MarketThe King (Teenage Fanclub album)
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The King (Teenage Fanclub album)

The King is the second studio album by Scottish alternative rock band Teenage Fanclub, deleted on its day of release in 1991.

Overview
The King originated during the recording sessions for Bandwagonesque at Liverpool's Amazon Studios. Guitarist-vocalist Norman Blake was impressed by the studio's equipment quality, table football facilities and kitchen. He said both albums were recorded at the same session and described The King as "an album within an album" recorded "really just to entertain ourselves". By early November 1991, Teenage Fanclub were eager for Bandwagonesque to be released, as a means of "[helping] get rid of the bad taste their quickie out-takes album The King left in their mouths", according to one contemporary report. Gerard Love explained: "Everythin' got out of hand. The stuff would have come out on bootleg at some point, so what we wanted to do was shove it out really cheap. Rather than people playing a fiver for a shite quality tape they could get a good quality album for £3.49". Raymond McGinley continued: Though Teenage Fanclub submitted it as their second album for their American label Matador, the company refused to release it. McGinley recalled: "In the end, because we did the two-album deal we ended up having to give Matador a settlement. It got a bit messy." Everett True of Melody Maker also described the instrumental The King as a contractual obligation album in his October 1991 interview with the band. Blake and McGinley explained their fondness for the album but would have preferred if it had been priced at the intended cost of £2.99, "instead of the $60 they're currently charging for an import [in the United States]". Both members also quashed the rumours popular in New York City that the album was in fact solely recorded by local rock band Gumball (whose guitarist was Don Fleming) as a snub to Matador. The King was released in August 1991 and reached number 53 on the UK Albums Chart. Apparently deleted on the day of release, it quickly became a collector's item. ==Reception and legacy==
Reception and legacy
In 1991, NME writer Terry Staunton called it "quickie out-takes album". Similarly, Rob Hughes of Uncut, in 2003, described The King as "an album of improvised noise" that was issued to expedite a hasty exit from Matador in the US and "which, as was intended, ensured a clear path to DGC." Martin Horsfield of The Guardian describes The King as "instantly deleted and tossed-out". Alexis Petridis, also of The Guardian, describes it as Teenage Fanclub's "perplexing second album", containing "seven grungy instrumental originals and covers of Pink Floyd's 'Interstellar Overdrive' and Madonna's 'Like a Virgin'". The BBC have described The King as a "deliberately obscure instrumental album", and "a thrashy mess". Retrospective critical opinion on The Kings quality has varied. The music author Mark Bennett has described it as "a frankly rubbish set of instrumental covers." In The Rough Guide to Rock (1999), James Owen described the limited edition instrumental album as a "backhanded tribute" to Elvis Presley, believing that it "failed to satisfy existing fans or to garner new ones." In The Great Rock Discography (2006), Martin C. Strong described The King as "a substandard effort released to fulfill contractual obligations". More favourably, Ira Robbins and Matthew Kaplan of Trouser Press deem the "hastily tossed together" record to be "an interesting curio", noting its "quizzical" choice of covers and believing the majority of the original material to be "quite interesting", as is guest Joe McAlinden's "skronking" saxophone. Robbins and Kaplin particularly noted "Opal Inquest" for its Bevis Frond-esque guitar indulengeces and "Robot Love" for its Butthole Surfers influence and its unrecognisably distorted vocals. In 2010, Dom Gourlay of Drowned in Sound wrote that "the ramshackle lo-fi of A Catholic Education and The King undoubtedly provided food for thought for young upstarts like Urusei Yatsura and Mogwai". Donald Milne of Guitar.com characterises the album as "largely improvised". ==Opinions of band members and cancelled follow-up==
Opinions of band members and cancelled follow-up
In 2016, Blake ranked it the ninth best Teenage Fanclub album in a list for Vice, again calling it "an album we made within Bandwagonesque" and categorising it as "an album, but it's unofficial in a way". McGinley explained in a 1993 Melody Maker that Teenage Fanclub began working on a follow-up to The King during the recording of Thirteen (1993): "We got about 30 basic tracks down and then we started working on The King 2 as well, so we had a lot of tape lying around! We haven't even listened to the instrumental tracks we did for The King 2 yet, we haven't had time." In 2016, Blake said the group no longer had interest in improvising and commented: "I can't see us doing a King 2." ==Track listing==
Personnel
;Teenage Fanclub • Norman Blakeguitar, vocals • Gerard Lovebass, vocals • Raymond McGinley – guitar, vocals • Brendan O'Haredrums ;Additional musicians • Joe McAlindensaxophone • Paul Chisholm – additional drums ;Technical • Don Fleming – producer • Teenage Fanclub – producer • Paul Chisholm – producer, engineer • Keith Hartley – engineer • Dave Buchanan – assistant engineer == References ==
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