Box office On September 3, 2021, the film was released theatrically only in China, and grossed $8.1 million over the weekend, finishing in second place behind
Free Guy. By the end of its run, the film grossed $19.2 million. From July 5–11, the film garnered 1.1 billion minutes of viewing according to
Nielsen ratings, and was the number-three most-watched subscription video-on-demand title for the week, just behind
Virgin River (1.45 billion minutes) and
Manifest (1.81 billion minutes). The film continued to top the charts in subsequent weeks, logging 1.222 billion minutes of viewership from July 21–27 (equal to about 885,507 total watches) according to Nielsen ratings. According to Samba TV, the film was watched in 5.2 million households in its first 30 days of release. By August 2021, the film became the most-watched film in the summer by a streaming service, breaking several records from Prime Video and the most-watched film for Amazon Prime Video. According to
Nielsen, the film reportedly was kept in the first place of the most watched movies in the top-10 list, managing to beat films such as
Black Widow and
Luca, with both being from
Disney+. It also managed to beat the viewership of the complete series of
The Fear Street Trilogy, which were released to
Netflix. Pratt celebrated the film's success, calling it a "home run win" and on
Instagram, he published a new post where he commented: "We couldn't defeat the Whitespikes without our fellow soldiers."
Critical response On
review aggregator Rotten Tomatoes, the film holds an approval rating of 52% based on 207 reviews. The website's critics consensus reads, "Chris Pratt ably anchors this sci-fi adventure, even if
The Tomorrow War may not linger in the memory much longer than today." On
Metacritic, the film has a weighted average score of 45 out of 100, based on 35 critics, indicating "mixed or average reviews".
Richard Roeper of the
Chicago Sun-Times gave the film two out of four stars and wrote, "
The Tomorrow War is an earnest effort to bring something new to the time-travel action genre, but this movie is a 2021 vehicle made of parts from the 2010s and the 1990s and 1980s."
IndieWires David Ehrlich gave the film a C grade, writing, "Which isn't to say that
The Tomorrow War is bad — it boasts a clever premise, a killer supporting turn from Sam Richardson, and an uncommonly well-defined sense of place for such a murky CGI gloop-fest... But for all of those laudable attributes, this flavorless loss-leader of a film is neutered by its refusal to put audiences on their heels." John Defore for the
Hollywood Reporter wrote that "the pic may be missing that certain something that would have made it huge in theaters" but that it is entertaining on Amazon stream anyway and praised Pratt's acting.
IGN criticized then described the movie as "Supremely stupid sci-fi", and further stated that Pratt flounders in the movie. Leah Greenblatt from the
Entertainment Weekly gave the film a B− grade and commented "Eventually the storyline dissolves into soft-focus sentiment and a final, snowy set piece whose execution is so patently ludicrous a 1970s Bond villain might file for intellectual property rights (though the climate-change message is sneakily on point). Until then it's enough, almost, just to watch Pratt & Co. race and banter and blast their way through
Tomorrow's futures past." Robert Daniels from the
Los Angeles Times wrote in his review, "
The Tomorrow War tries its hand at throwback '90s action glory, back when cinematic adventures could be everything for everybody. Instead, this postapocalyptic combat flick lacks the intensity to reach the 1.21 gigawatts worth of power needed to emblazon our screens in escapist flair." Wendy Ide from
The Observer wrote in her review, "The creature design is first-rate – the aliens are ravenous, rapid, and equipped with a pair of death tentacles. And Pratt, and in particular Betty Gilpin as his wife, give likable, grounded performances. But the screenplay is a bloated, unwieldy thing that is at least 30 minutes longer than it should be." Roxana Hadadi from
Polygon considered the film to be repetitive and compared it unfavorably with
Edge of Tomorrow and
Starship Troopers, for which she stated, "We get it! This average, blue-collar American is worthy of all our admiration! That approach is so clobbering and clunky that
The Tomorrow War is constantly tripping over itself while delivering it." Christy Lemire of
RogerEbert.com gave the film one and a half out of four, and stated, "The supposedly original script from writer Zach Dean offers very little that's innovative or inspired." Barry Hertz from
The Globe and Mail compared the film unfavorably with
Independence Day and
Starship Troopers, criticizing its unoriginality and wrote, "It is a fool's errand to imagine what someone like Verhoeven would have done with ''The Tomorrow War's'' material – this is a movie made for the express purposes of delivering some lazy woo-hoo summer fun, not any kind of sneaky subversiveness. But if I had a time machine, I'd punt myself to the past just before
The Tomorrow War went into production, and save everyone the trouble." Peter Travers from
ABC News'
Good Morning America considered the film with a clichéd storytelling, gimmicky visual effects, and borrowed inspiration by commenting, "
The Tomorrow War chases its own tail for a crushingly repetitive 140 minutes to reach an ending you could have seen coming from deep space. To quote Yogi Berra, 'It's déja vu all over again.' There's nothing tomorrow about a recycled jumble that places all its bets on yesterday." Mick LaSalle from the
San Francisco Chronicle praised the visuals, story, and action sequences, and stated, "Yet it would probably be a mistake to emphasize the relationship aspect of
The Tomorrow War too much. At its core, this is just a really good monster movie. All the same, there's a touch of beauty to it." Allen Adams from
The Main Edge gave the film 2.5 out of 5, and stated, "For all that,
The Tomorrow War isn't a bad watch. It's got some action and some jokes and some decent performances. What it doesn't have is that underlying originality, that expression of ideas that makes the best science fiction work so well. And unfortunately, audiences will distinctly feel that lack." Randy Myers from
The Mercury News gave three and a half out of four by commenting, "Given the scope and spectacle of the action sequences — all tautly choreographed and edited — it's a wonder that Paramount let this one get away. McKay might be best known for
Robot Chicken and
The Lego Batman Movie, but with
Tomorrow, he emerges as the next go-to action director." Chris Agar from
ScreenRant added in his review as a positive feedback, "
The Tomorrow War boasts an interesting setup and solid performances by the cast, but it still comes across as unremarkable, if standard, genre fare." Hoai-Tran Bui gave a positive feedback by scoring 6.5 out of 10 to the film, and stated, "
The Tomorrow War is not by any means great sci-fi, nor is it even significantly good sci-fi. The film is half an hour too long and starts to feel like a slog by the end of the first hour. The sentimentality threatens to veer into melodrama at points, which Pratt struggles to handle. But
The Tomorrow War has got a trashy popcorn vibe to it that it wholeheartedly embraces, and a cornball machismo that you can't help but get taken in by, even if just for a second."
Accolades ==Sequel==