serb male dress, Prague. File:Praha, Staré Město, Ovocný trh, Pražský jarmark, srbské lidové tance VI.JPG|Eastern Serb dress, Prague. File:Gradska nosnja.jpg|Urban dress, Banja Luka, 19th century. File:Beograd Seljak.jpg|Peasant attire, Belgrade, c.1901. File:Vojvoda Gligor Sokolović.jpg|Gligor Sokolović, c.1905. File:Narodna nošnja iz Toplice.jpg|Female folk dress from Toplice, late 19th and early 20th century, Magazine "Bosna", Belgrade City Library, 1910. File:Naroda nošnja iz Resave.jpg|Female folk dress from Resave, late 19th and early 20th century, Magazine "Bosna", Belgrade City Library, 1910. File:Šumadija i okolina Beograda.jpg|Female folk dress from Šumadija and around Belgrade, late 19th and early 20th century, Magazine "Bosna", Belgrade City Library, 1910. File:Narodna nošnja iz Posavine.jpg|Female folk dress from Posavina, late 19th and early 20th century, Magazine "Bosna", Belgrade City Library, 1910. File:Narodna nošnja iz Mačve.jpg|Female folk dress from Mačva, late 19th and early 20th century, Magazine "Bosna", Belgrade City Library, 1910. File:Narodna nošnja iz Vojvodine i Krajine.jpg|Female folk dress from Vojvodina and Krajina, late 19th and early 20th century, Magazine "Bosna", Belgrade City Library, 1910. File:Srpska porodica iz zapadne Makedonije.jpg|Male and Female folk dress from the western part of North Macedonia, late 19th and early 20th century, Magazine "Bosna", Belgrade City Library, 1910. File:Narodna nošnja iz Dalmacije.jpg|Female folk dress from Dalmatia, late 19th and early 20th century, Magazine "Bosna", Belgrade City Library, 1910. File:Narodna nošnja iz Zete.jpg|Female folk dress from Zeta, late 19th and early 20th century, Magazine "Bosna", Belgrade City Library, 1910. File:Srpkinja u narodnoj nošnji.jpg|Female folk dress from Skopska Crna Gora, late 19th and early 20th century, Calendar "Vardar", Belgrade City Library, 1910. File:Seljanke iz Skopske Crne Gore.jpg|Female folk dress from Skopska Crna Gora, late 19th and early 20th century, Calendar "Vardar", Belgrade City Library, 1910. File:Prizrenka.jpg|Female folk dress from Prizren, late 19th and early 20th century, Calendar "Vardar", Belgrade City Library, 1910. File:Devojke iz Gnjilana.jpg|Female folk dress from Gnjilan, late 19th and early 20th century, Calendar "Vardar", Belgrade City Library, 1911. File:Stanovnice Prištine.jpg|Female folk dress from Priština, late 19th and early 20th century, Calendar "Vardar", Belgrade City Library, 1912. File:Montenegrin from Cetinje, Lipperheide, 1853.jpg|"Montenegrin from Cetinje" painting, Carl Werner, 1853. File:11 Monteneginer.jpg|"Montenegrin" painting, "The Serbs on the Adriatic", Louis Salvator, 1870. File:31 Mädchen aus der Umgebung von Zengg.jpg|"Maiden from Senj area" painting, "The Serbs on the Adriatic", Louis Salvator, 1870. File:На лепом српском Дунаву, 107.jpg|"Man from Banat" illustration, "On the beautiful Serbian Danube", Srećko J. Stojković, 1893. File:На лепом српском Дунаву, 110.jpg|"Man and Woman from Srem" illustration, "On the beautiful Serbian Danube", Srećko J. Stojković, 1893. File:На лепом српском Дунаву, 109.jpg|"Banat people" illustration, "On the beautiful Serbian Danube", Srećko J. Stojković, 1893. File:На лепом српском Дунаву, 134.jpg|"Peasant man and woman from Belgrade Podunavia" illustration, "On the beautiful Serbian Danube", Srećko J. Stojković, 1893. File:На лепом српском Дунаву, 270.jpg|"A girl, a man, and a woman from Krajina" illustration, "On the beautiful Serbian Danube", Srećko J. Stojković, 1893. File:Montenegrin Herzegovinian costume.jpg|Male folk costume, Montenegro and Herzegovina File:Serbian folk costume Bačka.jpg|Folk dress, Bačka region, late 19th and early 20th century, Novi Sad Museum of Vojvodina. File:Eksponat u Muzeju Vojvodine 07.jpg|Male uniform and Female city dress, Bačka region, late 19th and early 20th century, Novi Sad Museum of Vojvodina. File:Regular soldier 1809.jpg|Serbian soldier attire, c.1809, Belgrade Military museum. File:Etno park Tulba, national costume of Požarevac, Serbia.jpg|Female folk dress, Požarevac, Etno Park Tulba. File:Etnografski muzej Beograd Dungodung 52.jpg|Male and Female folk dress, Banat and Srem regions, late 19th century, Belgrade Ethnographic museum. File:Etnografski muzej Beograd Dungodung 46.jpg|Male and Female festive dress, Montenegro, late 19th century, Belgrade Ethnographic museum. File:Etnografski muzej Beograd Kolega2357 197.jpg|Serb folk dress, Gacko, 20th century, Belgrade Ethnographic museum. File:Etnografski muzej Beograd Dungodung 17.jpg|City dress from Belgrade, Banja Luka and Prizren, 19th century, Belgrade Ethnographic museum. ==See also==