Role in pogroms Petliura is considered a controversial figure connected with the
pogroms of Jews during his rule of the Ukrainian National Republic. According to
Peter Kenez, "before the advent of Hitler, the greatest mass murder of Jews occurs in Ukraine in the course of the Civil War. All participants in the conflict were guilty of murdering Jews, even the Bolsheviks; however the
Volunteer Army had the largest number of victims." The number of Jews killed during the period is estimated to be between 50,000 and 200,000. A total of 1,236 violent attacks on Jews had been recorded between 1918 and 1921 in Ukraine. Among them, 493 were carried out by
Ukrainian People's Republic soldiers under the command of Symon Petliura, 307 by independent Ukrainian warlords, 213 by
Denikin's army, 106 by the
Red Army, and 32 by the
Polish Army. {{Quote box|width=50%|align=right|title=Order Issued by the Main Command of the Armies of the Ukrainian National Republic It should not go anywhere away from us; it has been living with us since time immemorial, sharing our fate and misfortune with us. I decisively order that all those who will be inciting you to carry out pogroms be expelled from our army and tried as traitors of the Motherland. Let the courts try them for their actions, without sparing the criminals the severest punishments according to the law. The government of the UNR, understanding all the harm that pogroms inflict on the state, has issued a proclamation to the entire population of the land, with the appeal to oppose all measures by enemies that instigate pogroms against the Jewish population... The newly formed Ukrainian state (
Ukrainian People's Republic) promised Jews full equality and autonomy.
Arnold Margolin, a Jewish assistant minister in Petliura's UPR government, declared in May 1919 that the Ukrainian government had given Jews more rights than they enjoyed in any other European government. However, after 1918, military units became involved in pogroms against Jews. During Petliura's term as Head of State (1919–20), pogroms continued to be perpetrated on Ukrainian territory. Petliura's role in the pogroms has been a topic of dispute since his assassination in 1926 and the succeeding
Schwarzbard's trial. Petliura's own party, USDRP, denied his complicity in the episodes of anti-Jewish violence in Ukraine between 1918 and 1920. This led to the creation of a commision by the
Labour and Socialist International, which had to define if Petliura could be held responsible for the crimes. A summary prepared by
Menshevik representative
Raphael Abramovitch concluded, that while Petliura didn't personally order the pogroms, his government tolerated them, and open condemnation of the crimes by Ukrainian authorities only started after they attempted to gain international support by improving own public image. The publishing of the report in 1928 caused a protest from USDRP representative
Isaak Mazepa, who accused the commission's members of attempts to disrupt relations between Ukrainians and Jews. At the same time, a publication by the
Polish Socialist Party claimed, that the result of the commission's investigation had rehabilitated Petliura. As an answer to this claim, Abramovitch wrote a letter to the editor's office, in which it was stated, that although Petliura had not organized the pogroms, he didn't combat them energetically enough due to "national-tactical reasons". Abramovitch's point of view was supported by
Poale Zion. Shortly after Petliura's assassination,
Revisionist Zionist leader
Ze'ev Jabotinsky in his interview to
Jewish Morning Journal stated, that "Neither Petliura nor Vynnychenko or the rest of the distinguished members of this Ukrainian government were ever people who could be called 'pogromists.' [...] I know well this type of Ukrainian nationalist intellectual with socialist views. I grew up with them; together with them, I conducted a struggle against antisemites and
Russifiers — Jewish and Ukrainian. No one will convince either me or other thinking Zionists of southern Russia that people of this type can be regarded as antisemites." However, one year later, in a letter to Paris-based Russian-language newspaper
Posledniye Novosti, Jabotinsky claimed, that his position had been interpreted incorrectly. In his article
Petliura and the Pogroms, which appeared soon thereafter, he once again insisted on the non-complicity of Petliura and the broader Ukrainian national movement in the pogroms, but held them responsible for being unable to stop those crimes. In 1969, the journal
Jewish Social Studies published two opposing views regarding Petliura's responsibility in pogroms against Jews during his reign over Ukraine, by scholars
Taras Hunczak and
Zosa Szajkowski. Later the
Journal published letters from the two authors. According to Hunczak, Petliura actively sought to halt anti-Jewish violence on numerous occasions, introducing capital punishment for carrying out pogroms. Conversely, he is also accused of not having done enough to stop the pogroms
Role in the development of Ukrainian culture An active participant of social life, during his seminary years Petliura took part in strike actions demanding the introduction of Ukraine-oriented subjects in schools. He frequently performed as a singer (his most favourite songs were reportedly Ivan Franko's
Ne pora ("It's not time"),
Shaliyte ("Rage, Tyrants") and Shevchenko's
Zapovit ("Testament")) and conducted a students' choir. One of the causes of his expulsion from the institution was the choir's performance of a
cantata by
Mykola Lysenko, which had been banned by Russian censorship. After being expelled, Petliura earned his bread through private lessons. Despite the hardships, he was enthusiastic about the promotion of Ukrainian culture among ethnic Russians, and even made a Russian translation of one of the works by
Ivan Franko. As the editor of numerous journals and newspapers, Petliura published over 15,000 critical articles, reviews, stories and poems under an estimated 120 noms-de-plume. His articles were dedicated to various cultural topics, including popular education, opening of the
Archaeological Museum in Katerynoslav, excavation at the
Zaporozhian Sich, performances of Ukrainian theatre in Kuban, publication of the
Ukrainian Bible in London etc. Working as an editor in Moscow, Petliura created numerous articles representing Ukrainian culture and its prominent figures for the Russian audience. All three musicians later immigrated to the United States. Petliura introduced the awarding of the title "
People's Artist of Ukraine" to artists who had made significant contributions to Ukrainian culture. A similar titled award was reintroduced after a significant break under the Soviet regime. Among those who had received this award was blind
kobza player Ivan Kuchuhura-Kucherenko. In emigration, Petliura continued the struggle for Ukrainian independence as a publicist. In 1924, he became the editor and publisher of the weekly journal (
Trident). Petliura's articles had a significant impact on the shaping of Ukrainian national awareness in the early 20th century. He published articles and brochures under a variety of
noms de plume, including V. Marchenko, V. Salevsky, I. Rokytsky, and O. Riastr. Soon after Petliura's assassination in 1926, a Ukrainian library named in his honour was established in Paris. ==Image in the media==