Connors was never part of the Canadian musical establishment, and his style was quite different from other Canadian icons such as
Leonard Cohen or
Gordon Lightfoot. As the
National Post characterized him: Typically writing about Canadian lore and history, some of Connors' better-known songs include "
Bud the Spud", "
Big Joe Mufferaw", "
The Black Donnellys", "
The Martin Hartwell Story", "
Reesor Crossing Tragedy", "
Sudbury Saturday Night", and "
The Hockey Song". This last, often incorrectly called "The Good Old Hockey Game," is frequently played over sound systems at
National Hockey League (NHL) games. Throughout the years, Connors never lost touch with Gaëtan Lepine, the bartender he befriended in Timmins; in fact, the two wrote many songs together. These songs are featured in ''250 Songs by Stompin' Tom: Including All the Words and Chords''. In 1968, he composed and sang a radio jingle for a Sudbury-area tire store, Duhamel & Dewar, in exchange for a set of winter tires:"When your tires are old and worn and you think they should be newer, drive on down to the Tire Town and see Duhamel and Dewar."During the mid-1970s Connors wrote and recorded
The Consumer, an ode to bill-paying that became the theme song for the popular
Canadian Broadcasting Corporation (CBC) consumer affairs program
Marketplace. For the first few seasons, Connors appeared in the program's opening credits, before "The Consumer" was replaced as the theme—initially by an instrumental background version and ultimately by a different piece of music. In 1974 Connors had a series running on
CBC Television in which he met and exchanged with folks from all across Canada. ''
Stompin' Tom's Canada'' was co-produced with the CBC, and consisted of 26 half-hour episodes. The song that Connors wrote in the least time was "Maritime Waltz", which was completed in 12 minutes. His character was rough but genuine. As the
National Post noted: In 1999, after completing a 38-city tour, Connors received the National Achievement Award at the annual
SOCAN Awards held in Toronto. In 2009, Connors was the recipient of the prestigious Lifetime Achievement Award at the annual
SOCAN Awards in Toronto.
Nickname Connors' habit of stomping the heel of his left boot to keep rhythm earned him the nickname "that stompin' guy", or "Stomper". It wasn't until
Canada's 100th birthday,
July 1, 1967, that the name "Stompin" Tom Connors was first used, when Boyd MacDonald, a waiter at the King George Tavern in
Peterborough, Ontario, introduced Connors on stage. Based on an enthused audience reaction to it, Connors had it officially registered in Ontario as Stompin' Tom Ltd. the following week. Various stories have circulated about the origin of the foot stomping, but it's generally accepted that he did this to keep a strong tempo for his guitar playing—especially in the noisy bars and beer joints where he frequently performed. After numerous complaints about damaged stage floors, Connors began to carry a piece of
plywood that he stomped even more vigorously than before. The
"stompin board became one of his trademarks. After stomping a hole in the wood, he would pick it up and show it to the audience (accompanied by a joke about the quality of the local lumber) before calling for a new one. It was reported that when asked about his "stompin' board", Connors replied, "it's just a stage I'm going through". Connors periodically auctioned off his "stompin' boards" for charity, with one board selling for $15,000 in July 2011.
Favourite guitar Connors's favourite guitar was a
Gibson Southern Jumbo acoustic that he purchased in 1956 while on his way through
Ohio to
Nashville, Tennessee, and Mexico. He discovered it in a furniture store, hidden in a case on top of a shelf and, after some haggling, purchased it for $80 (he had $90 with him). The guitar was used to audition in 1964 at the Maple Leaf Hotel in Timmins, as well as for writing
Bud the Spud four years later. Although retired in 1972, it remained in his possession. It has subsequently been refurbished, a birthday gift from his wife Lena. The serial number inside the guitar reads 2222 in red stamped numbers and the actual age of the guitar is still unknown.
Releases Connors released music on seven different labels. His earliest foray into recording was on the CKGB Timmins radio station label. These
45 RPM singles were pressed by
Quality Records in Toronto, and distributed (and paid for) primarily by Tom. His first two albums (and two subsequent 45 RPM singles) were released on the Rebel Records bluegrass label, under the name "Tom Connors". These two albums were subsequently re-released on Dominion Records under the Stompin' Tom moniker and had to be totally re-recorded due to a dispute with Rebel Records owner John Irvine. Most of Connors's well-known albums were released on Dominion Records (1969–70), and after 1971 on the
Boot Records label that he co-founded with Jury Krytiuk and Mark Altman. His releases on Dominion (and all subsequent releases) were done under the name "Stompin' Tom Connors". Most of the Rebel and Dominion albums would be reissued (and in some cases, re-recorded) under the Boot label, and would represent the bulk of his recorded material. It was released on 33 RPM record albums, 45 RPM record singles,
8-tracks, and
cassette tapes. After his retreat from the music business in the late 1970s, he started the A-C-T (Assisting Canadian Talent) label in 1986, and released two albums: ''Stompin' Tom is Back to Assist Canadian Talent
and his comeback album, Fiddle and Songs'' in 1988. A-C-T also re-released Connors's back catalogue on cassette tapes only. All of his subsequent releases (and re-releases) have been through
Capitol Records /
EMI. Most of this work is now available on Compact Disc. In recent years, many of his album releases have included at least one re-recording of one of his earlier songs.
Promoting Canadian artists Connors founded three record labels, which promoted not just his own work, but that of other Canadian artists: •
Boot Records, together with its budget label Cynda, which were active in the 1970s and 1980s • A-C-T, active from the late 1980s Among artists who were featured on these labels were
Liona Boyd,
Rita MacNeil,
The Canadian Brass,
Dixie Flyers,
Charlie Panigoniak, among others.
Liona Boyd recalled in 2013 about the time Connors signed Boyd to Boot for her first record, 1974's
The Guitar, and two more:
Cultural and historical references In the book
Shake Hands with the Devil: The Failure of Humanity in Rwanda, Romeo Dallaire, the Canadian general who led the
UNAMIR peacekeeping force in
Rwanda during that country's 1994 genocide reported that he played a recording of Connors's song "The Blue Berets" (about United Nations peacekeeping forces) to keep up his troops' morale while their headquarters was under bombardment.
The Les Claypool Frog Brigade mentions Connors in the song "Long in the Tooth" on the album
Purple Onion, while
Corb Lund references him in the song "Long Gone to Saskatchewan" and
Dean Brody references him in the song "
Canadian Girls".
Tim Hus also wrote a song titled "Man with the Black Hat" about Connors and
Al Tuck wrote and recorded a song called "Stompin' Tom Connors Dot Com".
Songs referencing Canadian historical events The following is a list of events in the
history of Canada which have been the subject of a song by Connors, who is widely renowned for singing about both well-known and little-known episodes in the country's past. ==Personal life==