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Arch of Titus

The Arch of Titus is a 1st-century AD honorific arch, located on the Via Sacra, Rome, just to the south-east of the Roman Forum. It was constructed in c. 81 AD by Emperor Domitian shortly after the death of his older brother Titus to commemorate Titus's official deification or consecratio and the victory of Titus together with their father, Vespasian, over the Jewish rebellion in Judaea.

History
Based on the style of sculptural details, Domitian's favored architect Rabirius, sometimes credited with the Colosseum, may have executed the arch. Without contemporary documentation, however, attributions of Roman buildings on the basis of style are considered shaky. The brother and successor of Titus built the arch despite being described as hateful towards Titus by Cassius Dio. The medieval Latin travel guide Mirabilia Urbis Romae noted the monument, writing: "the arch of the Seven Lamps of Titus and Vespasian; [where Moses' candlestick is having seven branches, with the Ark, at the foot of the Cartulary Tower"]. During the Middle Ages, the Frangipani family added a second story to the vault, converting it into a fortified tower; beam holes from the construction remain in the panels. A chamber was built in the upper half, and the roadway was lowered to expose the travertine foundations. Pope Paul IV (papacy 1555–9), having established the Roman Ghetto in the bull Cum nimis absurdum, made the arch the place of a yearly oath of submission, forcing Jewish elders to kiss the feet of each newly crowned pope. In 1716, Adriaan Reland published his De spoliis templi Hierosolymitani in arcu Titiano Romae conspicuis, in English: "The spoils of the temple of Jerusalem visible on the Arch of Titan at Rome". It was one of the first buildings sustaining a modern restoration, starting with Raffaele Stern in 1817 and continued by Valadier under Pius VII in 1821, with new capitals and with travertine masonry, distinguishable from the original marble. The restoration was a model for the country side of Porta Pia. At an unknown date, a local ban on Jews walking under the arch was placed on the monument by Rome's Chief Rabbinate; this was rescinded on the foundation of the State of Israel in 1947, and at a Hanukkah event in 1997 the change was made public. The arch was never mentioned in Rabbinic literature. ==Description==
Description
Architecture s showing spoils from the fall of Jerusalem The arch is large with both fluted and unfluted columns, the latter being a result of 19th-century restoration. Decorative sculpture The spandrels on the upper left and right of the arch contain personifications of victory as winged women. Between the spandrels is the keystone, on which there stands a female on the east side and a male on the west side. Other sacred objects being carried in the triumphal procession are the Gold Trumpets, the fire pans for removing the ashes from the altar, and the Table of Showbread. These spoils were likely originally colored gold, with the background in blue. The north inner panel depicts Titus as triumphator attended by various genii and lictors, who carry fasces. A helmeted Amazonian, Valour, leads the quadriga or four horsed chariot, which carries Titus. Winged Victory crowns him with a laurel wreath. which means The Senate and the Roman people (dedicate this) to the deified Titus Vespasian Augustus, son of the deified Vespasian." 1821 inscription The opposite side of the Arch of Titus received new inscriptions after it was restored during the pontificate of Pope Pius VII by Giuseppe Valadier in 1821. The restoration was intentionally made in travertine to differentiate between the original and the restored portions. The inscription reads: INSIGNE · RELIGIONIS · ATQVE · ARTIS · MONVMENTVM VETVSTATE · FATISCENS PIVS · SEPTIMVS · PONTIFEX · MAX(IMVS) NOVIS · OPERIBVS · PRISCVM · EXEMPLAR · IMITANTIBVS FVLCIRI · SERVARIQVE · IVSSIT ANNO · SACRI · PRINCIPATVS · EIVS · XXIIII (Insigne religionis atque artis, monumentum, vetustate fatiscens: Pius Septimus, Pontifex Maximus, novis operibus priscum exemplar imitantibus fulciri servarique iussit. Anno sacri principatus eius XXIV), which means (This) monument, remarkable in terms of both religion and art, had weakened from age: Pius the Seventh, Supreme Pontiff, by new works on the model of the ancient exemplar ordered it reinforced and preserved. • In the 24th year of his sacred rulership. • ==Architectural influence==
Architectural influence
Works modelled on, or inspired by, the Arch of Titus include: • façade of the Basilica di Sant'Andrea di Mantova by Leon Battista Alberti (1462) • Washington Square Arch by Stanford White (Manhattan, 1892) • Fusiliers' Arch (Dublin, 1907) • National Memorial Arch in Valley Forge National Historical Park by Paul Philippe Cret (Pennsylvania, 1910) • India Gate by Edwin Lutyens (New Delhi, 1921) ==Gallery==
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