Faenza's urban history, like that of many other Emilia-Romagna cities, unfolds through a continuous process of regeneration from its original
Roman structure. While this structure was significantly altered in some cases, it persists in the city's geometric layout. The urban fabric, heavily impacted by wartime destruction, retains numerous examples of
Renaissance and
Baroque architecture, primarily concentrated in the city center, but is predominantly characterized by 18th- and 19th-century
Neoclassical features due to significant building transformations led by architects
Giuseppe Pistocchi,
Giovanni Antonio Antolini, and
Pietro Tomba. These efforts positioned Faenza as a leading center of Neoclassicism in Europe. The oldest fully preserved church is the
Church of the Commenda, dating to around 1100. The
main place of worship for
Catholicism in the city is the
Cathedral of San Pietro Apostolo, the mother church of the
Diocese of Faenza-Modigliana. Its construction, designed by
Giuliano da Maiano, began in 1474 and was not completed before 1515, with the facade remaining unfinished. It was consecrated to
Saint Peter in 1581. Below is a list of the main religious buildings built within the municipal territory: File:Faenza, santa maria ad nives, campanile del X-XI secolo 01.jpg|The bell tower of the Church of Santa Maria ad Nives File:Facciata della cattedrale di San Pietro Apostolo.jpg|The Cathedral (San Pietro Apostolo) File:Interno del Duomo di Faenza.JPG|Interior of the Cathedral The main cemeteries are: • Osservanza Cemetery: The city's monumental cemetery, named after the adjacent monastery, featuring numerous tombs designed by artists such as
Felice Giani,
Lucio Fontana, and Domenico Rambelli. • Faenza War Cemetery: Known as the "English Cemetery," it houses the graves of soldiers who died during the World War II liberation campaigns, recognized by the
Commonwealth War Graves Commission.
Civil architecture Clock Tower The Civic Tower (or Clock Tower), located at the entrance to Piazza del Popolo at the intersection of the Roman
cardo and
decumanus of
Faventia, is one of the city's most iconic architectural landmarks. The original design is attributed to Friar Domenico Paganelli, who began its construction in 1604 on a 16th-century rusticated base. The tower is quadrangular, with five superimposed orders and crowned by a dome. At its base, within a niche featuring a balcony with an elegant wrought iron and brass railing, is a marble statue of the Madonna with Child by Francesco Scala, dated 1611. The original tower was destroyed by retreating German forces in November 1944. The current structure is a faithful reconstruction from 1953, retaining the original 17th-century Madonna and Child statue, which survived the collapse.
Main Fountain The monumental fountain, situated between the Cathedral and the Clock Tower, was commissioned by Domenico Paganelli, who oversaw the construction of a city aqueduct in 1583. Work resumed in 1614, as Paganelli was occupied with other commissions in Rome. On the suggestion of Cardinal Rivarola, he entrusted the construction of a fountain, serving as the terminal point of an underground conduit from Errano, who completed the work in 1621. The fountain, adorned with symbolic bronze sculptures by Tarquinio Jacometti in 1619–1620, is a celebrated work. The eagles and dragons represent the heraldic feats of
Pope Paul V (Borghese), while the three rampant lions symbolize the city's coat of arms. The tall iron fence that once protected it was removed in 1869.
Voltone della Molinella The Voltone della Molinella, a covered passageway with
cross vaults at the ground level of Palazzo Manfredi, connects the main square, Piazza del Popolo, to Piazza Nenni, home to the
municipal Masini Theatre. The umbrella vault was decorated with
grotesque motifs by
Marco Marchetti in 1566. Today, the Voltone houses the entrance to the tourist office and the municipal exhibition gallery.
Masini Theatre The
Angelo Masini Municipal Theatre, located in Piazza Nenni (formerly "della Molinella"), is one of the finest examples of
Neoclassical architecture in Faenza. Designed and built between 1780 and 1787 by architect
Giuseppe Pistocchi at the request of the Accademia dei Remoti, a group of Faenza intellectuals and artists formed in 1673, the theatre features a horseshoe-shaped layout with four tiers of boxes separated by columns of various styles. It is adorned with frescoes by
Felice Giani. The upper tier is enriched with plastic decorations and twenty statues representing Olympian deities, crafted by
Antonio Trentanove.
Prospettiva (Fontanone) The Prospettiva, locally known as the "Fontanone," is a monument serving as the architectural backdrop at the end of Viale Stradone. Constructed in 1824 under the supervision of
Pietro Tomba, it replaced an earlier water reservoir from the ancient aqueduct. Commissioned by the Deputation of the Public Promenade and
Gonfalonier Antonio Margotti, it was designed to complete the avenue—then a popular strolling area—with a structure serving as a scenic endpoint and a place for rest and refreshment during Sunday walks outside the city gates. File:Faenza-belltower.jpg|Clock Tower File:Foto Faenza aprile 2016 081.jpg|Main Fountain File:Voltone della Molinella.JPG|Voltone della Molinella File:Teatro Masini Faenza.JPG|Angelo Masini Theatre File:Teatro Comunale Angelo Masini - Comune di Faenza 02.jpg|View of the stalls and boxes of the Masini Theatre
Palaces Below is a list of palaces of significant historical and cultural interest, from the
Middle Ages to the
Neoclassical period, in Faenza's historic center: • Palazzo Manfredi, in Piazza del Popolo, now the municipal seat. This ancient building underwent several structural and layout interventions over the years. The first significant one, chronologically, is attributed to
Astorgio I Manfredi, who in the 14th century gave the palace its initial form, later becoming the residence of his successors, including
Carlo II Manfredi, who oversaw numerous renovations, including the
loggia. It retains medieval traces, such as the colonnade, the hall of flags with a coffered ceiling, the entablature displaying some of the city's most prominent family crests, and a
bifora. • Palazzo del Podestà, opposite the municipal palace, represented the third power alongside the Lordship (Palazzo Manfredi) and the People (the Piazza). Historical records suggest it was completed in 1175, with the staircase leading to the upper floor demolished in 1270 to make way for the balcony known as the "
arengario," from which speeches were delivered to the public. • Palazzo Mazzolani, at Corso Mazzini 93, an imposing, unfinished structure begun in the late 17th century. The right side of the facade was completed in 1933–34, demolishing pre-existing buildings. It now hosts the ISIA. The entrance hall, inner courtyard, and other spaces house state-owned archaeological material deposits. • Palazzo Zauli-Naldi, at Corso Matteotti 2, acquired in the 17th century by a branch of the Naldi family, later passing to the Zauli Counts upon the family's extinction, hence Zauli-Naldi. It features a large portico, known as the "
loggia della Pagnocca," where the family distributed bread to the poor. The right side was built in 1835 based on a design by engineer Filippo Antolini. • Palazzo Ferniani, at Via Campidori, corner with Via Naviglio, built around the mid-18th century by the Ferniani Counts, designed by Faenza native Gian Battista Boschi, with assistance from Bolognese architect
Alfonso Torreggiani. A marble statue of the
Immaculate Conception, by Bolognese sculptors Ottavio and Nicola Toselli, adorns the palace's corner. • Palazzo Severoli, on the street of the same name, built by the Severoli Counts, featuring frescoes by
Felice Giani. • Palazzo Cavina, at Via Castellani 22, built around 1740 by Raffaele Campidori for the Naldi family, acquired in the early 19th century by the Cavina Counts, who commissioned
Felice Giani to decorate it. • Palazzo Zanelli (later Pasolini Zanelli), at Corso Mazzini 52, built around 1750. • Palazzo Laderchi, at Corso Garibaldi 2, commissioned in 1780 by Count Ludovico Laderchi to Bolognese architect Francesco Tadolini, now home to the Museum of the Risorgimento and Contemporary Age. Notable are the decorations by
Felice Giani in the "Gallery of Psyche" (1794) and the "Astronomy Study" (1797). • Palazzo Gucci-Boschi, at Corso Matteotti 8–10, with an eclectic facade celebrating the
Risorgimento battles of
Solferino and San Martino and
Volturno, designed for the Gucci Boschi Counts by engineer Achille Ubaldini in 1867. • Palazzo Pasolini, at Via Severoli 31, corner with Via Pistocchi, modified in the late 18th century by architect
Giuseppe Pistocchi, frescoed in 1818 by
Felice Giani. The facade was redone in 1875. • Casa Valenti, a 19th-century palace designed by engineer Luigi Biffi in an unusual neo-Gothic style, enriched with fine terracotta elements. • Casa Piani-Pasi, a palace from 1807 designed by architect
Pietro Tomba. • Portico of the Pagnocca at Palazzo Zauli-Naldi, The upper loggia features a
serliana arch popularized by
Sebastiano Serlio in the 16th century, later adopted by
Pietro Tomba. • Loggia del Trentanove, named after sculptor
Antonio Trentanove, who between 1775 and 1780 created four large stucco statues for the niches of the suspended portico, forming the surviving backdrop of Palazzo Bandini-Rossi. The loggia consists of ten slender Corinthian columns, similar to those inside the Masini Theatre, with four niches containing statues symbolizing the elements of water, earth, air, and fire. • Loggia dei Fantini (Infantini), or Portico of Charity, facing Corso Mazzini, echoes the Renaissance architecture of Florence's
Ospedale degli Innocenti. Originally the Great Hospital, known as the "House of God," it became the seat of charitable institutions in the 15th century, likely housing
foundlings, hence the name "Fantini," meaning "Infantini."
Villas In the hills and countryside surrounding Faenza, several historic residences were built by the
nobility of Faenza between the 18th and 19th century. The main villas in the municipal territory are: • Villa Conti, known as "delle Fabbriche," destroyed during the war, with only the two
propylaea at the entrance along the
Via Aemilia remaining. • Villa Emaldi, known as "Le Tombe," built in the 15th century and modified in the 19th century by architect Modanesi, featuring a large park with a
neo-Gothic greenhouse, an oratory, and a bird snare. • Villa Ferniani, known as "Case Grandi," housing a vast collection of ceramics produced by the Ferniani manufactory. • Villa Gessi, built in Sarna based on a design by engineer-architect Antonio Zannoni. • Villa Laderchi, known as "Rotonda," constructed between 1798 and 1805 by
Giovanni Antonio Antolini for Count Achille Laderchi, with frescoes by Romolo Liverani. • Villa Laderchi al Prato. • Villa Orestina, known as "Inquisitora," built by the Cattoli Counts in the 19th century. • Villa Pasi, designed by Pietro Tomba in 1825 for the Pasi Counts. • Villa Rossi, known as "San Prospero," the site of numerous killings by Nazi-fascists during
World War II.
Military architecture Walls The defensive walls still partially surrounding the city, though affected by urbanization and wars, were erected during the Manfredi period between 1380 and 1470, replacing and expanding the earlier
early medieval walls, with a total length exceeding 5 km, including Borgo Durbecco. They were punctuated by towers (originally 35, with 26 remaining) and five large gates, of which only Porta delle Chiavi survives. In addition to the city walls, two towers were built on a fortified bridge connecting the city to the Borgo, dismantled after a 1842 flood of the
Lamone River.
Oriolo Tower In the hilly hamlet of Oriolo dei Fichi, southeast of the city, stands a 15th-century Manfredi keep with a hexagonal plan.
Other Squares Below are the city's most significant squares: • Piazza del Popolo: Faenza’s main square, it began taking its current form in the 15th century with the construction of the Palazzo Manfredi loggia, following the transformation of the ancient city government into a
signoria and the Manfredi family's move to the municipal palace. It is home to the medieval buildings of Palazzo del Podestà and Palazzo Manfredi (now the town hall), with their
porticoes defining its character. • Piazza della Libertà: Adjacent to Piazza del Popolo, it is not physically separated but features distinct architectural traits. The facade of the
Cathedral dominates the square, opposite the Goldsmiths’ portico and alongside the monumental Main Fountain. • Piazza Nenni (della Molinella): Originally the inner courtyard of Palazzo Manfredi, it is accessible from Via Pistocchi or Piazza del Popolo via the Voltone della Molinella. It houses the
Angelo Masini Theatre, municipal offices, and commercial establishments. • Piazza XI Febbraio: A small area behind the Cathedral, characterized by the Old Seminary, designed by Giuseppe Boschi between 1783 and 1786, the Oratory of San Pietro in Vincoli, and the Bishop’s Palace, with 13th-century elements, now housing the Diocesan Museum. • Piazzetta della Legna: A small open space historically used for unloading wood, shaped in its current form in the early 1930s with the construction of the then-post office, an example of Fascist-era architecture by
Cesare Bazzani. In 1939, Giuseppe Casalini created a
lunette on the tower's side with verses from Faenza writer
Alfredo Oriani’s "Ideal Revolt." • Piazza II Giugno: An urban void created by the demolition of Palazzo Bandini-Rossi, or Ricciardelli, destroyed in the 1944 bombings. and Ivo Sassi. • Piazza Rampi: Dedicated to Sister Teresa Rampi, it corresponds to the cloister of the former
Santa Chiara convent. Of medieval origin, it was heavily damaged by war and post-war neglect, demolished in the 1950s. Between the 1980s and 1990s, the new post office, designed by Filippo Monti, was built along Via Naviglio, with the cloister and adjacent buildings restored, now housing the municipal registry offices. The cloister's appearance was preserved by enclosing the portico with glass to maintain visibility. • Piazza San Domenico: A large space, once used as urban vegetable gardens, now partly a church forecourt, partly green, and partly a parking lot. Behind Palazzo Rossi, adjacent to the square, is the Rotonda Rossi, built in the former convent garden, designed by Costantino Galli in 1830 as a belvedere and icehouse. • Piazza Fratti: Corresponding to the area in front of the demolished Porta Montanara, it features intact city walls, the
sphaeristerium, and the entrance to Viale Stradone. • Piazza Santa Lucia: Named after an ancient convent of nuns, it is an extension of Corso Matteotti at the junction with Via Castellani and Via Minardi, distinguished by the facade of Palazzo Tassinari and the small Church of Santa Margherita. • Piazza Fra Saba da Castiglione: A lateral open space along Corso Europa in Borgo Durbecco, now used as a parking lot and forecourt for the
Church of the Commenda. • Piazza Santa Maria Foris Portam: The forecourt of the current
Santa Maria Vecchia church and its adjacent space. • Piazza Sant’Agostino: The forecourt of the Sant’Agostino church. • Piazza Penna: The former forecourt of the suppressed Church of San Giacomo della Penna. • Piazza San Rocco: The forecourt of the namesake church.
Borgo Durbecco The Borgo, an external expansion of Faenza, lies east of the city walls, across the
Lamone River. The first settlements date to the 11th century. Key monuments include the Church of the Santissima Annunziata, the Church of Sant’Antonino, the
Church of the Commenda, and the 16th-century Porta delle Chiavi, the only surviving city gate, named after the donation of the city keys to
Pope Pius IX in 1857.
Archaeological sites Traces of Roman Faenza are no longer directly visible due to subsequent urban development. However, artifacts from archaeological excavations have been recovered, cataloged, and collected. The tour of the sites and artifacts is managed by the Museum Service of the Union of Faenza Romagna.
Archaeological exhibition at Palazzo Mazzolani In the courtyard of Palazzo Mazzolani, a selection of the most significant floors uncovered during archaeological excavations of Roman Faenza has been displayed. The chronological range of these mosaics spans from the 1st to the 6th century AD. In Roman
Faventia, large
domus featured highly refined mosaics. The collection of materials preserved at Palazzo Mazzolani is remarkably significant, covering a vast timeline from prehistory to late antiquity.
Natural areas Parks and gardens Faenza is a green city, with numerous public parks and gardens, some located in the historic center. The Bucci Park, spanning over 8 hectares, features paths, hills, ponds, and streams, and is home to numerous plant and animal species that roam freely throughout the park. == Society ==