Literary charades '' as a
Louis-Quatorze Philomela A
charade was a form of literary
riddle popularized in
France in the 18th century where each syllable of the answer was described enigmatically as a separate word before the word as a whole was similarly described. The term
charade was borrowed into English from French in the second half of the eighteenth century, denoting a "kind of riddle in which each syllable of a word, or a complete word or phrase, is enigmatically described or dramatically represented". Written forms of charade appeared in magazines and books, and on the folding fans of the
Regency. The answers were sometimes printed on the reverse of the fan, suggesting that they were a flirting device, used by a young woman to tease her beau. One charade composed by
Jane Austen goes as follows: When my first is a task to a young girl of spirit, And my second confines her to finish the piece, How hard is her fate! but how great is her merit If by taking my whole she effects her release! The answer is "
hem-lock".
William Mackworth Praed's poetic charades became famous. Later examples omitted direct references to individual syllables, such as the following, said to be a favorite of
Theodore Roosevelt: I talk, but I do not speak my mind I hear words, but I do not listen to thoughts When I wake, all see me When I sleep, all hear me Many heads are on my shoulders Many hands are at my feet The strongest steel cannot break my visage But the softest whisper can destroy me The quietest whimper can be heard. The answer is "an actor". In the early 20th century, the
11th edition of the
Encyclopædia Britannica offered these two prose charades as "perhaps as good as could be selected": and with the answers being
tartar and
conundrum.
Acted charades In the early 19th century, the French began performing "acting" or "acted charades"—with the written description replaced by dramatic performances as a
parlor game—and this was brought over to Britain by the English aristocracy. Thus the term gradually became more popularly used to refer to acted charades, examples of which are described in
William Thackeray's
Vanity Fair and in
Charlotte Brontë's
Jane Eyre. Thackeray snarked that charades were enjoyed for "enabling the many ladies amongst us who had beauty to display their charms, and the fewer number who had cleverness, to exhibit their wit". Apart from its importance in the book, the scenes were subsequently considered models of the genre. By the time of the
First World War, "acting charades" had become the most popular form and, as written charades were forgotten, it adopted its present, terser name. Thackeray's scenes—even those said to be "in pantomime"—included dialogue from the actors but truly "dumb" or "
mime charades" gradually became more popular as well and similarly dropped their descriptive adjectives. The amateurish acting involved in charades led to the word's use to describe any obvious or inept deception, but over time "a charade" became used more broadly for any put-on (even highly competent and successful ones) and its original association with the parlor game has largely been lost. The acted form of charades has been repeatedly made into
television game shows, including the
American Play the Game,
Movietown, RSVP,
Pantomime Quiz,
Stump the Stars,
Celebrity Charades,
Showoffs and
Body Language; the
British Give Us a Clue; the
Canadian Party Game and
Acting Crazy; and the
Australian Celebrity Game. On
Britain's
BBC Radio 4, ''
I'm Sorry I Haven't a Clue performs a variant of the old written and spoken form of the game as Sound Charades''. In the 1939 movie
The Mystery of Mr. Wong, the game is called "Indications". ==Rules==