Historical assessment Tigranes has long been recognized as the greatest of
Armenian monarchs. At its peak, his empire covered a territory of with a multi-ethnic population estimated at ten million. He is the sole ruler in history under whom the entire
Armenian plateau (and all Armenian-inhabited lands) was unified under a single native ruler.
Robert H. Hewsen noted, however, that he did not add
Lesser Armenia to his kingdom, which remained under the control of Mithradates. The preeminent early Armenian historian
Movses Khorenatsi called him the "most powerful and intelligent and the most valiant" of all Armenian kings. "He was supreme among men and by showing his valor he glorified our nation." In Armenian folk tradition, he was identified with the Iranian hero
Fereydun (Thraetaona), the slayer of the dragon
Azhi Dahaka.
James R. Russell suggests that an extensive Armenian heroic epic about Tigran once existed with scattered fragments preserved in later literature. He argues that the historical core of the epic fused two different Armenian kings named Tigran into one legendary hero, Tigranes the Great and the older Orontid-era Tigran associated with Cyrus and the fall of Media. Russell maintains that enough survives to show that Armenia once possessed a sophisticated national epic centered on Tigran as warrior, king, and near-messianic figure. Compared to Mithridates Eupator, Tigranes was marginalized by Roman sources. In one exception,
Velleius Paterculus (2.33.1) introduced Tigranes as "the most important of the kings" (
regum maximum). Western scholarship has largely adopted the Roman bias against Tigranes.
Théodore Reinach considered Tigranes a coward and an opportunist. On the contrary,
René Grousset praised him as "a great yet underrated monarch who undoubtedly deserves much more admiration from history" than Mithridates, who brought about the downfall of his empire, while "Tigranes ensured the survival of his people for eternity."
Theo van Lint argued that while he was not able to consolidate his territorial gains, the forty year peace he established had the "important effect of developing Greater Armenia and the network of clan relationships that would prove crucial for the preservation of Armenian identity in subsequent periods."
Vahan Hovhannisyan similarly argued that he turned the Armenian people into a nation, which "survived for 500 years with the momentum he provided."
Nicholas Adontz saw Tigranes as one of the most accomplished rulers of the East. The historian
Leo believed that while he established complete national independence, Tigranes behaved like an "Asian despot" and "arrogance blinded him." Leo was dismissive of what he saw as the long-gone legacy of Tigranes, contrasting it with the persistent legacy of the Armenian alphabet invented by
Mesrop Mashtots. Hewsen argued that his short-lived empire was "not all that historically significant" and found it "inappropriate to glorify the activities of an Armenian conqueror whose treatment of his subjects (e.g., deporting them by the thousands from their homes to populate his new capital) is considered to be reprehensible by Armenian historians when they see it inflicted upon the Armenians themselves."
Armenian nationalism His empire is often popularly called "sea to sea Armenia" (,
tsovits tsov Hayastan) as it extended from the
Caspian to the
Mediterranean Sea. He has been a source of pride for modern Armenian nationalists, with his "sea to sea" empire serving as an inspiration for the most maximalist claims of contemporary
Armenian nationalism.
George Bournoutian noted that Armenians "revere" Tigranes and sometimes "endow him with modern nationalistic traits and ignore the fact that Tigranes possessed a more Hellenistic and, occasionally, Persian, outlook, rather than that of a modern Armenian." Tigranes was a key figure in the post-Soviet national revival. In the early 1990s, a
major avenue in central Yerevan, preiouvsly called after the
October Revolution was renamed after him. He is the only Armenian king to appear on the
Armenian currency, specifically on the
500 dram banknote, which was in circulation from 1993 to 2005. During the
First Nagorno-Karabakh War, a
paramilitary volunteer unit led by
Armenak Armenakyan and named after Tigran was active from 1989 to 1994. Another of the unit's commanders, Colonel Koryun Ghumashyan, founded a military preparatory boarding school named after Tigran in
Armavir, Armenia in 1995. The
Order of Tigran the Great, established in 2002, is awarded by the president of Armenia "for exceptional services" rendered to the state. Three statues of Tigranes have been erected in Armenia, including at the
President's Residence (
2000), in Yerevan's
Nor Nork District (
2004), and in the city of
Vagharshapat (
2016).
In European and Armenian culture Tigranes appeared in European culture in the early modern period. He is portrayed in the 1619
English Renaissance drama
A King and No King by
Beaumont and Fletcher.
Giovanni Gioseffo dal Sole depicted
King Tigranes at the feet of Lucullus, an
etching . Approximately two dozen
operas composed by Italian and German composers during the 18th century bear the title Tigrane; some were directly inspired by Tigranes the Great. The most notable are composed by
Antonio Vivaldi (1724),
Johann Adolph Hasse (1729), and
Christoph Willibald Gluck (1743), with librettos by
Pietro Antonio Bernardoni for the first and
Francesco Silvani for the latter two. In modern Armenian literature, Tigranes has been portrayed in a 1947 tragedy by
Khachik Dashtents, a 1967
historical novel by
Hayk Khachatryan, and a
historical poem by
Hovhannes Shiraz. A 1916 poem by the
Armenophile Russian poet
Valery Bryusov is dedicated to Tigranes as well. In visual arts, Tigranes has been depicted by
Yervand Kochar in 1940 (gouache on paper) and in a 1959
mural crafted by
Van Khachatur inside the
Matenadaran in Yerevan, symbolizing Armenia's Hellenistic period. His portrait (from coinage) is depicted on
1988 Soviet and
2009 Armenian postage stamps. ==See also==