Box office The Powerpuff Girls Movie was released on July 3, 2002. Some analysts expected it to gross around $15 million over its five-day
Fourth-of-July holiday weekend. However, Mekeisha Madden from
The News Tribune noted that the film was facing a strong competition against films like
Lilo & Stitch,
Hey Arnold!: The Movie, and Warner's own
Scooby-Doo, as well as opening day competition with
Men in Black II and
Like Mike. Madden stated that: "The real question, according to some fans and industry experts, is if the movie is still timely. While the show is still hot with younger kids,
The Powerpuff Girls reached its height in popularity with people over 14 in the summer of 2000". It eventually grossed $11.4 million domestically and around $5 million internationally for a lifetime gross of $16.4 million. The film's underwhelming financial performance was blamed on its release-timing, a lack of late-night showings, an overcrowded marketplace, opening day competition from
Men in Black II, and a decline in the show's popularity. Dan Fellman, president of domestic theatrical distribution at Warner Bros., told
The Wall Street Journal that "parents just didn't feel so guilty about missing
The Powerpuff Girls or
The Country Bears," as there was an excess of family-oriented films to choose from during that season.
Jim Samples, Cartoon Network's general manager at the time, assessed that the film's performance was a "big disappointment", but still held out hope that it would achieve greater success overseas and via DVD sales. He additionally asserted carefulness in choosing release dates for its future releases. In 2013, series creator Craig McCracken, in an interview with
The Grid, owed the film's performance at the time to its preconceived notions as a female-oriented product, saying:"The kids didn't come—a lot of boys [...] didn't want to tell people they were fans of it and didn't buy tickets. There's a safety of watching Powerpuff at home if you're a guy."
Screen Rant listed the movie as one of the 25 lowest-grossing superhero films at the global box office in 2018.
Critical response said that he would stick to television due to the politics of the film's production. On
Metacritic, the film has a weighted average score of 65 out of 100 based on 25 critics, indicating "generally favorable reviews". Audiences polled by
CinemaScore gave the film an average grade of "B" on an A+ to F scale. Bob Longino of the
Atlanta Journal-Constitution praised the film, saying that "the intricate drawings emanate 1950s futuristic pizazz like a
David Hockney scenescape", and that the script is both "sinfully cynical and aw-shucks sweet". He also called it "one of the few American creations that is both gleeful
pop culture and exquisite high art."
Nell Minow of
Common Sense Media gave the film four stars out of five, saying that it "may be a treat for the fans of the show, but its non-stop excitement and sense of humor is going to win over just about anyone".
Virginia Heffernan of
The New York Times said that "the movie is cute [...] but its violent, snickering style is pure Americana", and that it evokes the "outlandish classic" look of McCracken's inspirations. Ben Nuckols wrote for
Associated Press that the protagonists' big eyes were the "only remarkable thing", which he considered "a shame, because the girls are delightful and the movie is skillfully made".
New Sunday Times praised the animation, particularly the sequence where the Powerpuff Girls play
tag, and said that "there's a lot to like about this movie", calling it "a good first movie".
Jerry Beck wrote for
Animation World Network that the film was "good-looking [...] but suffered from story problems", whereas Christene Meyers from
Billings Gazette thought that the story could have been told in a few minutes. Contrarily,
IGN's KJB said that the movie did not "overstay its welcome" with its 70-minute running time and gave it 4 out of 5 stars. Dan Via, writing for
The Washington Post, said that "even with its flaws,
The Powerpuff Girls Movie offers dramatic pacing, cleverness and charm that are hard to come by in the summertime multiplex", ranging from moments of "epic stillness to the crash-bang-kapow flash of the action sequences". Mariano Kairuz, from the
Argentine newspaper
Página/12, wrote: "It's one of the happily bizarre cartoon movies to hit theaters in quite some time. One might even wonder how Cartoon Network and Warner authorized the multi-million dollar budget for something that looks and feels somewhat uncommercial". Marc Savlov of
The Austin Chronicle gave the film stars out of 5, describing it as "retro fun that contains a serious self-empowerment message for little girls and little boys alike", as well as "brilliant, wacky, and utterly charming fluff". In a review for the newspaper
Riverfront Times, Gregory Weinkauf said that the film's exploration of the girls' emotions during the asteroid scene was "a brilliant sequence" before the "blaze of chaotic action" in the third act. However, he was critical about the film's "bizarre anal sensibilities" (
e.g. "cheeky shots of monkey butts — electroshocks slithering up into them, turd-bombs plopping out of them") and what he deemed as a "psychosexual fodder", with the Mayor having a "pickle fetish" and Sara Bellum's "voluptuous curves [that] fill the frame but whose actual head and identity as a mature woman are curiously omitted." The film also received some mild criticism for its violence, which some felt was too extreme for a family-oriented film, especially in the wake of the
9/11 attacks the previous year. The
Catholic Bishops Conference of the Philippines (CBCP) gave the film a similarly negative review, labelling it as "disturbing", further opining that the movie was nothing but a "saturation of violent acts carried out with a fierce vengeance." In the 2009
documentary The Powerpuff Girls: Who, What, Where, How, Why... Who Cares?, McCracken said, "In hindsight, maybe I wish it was a little sillier, a little more lighter, a little more... not so heavy the whole time." In 2016, he stated that due to the politics of the film's production, he would stick to the television industry instead of branching out into movies. Later that year, the film was one of the several recipients of the Epic Award, as given by
The White House Project to promote female leadership in the media. In 2019,
Paste magazine ranked the film number 72 on its list of the 100 best superhero movies of all time. == See also ==