The play was first produced in Cleveland, Ohio, at the
Ohio Theatre, on November 1, 1926, with
Ethel Barrymore playing the title role, and
Mabel Terry-Lewis and
C. Aubrey Smith in support. It subsequently opened on Broadway, running for 295 performances, and was successfully toured by Ms. Barrymore afterwards. When the first edition of the play was published in 1927, Maugham dedicated it to her. Years later, he said that her performance was the best he had seen in any of his plays.
The Constant Wife has been produced multiple times in London—
Ruth Chatterton (
Globe Theatre, 1937);
Ingrid Bergman (
Albery Theatre, September 1973),
Jenny Seagrove (
Apollo Theatre, April 2002, then transferring to the
Lyric Theatre, June 2002)—despite a rocky premier starring
Fay Compton at the
Strand Theatre in April 1927, in part due to the theatre's muddling of seating arrangements and Ms. Compton's insulting the audience. In December 1951, a U.S. revival starring
Katharine Cornell was staged for a summer festival in Colorado. It was such a success that Cornell took the production to the
National Theatre on Broadway starring herself and
Brian Aherne. It grossed more money for Cornell's production company than any play she and her husband-director
Guthrie McClintic ever produced. In addition to the 2005 revival on Broadway, other revivals include
John Gielgud's staging, also starring Ingrid Bergman and
Jack Gwillim, at the
Shubert Theatre on Broadway (1975),
Minneapolis (2005),
Charleston, SC (2007), and the
Gate Theatre, Dublin (2016) starring
Tara Blaise.
The Constant Wife was most recently on
Broadway in 2005, where
Variety described it as "an antecedent to the women of '
Desperate Housewives' and '
Sex and the City. At the
60th Tony Awards,
Kate Burton (Constance Culver Middleton) and
Lynn Redgrave (Mrs. Culver) were both nominated for
Best Leading Actress in a Play. The
Royal Shakespeare Company staged an adapted production in 2025 at the
Stratford Swan Theatre starring
Rose Leslie, followed by a recast 2026 UK tour starring
Kara Tointon, including a presentation on board a transatlantic ship, prior to a
West End residency. This production was adapted by
Laura Wade, directed by
Tamara Harvey and produced by
David Pugh, with set and costumes designed by
Anna Fleischle and Cat Fuller, and a score by
Jamie Cullum. ==Film adaptations==