Critical response Smoke Signals was well received by mainstream critics. On
Rotten Tomatoes, the film holds an approval rating of 90% based on 93 reviews, with an average rating of 7.6/10. The website's critics consensus reads: "
Smoke Signals tells a familiar story from an underrepresented point of view, proving that a fresh perspective can help subvert long-established expectations." On
Metacritic, the film has a weighted average score of 76 out of 100, based on 17 critics, indicating "generally favorable reviews". Peter Stack of the
San Francisco Chronicle gave the film a rave review, calling it, "unpretentious, funny and soulful ... Well-acted, well-written, with spare, beautiful imagery." Kevin Thomas of the
Los Angeles Times described
Smoke Signals as "a warm film of friendship and reconciliation, and whenever it refers to historic injustices or contemporary issues in Native American culture, it does so with wry, glancing humor.
Smoke Signals is indeed poignant, but above all it's pretty funny." Marc Savlov of
The Austin Chronicle called the film "poignant and slyly humorous" and "alight with oddball nuances and wry observations," saying further, "the cast is uniformly excellent in their roles, and Eyre's persistent use of long, trailing shots reinforces the story's elegiac tone. Simple and elegant,
Smoke Signals is a delicious, heady debut that lingers long after the tale is told." Susan Tavernetti of the
Palo Alto Weekly, gave the film a mixed review, saying that "although sometimes the attempt to break down stereotypes seems stilted and forced, more often the result is humorous." She also said, "Chris Eyre's direction establishes an uneven tone, allowing some actors to deliver performances bordering on broad caricature while others play their roles straight." She praised the opening and closing sequences which "beautifully combine poetic voice-overs with visual lyricism."
Accolades • 1998 –
American Indian Film Festival: Best film • 1998 –
Christopher Award • 1998 –
First Americans in the Arts: Outstanding Achievement in Writing (Sherman Alexie), Outstanding Performance by an Actor in a Film (Evan Adams), Outstanding Achievement in Directing (Chris Eyre) • 1998 –
Gotham Awards: Nominations: Open Palm Award • 1998 –
National Board of Review: Special Recognition For Excellence In Filmmaking • 1998 – San Diego World Film Festival: Best American Independent Feature; Best Screenplay (Sherman Alexie); Best Actor (Adam Beach); Best Director (Chris Eyre) • 1998 –
Sundance Film Festival: Filmmaker's Trophy (Chris Eyre); Audience Award. Nominations: Grand Jury Prize • 1998 – Taos Talking Picture Festival: Taos Land Grant Award (Chris Eyre) • 1998 –
Tokyo International Film Festival: Best Artistic Contribution (Chris Eyre) (tie) • 1999 –
Florida Film Critics Circle Awards: Best Newcomer (Chris Eyre/Sherman Alexie) • 1999 –
Independent Spirit Awards: Best Debut Performance (Evan Adams). Nominations: Best Supporting Male nomination (Gary Farmer), Best First Screenplay nomination (Sherman Alexie) • 1999 –
Young Artist Awards: Nominations: Best Performance in a Feature Film-Supporting Young Actor (Cody Lightning) • 2018 –
National Film Registry ==Legacy==