In the United States, television is available via
broadcast (also known as "over-the-air" or OTA) and four conventional types of multichannel subscription television:
cable,
unencrypted satellite ("
free-to-air"),
direct-broadcast satellite television and
Internet Protocol Television (IPTV). OTA is the earliest method of receiving television programming, which only requires an
antenna and an equipped internal or external tuner capable of picking up channels that transmit on the two principal broadcast bands,
very high frequency (VHF) and
ultra high frequency (UHF). Individual broadcast television stations in the U.S. transmit on either VHF channels 2 through 13 or UHF channels 14 through 36. During the era of
analog television, broadcast stations transmitted on a single universal channel; however due to the technical complexities of the present
digital television standard, most stations now transmit physically on an
RF channel that is mapped to a
virtual channel, which – with some exceptions – typically differs from their physical allocation and corresponds to the station's former analog channel. The UHF band originally spanned from channels 14 to 83, though the
Federal Communications Commission (FCC) has reduced the bandwidth allocation for UHF three times since then. Channels 70 to 83 were cut for emergency and other telecommunications purposes in 1983. In 2009, channels 52 to 69 were removed by mandate at the completion of the
transition from analog to digital television. In 2020, transition away from channels above 36 was completed to make room for its use by telecommunications companies, after a 2017 spectrum auction. As in other countries, television stations require a
license to broadcast legally (which any prospective broadcaster can apply for through the FCC) and must comply with certain requirements (such as those involving programming of
public affairs and
educational interest, and regulations prohibiting the airing of indecent content) to retain it; the FCC's Board of Commissioners maintains oversight of the renewal of existing station licenses approaching their expiration, with individuals or groups who wish to oppose the granting of a renewal to a licensee based on any disagreement over rule compliance or any other issues inclined to contest it for consideration of revocation. Free-to-air and subscription television networks, however, are not required to file for a license to operate. Over-the-air and free-to-air television do not necessitate any monthly payments, while cable, direct broadcast satellite (DBS), IPTV and virtual MVPD services require monthly payments that vary depending on the number of channels that a subscriber chooses to pay for in a particular package. Channels are usually sold in groups (known as "tiers"), rather than singularly (or on an
a la carte basis). Most conventional subscription television services offer a limited basic (or "lifeline") tier, a minimum base package that includes only broadcast stations within the
television market where the service is located, and
public, educational, and government access (PEG) cable channels; in many smaller markets, this tier may offer stations from adjacent markets that act as default
network affiliates for areas not served by a local affiliate of one or more of the major broadcast networks; however, since the digital television transition in the late 2000s, these have been replaced in some cases by
digital subchannels that have agreed to provide a particular network's programming within the local market. Elevated programming tiers commonly start with an expanded basic package, offering a selection of subscription channels intended for wide distribution (primarily those that launched between the 1970s and the 1990s); since the upspring of
digital cable and satellite television during the mid- and late 1990s, additional channels with more limited distribution are offered as add-ons to the basic packages through separate tiers, which are commonly organized based on the programming format of the channels sold in the tier. A la carte subscription services in the US are primarily limited to
pay television (more commonly known as "premium") channels that are offered as add-ons to any programming package that a customer of a
multichannel video programming distributor (also known as a cable or satellite "system" or "provider") can subscribe to for an additional monthly fee.
Broadcast television The United States has a "decentralized", market-oriented television system, particularly in regard to broadcast television. The nation has a national public television service known as the Public Broadcasting Service (
PBS). Local
media markets have their own television stations, which may either be
affiliated with or
owned and operated by a television network. Stations may sign affiliation agreements with one of the national networks for the local rights to carry their programming; these contracts can last anywhere from one to ten years, although such agreements often last on average between four and six years. Except in very small markets with a limited number of commercial stations (generally, fewer than five), affiliation agreements are usually exclusive: for example, if a station is affiliated with NBC, it consequently would not air programs from ABC, CBS or other conventional broadcast networks but may carry specialty services intended to be carried on digital television signals on one or more subchannels. is an American magazine that provides television program listings information. Arrangements in which television stations carried more than one network on its main signal (which often resulted in some network programs being not being cleared to air locally by the station, thereby limiting their national carriage and resulting in viewers having to rely on an out-of-market station receivable in their area that airs the locally pre-empted show through an affiliation with that same network to see it) were more common between the 1940s and the 1960s, although some arrangements continued as late as 2010. Today, programming from networks other than that with which the station maintains a primary affiliation are usually carried over digital subchannels, which increasingly since the mid-2000s, have allowed one of the major broadcast networks to expand their national coverage to markets where they would have previously either had to settle for a secondary affiliation with a full-power television station (which maintain transmitting power as high as 1000 kilowatts and outputs a signal extending as far as from the transmitter site), or an exclusive or primary affiliation with a
low-power station with more limited signal coverage (which maintain a reduced transmitting power not exceeding 100 kilowatts, with a more limited signal radius covering an area from the transmitter). However unlike in other countries, to ensure local presences in television broadcasting, federal law restricts the amount of network programming that local stations can run. Until the 1970s and 1980s, local stations supplemented network programming with a sizeable amount of their own locally produced shows, which encompassed a broad content spectrum that included variety, talk, music and sports programming. Today however, many (though not all) stations produce only local news programs, and in some cases, public affairs programs (most commonly, in the form of news and/or political analysis shows); the remainder of their schedules are filled with syndicated programs, or material produced independently and sold to individual stations in each local market. The method of most commercial stations – those that rely, at least partly, on advertising for revenue – acquiring programs through distributors of syndicated content to fill time not allotted to network and/or local programming differs from other countries worldwide where networks handle the responsibility of programming first-run and syndicated programs, whereas their partner stations are only responsible for the programming of local content. The international programming model is used in the US by some smaller networks and multicast services, which are more cost-effective for their affiliate stations since they require little to no acquired or locally produced programming to fill airtime at the local level. The federal government has imposed limits on how many stations an individual owner can hold. The earliest limits restricted owners from holding more than five stations across the entire country, and no more than one in any given market. As of 2017, these limits have been relaxed substantially. Since 1999, an ownership group is now legally allowed to own up to two signals in a market (which can amount to many more actual channels through digital transmission); since the early 1990s, some broadcasters have also used a
shell company to circumvent certain ownership restrictions by way of a
local marketing agreement; groups can cover up to 78% of the United States with their signals under the "UHF discount" (originally passed in 1985 to benefit UHF television stations that, prior to the 2009 digital transition, often had spotty signal quality), which allows broadcasters to count ownership of UHF stations by 50% of the station's audience reach. (The "discount" was repealed by the FCC under Chair
Tom Wheeler and his
Democrat-led board in 2015, but was reinstated by Wheeler's successor and former board colleague,
Ajit Pai and his fellow
Republican commissioners in April 2017.) All four of the major television networks directly own and operate a number of stations, concentrating mostly on the largest metropolitan areas. The largest ownership group in terms of coverage of the U.S. is the
E. W. Scripps Company, whose stations cover 65% of the nation; Scripps primarily operates affiliates of the six major networks, most maintaining full-scale local operations and/or news departments, though its reach greatly expanded in 2021 through its purchase of
Ion Media (corporate parent of namesake flagship network
Ion Television), whose stations by contrast are entirely centrally operated and do not maintain local programming, which it acquired to have that group's stations serve primarily as pass-through outlets for Scripps’ various multicast network properties. Two other ownership groups in particular,
Sinclair Broadcast Group and
Nexstar Media Group, do not produce network programming (Sinclair has produced original programs for its stations but not on a full-time network including the
four multicast services it distributes to its own stations and those owned by partner companies and other unaffiliated group owners) but each own over 150 stations, each covering over three-eighths of the country. In terms of number of stations, Nexstar and Sinclair run first and second, with third place held by
Gray Television, whose 131 stations cover mostly smaller metropolitan areas reaching only 10% of the population. Viewership tends to then decline throughout the week, culminating in the lowest ratings being registered on Friday and Saturday night; most broadcast networks abandoned the programming of first-run scripted fare on Saturdays by 2004, in favor of sports,
newsmagazines and
burn-offs and
reruns of other prime time series; however first-run scripted programming continues to air on Fridays, being mixed in with newsmagazines and/or reality series, depending on the network. Networks, however, pay special attention to Thursday night, which is the last night for advertisers of weekend purchases – such as cars, movie tickets and
home video rentals – to reach large television audiences. Throughout the 1990s, NBC called its own Thursday night lineup "
Must See TV", and during that decade, some of the country's
most watched television shows aired on Thursday nights (several of which aired on NBC), before the re-emergence of Sunday as the top night of prime time programming in the 2000s. At the end of prime time, another local news program is broadcast, usually followed by
late-night interview shows (such as
The Late Show with Stephen Colbert or
The Tonight Show). Rather than
sign off in the early pre-dawn hours of the morning (as was standard practice until the early 1970s in larger markets and until the mid-1980s in smaller ones), television stations now fill the time with syndicated programming, reruns of prime time television shows or late local newscasts (the latter becoming less common since the early 2000s), or 30-minute advertisements, known as
infomercials, and in the case of CBS and ABC, overnight network news programs. On some stations, syndicated programming may fill timeslots where local newscasts would traditionally air, either due to the station not programming news in certain time periods or because it does not operate a news department; similarly, local news programs in the late evening hours may air during the final hour of prime time (10:00 p.m. in the Eastern and Pacific Time Zones and 9:00 p.m. in all others) and/or during the morning commute period (7:00 to 9:00 or 10:00 a.m. in all time zones), usually on stations affiliated with networks other than those classified as part of the "Big Three" (ABC, NBC and CBS) and those without a network affiliation. Saturday mornings usually feature network programming aimed at children (traditionally these mainly consisted of
animated cartoons and in some cases, live-action scripted series and even game shows targeted at the demographic, although live-action lifestyle, science and wildlife programs have become the norm for the timeslot since 2009, while animated series have primarily been relegated to non-commercial and non-English language networks), while Sunday mornings include a form of public affairs program known as the
Sunday morning talk shows (which maintain a "week-in-review" format that focuses primarily on political and socioeconomic issues, and if a particular program's format is more fluid in regards to topical content, other news stories of major interest). Both of these help fulfill stations' legal obligations, respectively to provide
educational children's programs (through a law passed in 1990 known as the
Children's Television Act, which requires stations to carry a minimum of three hours of programs featuring content benefiting the educational needs of youth each week) and public service programming. Sports and infomercials (and on some stations, syndicated feature film packages) can be found on weekend afternoons, followed again by the same type of prime-time shows aired during the week.
Other over-the-air commercial television From 1956 to 1986, the majority of English-language television stations that were not affiliated with the Big Three networks, nor affiliates of
National Educational Television nor, arguably, (from 1956 to 1961) the smaller
NTA Film Network were "
independent," airing only syndicated and some locally produced programming to fill their daily schedules. Many independent stations still exist in the U.S., usually historically broadcasting on the UHF band; however the number of them had drastically decreased (especially within individual markets) after 1995 due to the formation of newer broadcast networks that were created to compete against the four established competitors. Syndicated shows, often reruns of television series currently in or out of production and movies released as recently as three years prior to their initial syndication broadcast, take up much of their schedules. However, in October 1986, the
Fox Broadcasting Company was launched as a challenge to the Big Three networks, with six independent stations that
News Corporation (which acquired the
20th Century Fox the year before) had acquired from
Metromedia as its cornerstone charter outlets, along with many independents owned by other companies. Thanks largely to the success of shows like
The Simpsons,
Beverly Hills, 90210 and
The X-Files, as well as the network's acquisition of rights to show games from the
National Football League's
National Football Conference arm in December 1993, Fox has established itself as a major player in broadcast television. However, Fox differs from the three older networks in that it does not air daily morning and nightly news programs or have network-run daytime or weeknight late night schedules (though the network made previous failed attempts at late night programming on Monday through Friday evenings between 1986 and 1993; Fox ceased original late night programming in favor of reruns in 2016). Its nightly prime-time schedule runs only two hours long on Monday through Saturdays and three hours on Sundays (something the network intentionally did to sidestep FCC regulations for television networks in effect at Fox's launch), and some of its major market affiliates used to broadcast on UHF before the digital transition (several affiliates though broadcast on VHF pre-transition, primarily as a result of
affiliation deals with former longtime Big Three affiliates owned by now-defunct station groups
New World Communications and
SF Broadcasting that it signed after acquiring the NFL rights). Many of its affiliates in mid-size and small markets outsource news production to Big Three affiliates rather than produce their own newscasts, and its
flagship stations in New York City and Los Angeles do not include the network's name within their callsigns (Fox's owned-and-operated stations in New York City and Los Angeles instead use the respective callsigns
WNYW and
KTTV; the
WFOX-TV and
KFOX-TV calls are respectively used by Fox affiliates in
Jacksonville, Florida and
El Paso, Texas). Fox's only scheduled news program is
Fox News Sunday, which it airs on Sunday mornings; special news coverage on the network comes from the staff of its sister cable network
Fox News (which launched in October 1996, around the same time as its
affiliate video service Fox NewsEdge), though not every affiliate carries
breaking news bulletins from Fox News outside of prime time presidential addresses, and national and international events of utmost urgency. Most of Fox's affiliates now have local newscasts (only a small number of affiliates, mainly based in larger markets, carried news programming prior to the mid-1990s), often scheduled during the final hour of prime time – an hour earlier than newscasts seen on major network stations – at which time they compete with network dramas, rather than other local newscasts (although some news-producing Fox stations also carry newscasts in the traditional late news time period), and for one to three additional hours in the morning that overlap with morning news programs on ABC, NBC and CBS. Three new networks launched in the 1990s: within six days of each other in January 1995,
The WB Television Network (which was originally formed as a venture between Time Warner,
Tribune Broadcasting – which made the majority of its independent stations principal charter affiliates of the network – and former Fox executive
Jamie Kellner, who served as The WB's original chief executive officer) and the United Paramount Network (
UPN; created as a programming partnership between
Chris-Craft Industries/
United Television and
Paramount Television, which had been acquired the year prior by
Viacom, which would gain full ownership of UPN five years after the network's launch) were launched primarily to compete against Fox, targeting the same younger demographic (teenagers and young adults 12 to 34) that network had built its success upon during the first half of the decade. In August 1998, Paxson Communications (later
Ion Media prior to being bought by Scripps in 2021) launched Pax TV to counterprogram the four larger networks as well as The WB and UPN, with a focus on family-oriented original and acquired programming; due to underperforming viewership in its initial format, Pax relaunched as i: Independent Television (focusing more on reruns and movies aimed at a broader audience) in July 2005 and then as
Ion Television in September 2007.
The CW Network was created on September 18, 2006 when
CBS Corporation and
Time Warner decided to merge UPN and The WB, with The CW also drawing from the latter's broadcast and cable assets and scheduling model (The WB's online assets remained separate, although its former web
domain – which was revamped as a
streaming service – was shut down in December 2013 and replaced with a promotional website for
Warner Bros. Television programs). The CW broadcasts fourteen hours a week of programming in prime time, all airing on Monday through Sundays (the network maintained a three-hour evening lineup on Sundays from 2006 to 2009, when that time was turned over to its affiliates; it reinstated Sunday prime time programming in October 2018), and three hours on Saturday mornings (its children's program block may bleed into the afternoon hours on weekends on a few stations due to other locally scheduled programs). The CW is the only major broadcast network that operates a national programming service feed for smaller markets,
The CW Plus (a successor to The WB's group of cable-only affiliates,
The WB 100+ Station Group, which launched in September 1998 to provide the network's programming to markets where it would otherwise not be able to gain adequate over-the-air coverage), which, as a cost-effective method that reduces programming responsibilities on prospective affiliate stations, fills airtime not occupied by CW network programming with syndicated programs and infomercials; The CW Plus is distributed via digital subchannel and cable-only affiliates, making it also one of the only networks that has local affiliates that do not broadcast over-the-air.
MyNetworkTV originally started as a national network with a format primarily consisting of English language
telenovelas; however, after experiencing continued low ratings for its prime time-exclusive schedule (even after several programming revamps that followed over the next three years after the initial format faltered), it converted into a "broadcast programming service" in September 2009, adopting a format made up of reruns of series originally aired on other networks for ten hours a week on Mondays through Fridays. Ion broadcasts 24 hours a day, seven days a week (though only eighteen hours of its schedule each day consist of entertainment programming, with infomercials and religious programming making up the remainder of the schedule), making the Ion network the largest English-language commercial television network to be totally responsible for its affiliates' programming. Ion differs from other commercial networks in that the majority of its stations are owned-and-operated by its parent company with very few affiliates, and it is distributed exclusively via cable and satellite in markets where the network does not have a local station; Ion was the last of the seven conventional English language commercial broadcast networks to expand into distribution via digital multicasting, having relied entirely on cable and satellite distribution in markets where it otherwise could not maintain a primary affiliation until 2014, when it began accepting subchannel-only affiliates through deals with
Gray Television and
Nexstar Media Group.
Digital multicast services With the digital television transition, which was completed in two phases in February and June 2009, the use of
digital multicasting has given breed to various networks created for distribution on these multiplexed feeds of new and existing stations. However, for the most part, very few of these networks have been able to gain a national reach on parity with many of the conventional commercial and non-commercial networks, in part due to the fact that many stations transmit high definition programming on their main feed in
1080i, which requires a bitrate less compartmentalized for allowing more than one multicast feed (which are generally transmitted in
standard definition) without risking diminished picture quality; some alternately transmit their main feed in
720p, which favors multiplexing of more than two subchannels at a time (
ATSC 3.0, which began development around the time of the 2009 transition with FCC consideration to replace the current ATSC 1.0 as the technological standard for digital television expected to occur in 2016, uses improved compression technology able to fit additional subchannels on a single programming stream as well as allowing for the transmission of high definition content in the
4K resolution format).
Retro Television Network was among the first networks to be produced specifically for the digital television market;
Equity Broadcasting created the network in 2005, originally relying mostly on public domain series before expanding to a broader library of licensed reruns. RTN's initial success was dented by its owner's financial collapse and further difficulties pertaining to its successor, current owner
Get After It Media (Luken Communications). The most popular and widely distributed network that uses digital subchannels as its primary form of distribution is
MeTV, a classic television network originally launched by station owner
Weigel Broadcasting in 2005 as a programming format on one of its flagship television stations in Chicago, WFBT-CA (now
WWME-CD), and evolved into a national network in November 2010; MeTV now has affiliations with primary channels in a number of markets (
WJLP in the New York City market,
WDPN-TV in Philadelphia and Delaware, and
WGTA in Atlanta). Both MeTV and its most prominent rival, Nexstar-owned
Antenna TV (originally founded in 2010 by
Tribune Broadcasting), popularized the format for multicasting that relies on archived programming.
This TV (owned by
Allen Media Group, and co-founded by Weigel and
Metro-Goldwyn-Mayer) used a similar format, focusing on older as well as some relatively recent feature films; it helped to spawn similar movie-oriented broadcast networks such as
Movies! (a joint venture between Weigel and
Fox Television Stations, which relies primarily on films from the library of the latter's former sister film studio,
20th Century Studios) and
GetTV (which mainly airs films from the library of owner
Sony Pictures Entertainment). Demographically focused networks were created during the 2010s;
Bounce TV was launched in September 2011 by
Martin Luther King III and
Andrew Young, featuring a broader general entertainment format aimed at African American adults.
Katz Broadcasting, owned by Bounce executive Jonathan Katz and purchased by the
E. W. Scripps Company in 2017, launched two gender-focused networks with specific formats in August 2014 –
Grit (aimed at men with a lineup heavy on western and action films) and Escape (now
Court TV Mystery, aimed at women and featuring mystery and true crime programs) – and a genre-based network in April 2015,
Laff (featuring a mix of comedic feature films and sitcoms).
Luken Communications is the largest operator of subchannel networks by total number (which are largely carried on low-power outlets), which in addition to the Retro Television Network include among others country and rural themed
Heartland, automotive-centered
Rev'n, children's network
PBJ and a modern version of
The Family Channel. Men's network
Tuff TV was formerly managed as a Luken network but is now independent. Other subchannel-based networks include those that also rely on archived programming such as
Buzzr (a network focusing of game shows sourced from the programming library of owner
Fremantle) and
Comet (launched by the
Sinclair Broadcast Group and Metro-Goldwyn-Mayer in October 2015, focusing on science fiction series and films sourced from the MGM library), and networks which do not completely if at all rely on archived scripted programming like
Court TV (a network developed by Katz/Scripps as a revival of the cable network now known as
TruTV, which mainly airs court trial coverage and
true crime programming),
WeatherNation TV (an independently owned 24-hour weather network which features subchannels as part of its multiplatform distribution model),
TheCoolTV and
The Country Network (which rely on music videos). In smaller cities and rural areas, the major broadcast networks may also rely on digital subchannels to be seen in these areas, as the market may not be populous enough to support a financially independent station for each network. As such FCC regulations govern cable providers must provide basic service at a reasonable cost. (Since advent of digital television equipment, the cost is responsibility of the consumer.)
Broadcast television in languages other than English Spanish Several Spanish language broadcast (as well as cable) networks exist, which are the most common form of non-English television broadcasts. These networks are not as widely distributed over-the-air as their English counterparts, available mostly in markets with sizeable
Latino and Hispanic populations; several of these over-the-air networks are alternatively fed directly to cable, satellite and IPTV providers in markets without either the availability or the demand for a locally based owned-and-operated or affiliate station. The largest of these networks,
Univision, launched in 1986 as a successor to the Spanish International Network (which debuted in September 1962, with Spanish language independent stations
KMEX-TV in Los Angeles and KCOR-TV (now
KWEX-DT) in
San Antonio, Texas as its charter stations). It has risen to become the fifth highest-rated television network in the U.S. (behind NBC, CBS, ABC and Fox) and is the dominant Spanish language network in the U.S., with its ratings having risen to levels where it has beaten at least one of its English language competitors since the late 1990s. Although Univision originally featured programming content from a variety of distributors, the network now relies mainly on programs sourced from Mexico's dominant broadcaster,
Televisa (which has maintained partial ownership of Univision's
corporate parent on and off throughout its history) as well as domestically produced programming. Its major competition is
Telemundo, a sister network of NBC (which acquired Telemundo in 2001) that was also established in 1986 through a consortium of three Spanish-language stations,
WNJU/New York City,
WBBS-TV/Chicago and
KVEA/Los Angeles. It was considered an also-ran to Univision until the late 2000s, when parent company
NBCUniversal began heavily investing in its news and entertainment programming. Unlike Univision, the majority of Telemundo's programming is produced specifically for the network. In addition to carrying the traditional programming format for Spanish language broadcasters (which typically incorporates telenovelas, variety series, news, sports and films imported from Latin American countries), also includes dubbed versions of American feature film releases. Other popular Spanish-language broadcast networks are Univision-owned
UniMás, which was launched in January 2002 and is aimed at a younger Hispanic demographic;
Azteca, the American version of Mexico's
Azteca networks, which debuted in July 2001;
TeleXitos aimed at Hispanic and Latino Americans, the network airs a mix of dramatic television series from the 1970s to the 2000s and movies, with all programming consisting of shows dubbed into Spanish; and independent networks
Estrella TV (which began as a programming format on
Liberman Broadcasting's Spanish language independent stations in the early 2000s and eventually launched nationally in September 2009, featuring a traditional lineup of Latino-focused programming largely produced by Liberman) and
LATV (which originated in 2002 as a programming format on
KJLA in Los Angeles before becoming a national network in September 2007, and focuses mostly on unscripted music, talk and variety programs).
V-me (Spanish pronunciation: [ˈbeme], a pun on veme, "watch me") is a Spanish broadcast television network formerly carried in association with public television stations created for the United States Hispanic market, which is currently pursuing a pay-TV model. V-me delivers drama, music, current affairs, food, lifestyle, nature and educational pre-school content to its viewers. Currently, The Hispanic Information and Telecommunications Network, Inc. (HITN) is the largest Spanish-language broadcasting network in the United States. It delivers educational programming to over 42 million homes nationwide, and reaches over 40% of U.S. households. Its distribution network includes Comcast,
DirecTV,
Verizon FiOS,
Dish Network,
Altice USA,
U-verse TV,
Charter Communications, and a host of smaller distributors. Its stated mission is "to advance the educational, social, cultural, and economic circumstances of Hispanics."
Other languages French language programming is generally limited in scope, with some locally produced French and
creole programming available in the Miami area (serving refugees from
Haiti) and
Louisiana, along with some locales along the heavily populated
Eastern Seaboard. Francophone areas near the eastern portion of the
Canada–United States border generally receive television broadcasts presented in the language from French Canadian networks (such as
Ici Radio-Canada Télé and
TVA), which are widely available over-the-air but rarely on cable in those areas. Many large cities also have television stations that broadcast programming in various Asian languages (such as
KTSF in San Francisco), especially after the digital television transition, which has allowed some smaller stations in areas with heavy populations of Asian immigrants and American natives of Asian origin fluent in one of that continent's indigenous languages to carry such programming either as primary channel or subchannel affiliations. A few unusual examples of other foreign broadcasters also exist, such as
Greek language WZRA-CD in Florida and
Polish language WPVN-DT4 in Chicago. There have also been a few local stations that have broadcast programming in
American Sign Language, accompanied by English
closed captioning. Prior to the development of closed captioning, it was not uncommon for some public television programs to incorporate ASL translations by an on-screen interpreter. An interpreter may still be used for the deaf and hard-of-hearing community for on-air emergency broadcasts (such as
severe weather alerts given by local governments) as well as televised press conferences by local and state government officials accompanied by closed captioning.
Non-commercial television Public television has a far smaller role in the United States than in most other countries. The United States does not, as of 2025, offer a national television service direct to the consumer.
NASA TV, operated by
NASA, provided linear feeds of content related to the United States space program and educational content from 1980 to 2024. The
United States Department of Defense produced the Pentagon Channel (later renamed
DoD News Channel), a military news outlet that operated from 2004 to 2015. In addition,
Agency for Global Media content (the most well-known being
Voice of America) was available to U.S. consumers from the partial repeal of the
Smith–Mundt Act in 2013 until the Agency was defunded and shut down in 2025; VOA and its sister outlets were likewise restricted to
shortwave and Internet broadcasts. Content from the
National Weather Service (such as loops of
NEXRAD imagery and
NOAA Weather Radio feeds) is frequently repurposed for television. The Public Broadcasting Service is the largest public television broadcaster in the United States, originating in October 1970 as the successor of
National Educational Television (which was established in 1954). Unlike the commercial networks, PBS does not officially produce any of its own programming; instead, individual PBS stations (most notably,
WNET in
Newark, New Jersey/New York City,
WGBH-TV in
Boston and
WETA-TV in Washington, D.C.), station groups and affiliated producers create programming and provide these through PBS to other affiliates. While it does provide a base slate of programming to its member stations (which is limited to roughly thirteen hours a week of programming in prime time, airing on Sunday through Fridays with fewer programs on Thursday and Friday evenings, as well as daytime children's programming during the morning and afternoon), PBS does not schedule all programs it supplies in set time slots, giving its members leeway in scheduling these programs in time slots of their choosing. Like the six larger commercial English language broadcast networks, its member stations handle the responsibility of programming time periods where programming supplied by the service is not broadcast, which are filled by cultural and public affairs programming of relevance to their market or region of service, and syndicated programs of various genres. Most (but, by no means, all) public television stations are
members of PBS, sharing programs such as
Sesame Street,
NOVA and
Masterpiece Theatre. Although many PBS stations operate individually, a number of states – such as
Wisconsin,
Maryland,
Minnesota,
Oklahoma and
South Carolina – have state-owned public broadcasting authorities that operate and fund all public television stations in their respective states. The Alabama Educational Television Commission, licensee for the nine stations comprising
Alabama Public Television, was established by the
Alabama Legislature in 1953. In January 1955, WCIQ on
Mount Cheaha began operation as the nation's ninth non-commercial television station. Four months later in April 1955 with the sign-on of WBIQ in
Birmingham, Alabama became the first state in the country with an educational television network. Alabama Public Television was a model for other states in the nation and for television broadcasters in other countries. 25 other states copied Alabama's system of operation to provide service through multiple, linked television stations, using
full-power satellite stations and (in some cases) low-power translators to relay the originating station's programming to other areas. Similar state networks have also been created by commercial broadcasters to relay network programming throughout portions or even the entirety of a state. The federal government does subsidize non-commercial educational television stations through the
Corporation for Public Broadcasting. The income received from the government is insufficient to cover expenses and stations rely on
corporate sponsorships and viewer contributions (including from private benefactors) to finance their operations and programming production. Various public television outlets – albeit not on all individual PBS member and independent public broadcasting stations and PBS member networks simultaneously – hold
pledge drives two to four times per year, which account for a decent portion of the non-government-subsidized income through public and private contributions. American public television stations air programming that commercial stations do not offer, such as educational (including cultural and arts) and
public affairs programming. There are also a number of syndicators dealing exclusively or primarily with public broadcast stations, both PBS and independent public television stations (most prominently,
American Public Television). Additionally, there are a number of smaller networks feeding programming to public stations – including
World,
First Nations Experience (focusing on Native American and indigenous programing), and
Create (focusing on lifestyle, travel, cooking and how-to programs) – primarily through digital multicasting; the German public broadcaster
Deutsche Welle has also provided blocks of programming to a variety of affiliates in the U.S., and increasingly feeds from other national broadcasters (including Deutsche Welle's DW-TV) have been distributed through digital subchannels belonging to public stations in the U.S. New York City's municipally owned broadcast service,
NYC Media, creates original programming that airs in several markets. Few cities have major municipally owned stations. Many
religious broadcast networks and stations exist, also surviving on viewer contributions and time leased to the programming producers; the two most prominent are the
Trinity Broadcasting Network, which was founded in 1973 by
Paul and
Jan Crouch as a part-time ministry that leased programming time on KBSA (now UniMás owned-and-operated station
KFTR-DT) in the Los Angeles exurb of
Ontario, California, before moving to KLXA-TV (now
KTBN-TV) in
Fontana, which it began purchasing time on in the following year after KBSA was sold; it gradually became the most widely distributed Christian television network in the world with 20 networks (including five in the United States that are primarily available through multicasting,
The Church Channel, the youth-oriented
JUCE TV and
Smile of a Child TV, and the Latino-oriented
TBN Enlace USA and
TBN Salsa) and several affiliates internationally; and the
Daystar Television Network, founded in 1993 by
Marcus and
Joni Lamb, when the former's Word of God Fellowship ministry purchased the license of defunct UHF station
KMPX (now an Estrella TV owned-and-operated station) in
Dallas, Texas. Most of their stations are owned by the television ministries directly or through
subsidiary companies (
Community Educational Television and Word of God Fellowship, respectively) used by them to operate stations that TBN and Daystar cannot own outright due to FCC regulations prohibiting individual broadcasting companies from owning television stations reaching more than 39% of all U.S. television markets. Other Christian broadcasters include the
Three Angels Broadcasting Network (associated with the
Seventh-day Adventists),
Cornerstone Television,
World Harvest Television (WHT),
Hope Channel,
Amazing Facts Television,
The Word Network,
The Worship Network and
Total Christian Television. These networks rely mainly on overt
televangelism from church services or other religious teaching series for programming, although they also incorporate faith-based children's programming and also air religious-themed feature-length films. Other religions outside of
evangelical Christianity also have television outlets, including the predominantly
Roman Catholic-oriented
Eternal Word Television Network (EWTN),
Jewish Life Television (JLTV), and the
LDS-affiliated
Brigham Young University Television (byuTV). Several predominantly religious broadcasters carry some secular, usually
family-friendly, programming in addition to the overt televangelism; byuTV runs family comedies, WHT runs classic Westerns, the
Christian Television Network and
Total Living Network operate "lifestyle" channels with secular home, garden and human interest programming, and JLTV runs classic comedy reruns from Jewish entertainers. Spanish-language religious networks ESNE (Roman Catholic), Almavision (Christian), Vision Latina (Iglesia Universal), Esperanza TV, 3ABN Latino, and Enlace (Christian) provide religious programming to the Spanish-speaking viewers across the United States with sermons, discussions and music.
Public access television is a noncommercial form of television required by law to be offered to cable television consumers, in which members of the public are free to place their programming on the cable service. It is a subset of
public, educational and government access. Most popular in the 1980s and early 1990s, the rise of the Internet and subscription satellite television (the latter of which is not required to carry public-access television services) has forced it to evolve.
Cable and satellite television While pay television systems existed as early as the late 1940s, until the early 1970s, cable television only served to distribute distant over-the-air television stations to rural areas not served by stations that are based locally. This role was reflected in the original meaning of the
CATV acronym, "community antenna TV". In that decade, national networks that exclusively transmitted via cable and maintained their own individual programming formats began to launch, while cable system franchises began operating in major cities with over-the-air television stations. By the mid-1970s, some form of cable television was available in almost every market that already had over-the-air television service. Today, most American households receive cable television, and cable networks collectively have greater viewership than broadcast networks, even though individual programs on most of the major commercial broadcast networks often have relatively higher viewership than those seen on cable channels. , an electronic device which cable subscribers use to connect the cable signal to their television set The oldest-existing cable-originated television channel as well as the first successful
premium cable (or "pay-cable") service is Home Box Office (
HBO), which was also the first television network intended for cable distribution on a regional or national basis. HBO launched on November 8, 1972, to 365
Service Electric Cable subscribers in
Wilkes-Barre, Pennsylvania, with a mix of movies, sports, and comedy and music specials. For its first three years of operation, it used
microwave technology to transmit its programming to CATV and MMDS providers in
Pennsylvania and New York. On September 30, 1975, beginning with its telecast of the "
Thrilla in Manila"
boxing match between
Muhammad Ali and
Joe Frazier, HBO became the first television network to use
communications satellites to transmit its programming, immediately expanding its distribution to UA Columbia Cablevision's
Fort Pierce and
Vero Beach, Florida, systems and the American Television and Communications Corporation system in
Jackson, Mississippi. The first basic cable network was
Atlanta, Georgia independent station
WTCG (channel 17), which was uplinked to satellite on December 17, 1976, months after station owner
Ted Turner reached an agreement with media executive Howard H. Hubbard to set up a cable network via satellite transmission. Turner's decision to distribute his station – which subsequently had its
call sign changed to
WTBS (for "
Turner Broadcasting System") – via satellite enabled WTCG to be received nationwide, especially in markets that did not have a local independent station or did not receive an out-of-market independent. In 1981, Turner Broadcasting split the Atlanta broadcast feed of WTBS from the satellite-delivered cable feed and began marketing the channel to cable providers as a "free market superstation". (The broadcast and cable feeds, however, simulcast one another with certain exceptions until October 2007, when Turner Broadcasting – which was acquired by
Time Warner in 1996 – decided to separate the programming on both feeds, therefore making TBS a cable-exclusive entertainment network with a principal focus on comedy, and reformatting the Atlanta signal under the
WPCH-TV call letters). Turner's move pioneered the
superstation concept, which precipitated other independent stations – most notably,
WGN-TV in Chicago and WOR-TV (now MyNetworkTV owned-and-operated station
WWOR-TV) in New York City – to uplink their signals to satellite for redistribution by cable systems outside the station's primary coverage area. (The practice has since been restricted by the FCC, although
six stations that achieved superstation coverage prior to the ban [including WPCH] maintain
grandfather clauses to continue offering their programming throughout the United States and Canada.) Other national superstations followed WTBS's lead in implementing a separate national feed that incorporated substitute programming for shows seen in the originating market that local stations declared themselves to be the exclusive carriers in their market after
syndication exclusivity regulations went into effect in January 1990. Since WGN America (the former national feed of WGN-TV, which began converting into a news channel as
NewsNation in March 2021) converted into a conventional cable channel in 2014, no national superstations exist in the United States and the six remaining regional superstations are limited to distribution via
Dish Network and
C-band satellite as well as through limited distribution on cable providers in their associated regions of the U.S. The second basic cable network, the first to operate as a cable-originated outlet and the first such network to be uplinked via satellite from launch was the CBN Satellite Network, launched in April 1977 by
televangelist Pat Robertson as the television ministry of his
Christian Broadcasting Network. By the time it reformatted as the CBN Cable Network in 1981, it refocused towards secular family-oriented programming, carrying a mix of reruns of classic television series and feature films alongside its
religious programming. The network changed its name to
The CBN Family Channel in 1988 (revised to The Family Channel in 1990, after CBN spun it off into the indirectly related
International Family Entertainment), focusing more on family entertainment programs and reducing reliance on religious programs; this shift towards an entertainment format was more pronounced in its subsequent formats as
Fox Family (following its 1998 purchase by News Corporation), ABC Family (after its 2001 sale to
ABC parent
The Walt Disney Company) and
Freeform (to which it was renamed in January 2016 to signify its shift toward a broad schedule of family-oriented shows as well as series of appeal to teen and young adult audiences).
(right) hosting an episode of
The Daily Show in 2010 with
Admiral Michael Mullen Unlike broadcast networks, most cable networks air the same programming nationwide. Top cable networks include
USA Network (which maintains a general entertainment format),
ESPN and
FS1 (which focus on sports programming),
MTV (which originally focused on music videos when it launched in April 1981, but now largely features music-related, original scripted and reality television programming),
CNN,
MSNBC and
Fox News Channel (which are dedicated news channels with some opinion and other feature-driven programming),
A&E (a network created through the 1984 merger of arts-and-culture-oriented channels
ARTS and The Entertainment Channel, which now focuses on non-fiction programs and reality docuseries),
Syfy (which focuses on science fiction and
fantasy programming),
Disney Channel,
Nickelodeon and
Cartoon Network (which focus on children's programming, although the latter two run nighttime blocks aimed at a teen and adult audience,
Nick at Nite and
Adult Swim),
Discovery Channel and
Animal Planet (which focus on reality and documentary programs),
AMC (which originally began as a classic film-focused movie channel in October 1984, and now focuses on a mix of feature films and original series),
Turner Classic Movies (which focuses on older theatrical feature films),
E! (which originally focused on the entertainment industry, but now largely focuses on pop culture shows, films and reality series),
Bravo (which began in 1982 as a premium channel focusing on international films and arts programming, but now focuses mostly on reality series and mainstream films),
TNT and
FX (also general entertainment networks, with some focus on drama) and
Lifetime (which targets at a female audience, with a mix of television films, and original and acquired comedy, reality and drama series). '' at the 67th Annual
Peabody Awards Premium channels – cable networks that subscribers have to pay an additional fee to their provider to receive – began launching in the 1970s and initially grew in popularity as it allowed subscribers to watch movies without time or content editing common with over-the-air television broadcasts of theatrically released feature films and without interruptions by advertising. While HBO continues to feature theatrical films and specials, the service eventually became one of the first cable channels to successfully venture into original programming; by the late 1990s, HBO began to be known for groundbreaking first-run series (such as
The Larry Sanders Show,
The Sopranos and
Sex and the City) that were edgier and more risque in content than those allowed to air on broadcast networks. Other pay-extra networks launched in the years subsequent to HBO's launch including
Showtime, which launched on September 16, 1976, with a similar format; and movie-oriented services such as Star Channel (which launched in April 1973, and later became
The Movie Channel in November 1979) and HBO-owned
Cinemax (which launched on August 1, 1980, and later became more known for its late-night
softcore pornographic films). Although attempts at such services date back to the 1950s,
pay-per-view services (such as
Viewer's Choice and
Request TV) began launching in the mid-1980s, allowing subscribers to purchase movies and events on a one-time-only basis via telephone; with the advent of digital cable, interactive technologies allowed pay-per-view selections to be purchased by remote. In addition to sports networks that are distributed to a national audience, two other types of sports-oriented television networks exist.
Regional sports networks are cable outlets designed to cover a limited geographic region and metropolitan area, which carry events from local professional and collegiate sports teams, as well as team-related programs, news and magazine programs. The most prominent of these are
Bally Sports,
NBC Sports Regional Networks,
AT&T SportsNet and
Spectrum Sports, which comprise multiple networks serving different regions of the United States. Independently owned regional sports networks also exist in some regions served by one of the major groups.
Out-of-market sports packages, meanwhile, are composed of individual multichannel packages broadcasting events from an individual sport that are carried by regional sports networks, and national and local broadcasters that hold rights to individual teams or sports leagues; the out-of-market sports package is the most expensive form of a la carte television service, ranging in price from $50 to $75 per month.
Transmission and technology The national cable television network became possible in the mid-1970s with the launch of domestic
communications satellites that could economically broadcast television programs to cable operators anywhere in the
continental United States (some domestic satellites also covered
Alaska and Hawaii with dedicated
spot beams). Until then, cable networks like HBO had been limited to regional coverage through distribution over expensive terrestrial
microwave links leased from the telephone companies (primarily
AT&T). Satellites were generally used only for international (i.e., transoceanic) communications; their antennas covered an entire hemisphere, producing weak signals that required large, expensive receiving antennas. The first domestic communications satellite,
Westar 1, was launched in 1974. By concentrating its signal on the continental United States with a directional antenna, Westar 1 could transmit to TVRO ("
television receive-only") dishes only a few meters in diameter, well within the means of local cable television operators. HBO became the first cable network to transmit programming via satellite in September 1975. Cable
system operators now receive programming by satellite, terrestrial
optical fiber (a method used primarily to relay local stations based within metropolitan areas to the franchise, and acts as a backup for the system operator if a broadcast station's over-the-air signal is affected by a
power outage or other technical malfunction involving the main transmitter), off the air (a method used to relay broadcast stations to cable franchises in outlying areas and satellite providers), and from in-house sources and relay it to subscribers' homes. Usually, local governments award a monopoly to provide cable television service in a given area. By law, cable systems must include local broadcast stations in their offerings to customers. Enterprising individuals soon found they could install their own satellite dishes and eavesdrop on the feeds to the cable operators. The signals were transmitted as unscrambled
analog FM feeds that did not require advanced or expensive technology. Since these same satellites were also used internally by the television networks, they could also watch programs not intended for public broadcast such as affiliate feeds without commercials and/or intended for another
time zone; raw footage from remote news teams; advance transmissions of upcoming programs; and live news and talk shows during breaks when those on camera might not realize that anyone outside the network could hear them.
Encryption was introduced to prevent people from receiving pay content for free, and nearly every pay channel was encrypted by the mid-to-late 1980s. (This did not happen without protest, such as an incident in which a Florida satellite dealer
intercepted the signal of HBO during a film telecast in 1986 to transmit a text-based message over
color bars objecting to the network's decision to encrypt its feed.) Satellite television also began a digital transition, well before over-the-air broadcasting did the same, to increase satellite capacity and/or reduce the size of the receiving antennas; this also made it more difficult for individuals to intercept these signals. Eventually, the industry began to cater to individuals who wanted to continue to receive satellite television (and were willing to pay for it) in two ways: by authorizing the descrambling of the original satellite feeds to the cable television operators, and with new
direct broadcast satellite television services using their own satellites. These latter services, which began operating in the mid-1990s, offer programming similar to cable television.
DirecTV and
Dish Network are the major DBS providers in the country, with 20 and 14 million customers respectively . Meanwhile, the major cable television providers are
Comcast with 22 million customers,
Spectrum Cable with 11 million, and
Cox Communications,
Charter Communications,
AT&T U-verse and
Verizon FiOS with five to six million each. Although most networks make viewers pay a fee to receive their programming, some networks broadcast using unencrypted feeds. After broadcast television switched to a digital infrastructure, new channels became available on unencrypted satellites to bring more free television to Americans; some of these are available as a digital subchannel to local broadcasters, this reason may be for the expensive costs of the
DVB-S equipment.
NASA TV,
Pentagon Channel, Antenna TV, This TV, TheCoolTV and the Retro Television Network (through its affiliates) are examples, international news channels like
NHK World,
France 24,
i24news and
Al Jazeera English until the launch of
Al Jazeera America are commonly watched this way as a result to the lack of availability on cable, DBS and IPTV. Some cable providers use interactive features built into
set-top boxes leased to their subscribers to distribute
video on demand services within their internal networks. Many providers of subscription television services – both networks and system operators – also have
TV Everywhere services, which usually mix the video on demand model with live
streaming capabilities (allowing viewers to watch broadcasts from over-the-air networks and stations, and cable channels in near real-time), but require password and username authentication through participating pay television providers.
Internet services Streaming television is similar to a cable subscription model, but instead of the set-top box receiving information via a dedicated wire, video is transmitted over the public Internet or private
Internet Protocol-based network to a set-top box or in some cases directly to an enabled television. OTT, or
Over-the-top content bypasses
multiple system operators entirely, and allows viewing of programs hosted by independent providers.
Internet television, also known as web television, began in the 1990s and has become popular in the 2000s onward, resulting in a trend of
cord-cutting – the canceling of cable subscriptions in favor of online content that consumers supplement with either over-the-air broadcasts, DVD rentals or a combination of all three viewing methods.
Web television providers in the U.S. include
Netflix (which was originally structured as a mail-order DVD rental service),
Hulu,
MyTV, and many international websites such as YouTube,
Myspace,
Newgrounds, and
Crackle. In addition, services like
Vudu,
Apple TV, and
Amazon Prime Video are digital services that you can buy a movie or a collection of movies and shows for payment or rent. Streaming services such as
Disney+,
HBO Max, and
Peacock allow people to watch all the shows and movies in their catalog for a price every month or year. Viewers can watch these programs from any
web browser, whether on a
desktop computer, laptop,
tablet,
smartphone, or a
Smart TV.
Mobile television services also include
mobile apps for both traditional and new programming providers, usually optimized for a small screen and mobile bandwidth constraints. Mobile video is available for direct download or streaming (usually for a one-time download fee) from the
iTunes Store,
Google Play and
Amazon Prime Video. Internet-connected
video game consoles and dedicated
Smart TV boxes are available that connect televisions to Internet television and/or online video services. These devices are marketed as more convenient for consumers who would otherwise have trouble connecting a computer to a full-size television and using a web browser to view content. Some televisions have built-in capabilities; dedicated boxes include
Android TV,
Apple TV,
Roku,
Amazon Fire TV,
Netgear Digital Entertainer,
Amkette EvoTV and formerly the
Nexus Q and
Google TV. Devices that require a PC and television include
Windows Media Center Extender,
HP MediaSmart Connect,
Boxee and
Hauppauge MediaMVP.
Aereo provided a cloud-based
digital video recorder service for over-the-air broadcasts, which it also streamed; although it and the similarly structured
FilmOn have run into legal problems with broadcasters who accused the services of transmitting programs from broadcast television stations in violation of copyrights. Although Aereo and FilmOn both stated that their use of "miniature" antennas for transmission of programs to individual users is legal, following mixed decisions by circuit courts that declared them either legal or in infringement of copyrights, the
U.S. Supreme Court ruled in July 2014 that Aereo's business model had an "overwhelming likeness to cable companies," and its transmission of local station signals constituted an unauthorized public performance in violation of copyright rules, forcing Aereo and FilmOn to stop transmitting local stations from several markets. Aereo eventually suspended operations and filed for bankruptcy in November of that year, later choosing to auction off its assets and technology; FilmOn however remains in operation, offering other free-to-air U.S.-based networks in addition to its own exclusive channels, but was found in contempt by New York district court in July 2014 for briefly continuing to stream U.S. stations after the Supreme Court ruling. Over-the-top subscription services that mirrored cable and TV Everywhere services began emerging in the mid-2010s. In 2015, Dish Network and
Sony respectively launched
Sling TV and
PlayStation Vue, cable-style online and mobile streaming services priced at lower monthly rates than packages offered by traditional pay television system operators. Each include slimmed down tiers of cable and satellite-originated networks from a relatively limited number of network owners. Sling TV, in an effort to cap programming costs, does not include local broadcast stations or regional sports networks; conversely, PlayStation Vue does carry ABC-, NBC-, CBS- and Fox-affiliated stations in select cities where the service is available. PlayStation Vue shut down on January 30, 2020.
YouTube TV and
Philo are other examples of OTT services. Conventional broadcast and cable networks also launched OTT services during 2014 and 2015 to primarily reach cord-cutters – most of which are younger adults, particularly around college age, and to combat online
copyright infringement of their programming. These networks include CBS (launched CBS All Access in October 2014, featuring both on-demand content and live streams of the network's owned-and-operated stations and affiliates), HBO (in April 2015, launched
HBO Now, a standalone internet-only subscription service similar to its TV Everywhere service
HBO Go), and Showtime (which launched a VOD/live streaming service of the same name in May 2015). Most of these services were initially subscription-based.
Free, advertising-supported streaming services such as
Pluto TV,
Local Now and
Tubi are also available. These services generally do not offer most of the high-profile original content available on cable, satellite or subscription video services and instead package
reruns and other archival programming into online-exclusive channels and other limited content. Licensing and distribution companies such as
Funimation,
VIZ Media,
Aniplex of America,
Discotek Media,
NIS America,
Media Blasters,
Eleven Arts,
AnimEigo,
Sentai Filmworks,
GKIDS,
Crunchyroll in North America,
Madman Entertainment,
Manga Entertainment,
Anime Limited,
Siren Visual, and Hanabee Entertainment in Australia and the United Kingdom, and even mainstream streaming services like
Netflix and
Hulu have sections, streaming services, and content within the streaming services with foreign media such as
anime,
manga,
J-Pop concert recordings, and
Asian drama. Some of them also include digital stores where you can buy branded
merchandise on their websites. ==The business of television==