Early history The
Hearts of Oak, a
militia unit organized early in the American Revolutionary War, and composed in part of King's College (later, Columbia University) students, would drill in the chapel's yard before classes nearby.
Alexander Hamilton was an officer of this unit. The chapel survived the
Great New York City Fire of 1776 when a quarter of New York City (then confined to the lower tip of Manhattan), including Trinity Church, burned following the British capture of the city after the
Battle of Long Island during the
American Revolutionary War.
George Washington, along with members of the
United States Congress, worshipped at St. Paul's Chapel on his
Inauguration Day, April 30, 1789. Washington also attended services at St. Paul's during the two years New York City was the country's capital. Above the former location of Washington's box pew (which was removed during renovations in the 2010s) is an 18th-century oil painting of the
Great Seal of the United States, adopted in 1782. The chapel contains several monuments and memorials that attest to its elevated status in early New York: a monument to
Richard Montgomery (hero of the battle of Quebec) sculpted by
Jean-Jacques Caffieri (1777), and a
Neo-Baroque sculpture called "Glory" designed by
Pierre L'Enfant, the designer of
Washington, D.C. The
pulpit is surmounted by a
coronet and six feathers, and fourteen original cut glass chandeliers hang in the
nave and the galleries. ,
Astor House,
U.S. Post Office, c.1905
September 11, 2001 attacks The rear of St. Paul's Chapel faces
Church Street, opposite the east side of the
World Trade Center site. After the
attacks on September 11, 2001, which led to the collapse of the twin towers of the
World Trade Center, St. Paul's Chapel served as a place of rest and refuge for recovery workers at the WTC site. For nine months, hundreds of volunteers worked 12-hour shifts around the clock, serving meals, making beds, counseling and praying with fire fighters, construction workers, police and others. Massage therapists, chiropractors, podiatrists and musicians also tended to their needs. The chapel survived without even a broken window. The building was largely protected by a
sycamore tree on the northwest corner of the property that was hit by falling debris and took the brunt of the damage. The tree's root has been preserved in a bronze memorial by sculptor
Steve Tobin. While the church's organ was badly damaged by smoke and dirt, the organ has been refurbished and is in use again. The fence around the chapel grounds became the main spot for visitors to place impromptu memorials to the event. After it became filled with flowers, photos, teddy bears, and other paraphernalia, Trinity officials decided to erect a number of panels on which visitors could add to the memorial. Estimating that only 15 would be needed in total, they eventually required 400.
Rudy Giuliani gave his mayoral farewell speech at the chapel on December 27, 2001. The chapel still keeps many of the memorial banners around the sanctuary and has an extensive audio-video history of the event. There are a number of exhibits in the chapel. The first one when entering is "Healing Hearts and Minds", which consists of a policeman's uniform covered with police and firefighter patches sent from all over the U.S., including
Iowa,
West Virginia, and
California. The most visible is the "Thread Project", which consists of several banners, each of a different color, and woven from different locations from around the globe, hung from the upper level over the pews.
Renovations A comprehensive restoration of the building's exterior was begun in 2013. At the façade, rusticated blocks of Manhattan schist and smooth sandstone accents were restored, repaired, or patched. The steeple clock was fitted with a new digital system, its bells maintained, and the clock faces refurbished. Some of the original clockwork elements were set aside for preservation as artifacts. Cornices were treated with a sand-infused paint, in the tradition of the original coatings, and broken panes in the wood windows were replaced with crafted glass that displays the imperfections found in antique glass. Concurrently, the parish undertook a restoration of its churchyard. The churchyard has long been a pastoral oasis in busy lower Manhattan, but decades of damage and the sharp rise in tourism necessitated a revitalization. Conditions such as soil erosion and compaction, poor irrigation, and overgrown trees were addressed. The sensitive site, which includes human remains, fragile stone grave markers, and mature tree roots, was treated at the surface level, with all work done by hand. Interior renovations during the project included removal of the box pews to allow more flexible use of the space, installation of a heating and air conditioning system, repainting of the interior with a more authentic off-white color scheme, and replacement of the organ with a 1989
Noack instrument retrofitted into the historic organ case. ==Services==