Box office The Peanuts Movie grossed $130.2 million in the United States and Canada, and $116 million in other territories, for a worldwide total of $246.2 million. After three weekends, it opened to a total of 49 markets where it had the second biggest opening of 2015 in Mexico ($3.1 million) and debuted in the U.K., Ireland and Malta at No. 2 with $5.5 million (including previews) behind
Star Wars: The Force Awakens. One of the final markets was Australia where the film opened on New Year's Day 2016, earning $2.6 million in its first week.
Critical response The review aggregation website
Rotten Tomatoes reported approval rating and an average rating of based on reviews, making it the highest-rated film produced by
Blue Sky Studios. The site's consensus states: "
The Peanuts Movie offers a colorful gateway into the world of its classic characters and a sweetly nostalgic – if relatively unambitious – treat for the adults who grew up with them." On
Metacritic, the film has a
weighted average score of 67 out of 100 based on 31 critics, indicating "generally favorable reviews". On
CinemaScore, audiences gave the film an average grade of "A" on an A+ to F scale. Peter Debruge of
Variety gave similar sentiments, especially praising the animation of the film. Alonso Duralde of
TheWrap felt the film made a nice transition to 3D, saying, while the film might not reach "the melancholy of earlier films... it nonetheless respects the importance of failure and disappointment that Schulz always included in his storytelling". He did, however, feel that
Peanuts purists would take issue with a few things in the film, such as seeing and hearing so much of the Little Red-Haired Girl, who was always off-panel in the comic strips, and Peppermint Patty acknowledging that Snoopy is a dog and not a child with a big nose (even though, unbeknownst to him, Marcie told her that Snoopy was a beagle in the latter years of the strip). Pete Hammond from
Deadline Hollywood admitted his trepidation about translating the characters from 2D to 3D, but enjoyed the film overall, only criticizing the amount of fantasy sequences involving Snoopy. Brian Truitt of
USA Today gave the film three out of four stars, proclaiming the film "is all about simplicity, and what the plot lacks in nuance and complexity is made up for with relatable characters whom people have spent a lifetime watching. The movie is a testament to Charlie Brown's place in pop culture and a showcase for a new generation bound to fall in love with its perennially insecure star". Neil Genzlinger from
The New York Times named the film an NYT Critics' Pick, calling it "the most charming and the most daring experiment in human genetics ever conducted". However, he also showed concern for the modern children's audiences who may or may not only know the
Peanuts gang from the holiday specials. Scott Mendelson from
Forbes was more critical of the film, saying there was "nothing objectively wrong with
The Peanuts Movie", but as he personally was not a fan of the
Peanuts comic strip, that made him "anti-Charlie Brown", loathing each time Charlie Brown failed in the film. Joe McGovern from
Entertainment Weekly was also not as receptive, giving the film a grade of C+, and criticizing the animation, stating, "Even if you assume that Schulz always wanted his frozen pond reflecting lustrous light and Snoopy frolicking in a lavish
Hayao Miyazaki world, the animation steroids injected into the aesthetic here nonetheless shrivel the great melancholy that's so key to the comic's endurance". Vadim Rizov of Filmmaker Magazine criticized the film's unfaithfulness to the comic, saying "
The Peanuts Movie celebrates well-known character quirks, but it completely trashes the spirit of the strip. An unavoidable necessity? I'm forced to conclude this is perhaps the case, but it's still infuriating." Christy Lemire of
Rogerebert.com gave the film a mixed-to-positive review, praising its "immersive authenticity" and "warm-hearted humor" but finding the narrative to be a simple "series of vignettes" that settles into a lull. Nancy Churnin of
The Dallas Morning News gave the film a positive review, calling it a "terrific" translation of the source material that successfully interweaves Charlie Brown's moral quest with Snoopy’s aerial fantasy sequences. The Associated Process, writing for
The Denver Post, also gave the film a positive review, lauding it for its "sophisticated animation" and a "wholesome appeal" and noting its success in balancing a "real world" story of childhood hurdles with Snoopy’s "high-flying adventure." Nick Schager of
IndieWire gave the film a "B" rating, describing it as a "respectful and intermittently funny" tribute that successfully bridges the gap between old and new, though he noted that the narrative is primarily a "series of brief comedic vignettes" that interweaves Charlie Brown's path to confidence with Snoopy's "fanciful quest" against the Red Baron. Matt Greene and Cole Schneider of the
Panama City News Herald gave the film contrasting reviews; Greene called it a "truly funny all-ages romp," while Schneider argued that while the plot "remains a slice-of-life," the film's tone was "too happy" compared to the original comic. Sandie Angulo Chen of
The Washington Post gave the film a positive review, calling it a "sweet little gift" that masterfully captures the spirit of the original characters while balancing grounded themes of youthful angst with Snoopy's imaginary "Flying Ace" flight scenes.
Accolades, awards and nominations ==Future==