shows The tour in part supported the group's
Exile on Main St. album, which had been released on 12 May, a few weeks before the tour began. It was also part of a triennial pattern of touring America that the group maintained from 1969 through 1981. On the first show of the tour, 3 June in
Vancouver,
British Columbia, 31 policemen were treated for injuries when more than 2,000 fans attempted to crash the
Pacific Coliseum. In
San Diego on 13 June, there were 60 arrests and 15 people injured during disturbances. In
Tucson, Arizona, on 14 June, an attempt by 300 youths to storm the gates led to police using
tear gas. On 16 June, after the Denver shows, in a hotel suite,
Stephen Stills and Keith Richards drew knives in an argument. While in
Chicago for three appearances on 19 and 20 June, the group stayed at
Hugh Hefner's original
Playboy Mansion in the
Gold Coast district. Eighty-one people were arrested at the two sellout
Houston shows on 25 June, mostly for
marijuana possession and other minor drug offences. There were 61 arrests in the large crowd at
RFK Stadium in
Washington, D.C., on the
Fourth of July. On 13 July police had to block 2,000 ticket-less fans from trying to gain access to the show in
Detroit. On 17 July at the
Montreal Forum a bomb blew up in the Stones' equipment van, and replacement gear had to be flown in; then it was discovered that 3,000 forged tickets had been sold; fans rioted and there was a late start to the concert. The tour ended with four shows over three consecutive nights at New York City's
Madison Square Garden, the first night of which saw 10 arrests and two policemen injured, and the last leading to confrontations between the crowd outside Madison Square Garden and the police. Following the final performance, a party was held in Jagger's honor by
Ahmet Ertegun at the
St. Regis New York. Guests included
Bob Dylan,
Woody Allen,
Andy Warhol, the Capote entourage, and
Zsa Zsa Gabor, while the
Count Basie Orchestra provided musical entertainment. At the event, Dylan characterized the tour as "encompassing" and "the beginning of cosmic consciousness." Rock critic
Robert Christgau reported that the mood of the shows was friendly, with Jagger "undercut[ting] his fabled demonism by playing the clown, the village idiot, the marionette." ==Naming==