"
Tom and Jerry" was a commonplace phrase for young men given to drinking, gambling, and riotous living in 19th-century
London, England. The term comes from
Life in London; or, The Day and Night Scenes of Jerry Hawthorn, Esq., and his elegant friend, Corinthian Tom (1821) by
Pierce Egan, the British sports journalist who authored similar accounts compiled as
Boxiana.
Hanna-Barbera era (1940–1958) In August 1937, animator and storyman
Joseph Barbera began to work at
MGM, then the largest studio in Hollywood. An early thought involved a fox and a dog before they settled on a cat and mouse. The pair discussed their ideas with producer
Fred Quimby, then the head of the short film department who, despite a lack of interest in it, gave them the green-light to produce one cartoon short. named Jinx in pre-production, and an African American housemaid named Mammy Two Shoes.
Leonard Maltin described it as "very new and special [...] that was to change the course of MGM cartoon production" and established the successful
Tom and Jerry formula of comical cat and mouse chases with slapstick gags.
Puss Gets the Boot was a critical success, earning an
Academy Award nomination for
Best Short Subject: Cartoons in 1941 despite the credits listing Ising and omitting Hanna and Barbera. Hanna did the animation timing - planning the music and temporal beats and accents the animation action would occur on - and assigned the animators their scenes and supervised their work. The pair decided to leave and went on to focus on their own production company
Hanna-Barbera Productions, which went on to produce such popular animated television series including
The Flintstones,
Yogi Bear,
The Jetsons and
Scooby-Doo. All were directed by
Gene Deitch and produced by
William L. Snyder. Deitch states that, being a "
UPA man", he was not a fan of the
Tom and Jerry cartoons, thinking they were "needlessly violent". However, after being assigned to work on the series, he quickly realized that "nobody took [the violence] seriously", and it was merely "a parody of exaggerated human emotions". He also came to see what he perceived as the "biblical roots" in
Tom and Jerrys conflict, similar to
David and Goliath, stating "That's where we feel a connection to these cartoons: the little guy can win (or at least survive) to fight another day." and since the team produced their cartoons on a tighter budget of $10,000, the resulting films were considered
surrealist in nature, though this was not Deitch's intention. Whereas Hanna-Barbera's shorts generally took place in and outside of a house, Deitch's shorts opted for more exotic locations, such as a 19th-century whaling ship, the jungles of
Nairobi, an
Ancient Greek acropolis, or the Wild West. In addition, Mammy Two Shoes was replaced as Tom's owner by a bald, overweight, short-tempered, middle-aged white man, who bore a striking resemblance to another Deitch character,
Clint Clobber. Just like Spike the Bulldog, he was also significantly more brutal and violent in punishing Tom's actions as compared to previous owners, often beating and thrashing Tom repeatedly; the character and his extreme treatment of Tom was poorly received. To avoid being linked to Communism, Deitch modified the Czech names of his crew in the
opening credits of the shorts to look more conventional to English-speaking audiences, e.g. Štěpán Koníček became "Steven Konichek" and Václav Lídl became "Victor Little". These shorts are among the few
Tom and Jerry cartoons not to carry the "Made In Hollywood, U.S.A." phrase on the end title card. Due to Deitch's studio being behind the
Iron Curtain, the production studio's location is omitted entirely on it. Despite the criticism, Deitch's
Tom and Jerry shorts are appreciated by some fans due to their uniquely surreal nature. Some of Jones'
Tom and Jerry cartoons are reminiscent of his work with
Wile E. Coyote and the Road Runner, includes the uses of
blackout gags and gags involving characters falling from high places. Jones co-directed the majority of the shorts with layout artist
Maurice Noble. The remaining shorts were directed by
Abe Levitow and
Ben Washam, with
Tom Ray directing two shorts built around footage from earlier
Tom and Jerry cartoons directed by Hanna and Barbera, and Jim Pabian directed a short with Maurice Noble. Various vocal characteristics were made by
Mel Blanc,
June Foray and even Jones himself. These shorts contain a memorable opening theme, in which Tom first replaces the MGM lion, then is trapped inside the "O" of his name. The standard
Tom and Jerry opening titles were removed as well. Instead of the roaring
MGM Lion sequence, an opening sequence featuring different clips of the cartoons was used instead. The title cards were also changed. A pink title card with the name written in white font was used instead. Debuting on
CBS' Saturday morning schedule on September 25, 1965,
Tom and Jerry moved to CBS Sundays in 1967 and remained there until September 17, 1972.
Second Hanna-Barbera era: The Tom and Jerry Show (1975–1977) In 1975,
Tom and Jerry were reunited with Hanna and Barbera, who produced
The Tom and Jerry Show for Saturday mornings. These 48 seven-minute cartoon shorts were paired with
Grape Ape and
Mumbly cartoons, to create
The Tom and Jerry/Grape Ape Show,
The Tom and Jerry/Grape Ape/Mumbly Show, and
The Tom and Jerry/Mumbly Show, all of which initially ran on ABC Saturday mornings between September 6, 1975, and September 3, 1977. In these cartoons,
Tom and Jerry, now with a red bow tie, who had been enemies during their formative years, became nonviolent pals who went on adventures together, as Hanna-Barbera had to meet the stringent rules against violence for children's TV. This format has not been used in newer
Tom and Jerry entries.
Filmation era (1980–1982) Filmation Studios were commissioned by
MGM Television to produce a
Tom and Jerry TV series,
The Tom and Jerry Comedy Show, which debuted in 1980 and featured new cartoons starring
Droopy, Spike, Slick Wolf, and
Barney Bear, not seen since the original MGM shorts. The Filmation
Tom and Jerry cartoons were noticeably different from Hanna-Barbera's efforts, as they returned
Tom and Jerry to the original chase formula, with a somewhat more "
slapstick" humor format. This incarnation, much like the 1975 version, was not as well received by audiences as the originals, and lasted on
CBS Saturday mornings from September 6, 1980, to September 4, 1982.
Tales is the first
Tom and Jerry TV series that utilizes the original style of the classic shorts, along with the slapstick.
Tales is the first
Tom and Jerry production produced in 16:9 widescreen aspect ratio, but was cropped to 4:3 fullscreen aspect ratio when initially aired in the United States. The series was canceled in 2008, shortly before the Kids' WB block shut down. Following
Cartoon Network's 2012 reruns of
Tom and Jerry Tales, the channel launched
The Tom and Jerry Show (2014). Initially featuring two 11-minute segments, the series later shifted to 7-minute segments to better match the look and tone of the original theatrical shorts. Similar to other reboot works like
Scooby-Doo! Mystery Incorporated and
New Looney Tunes, several episodes the new series brought
Tom and Jerry into contemporary environments, telling new stories and relocating the characters to more fantastic worlds, from a medieval castle to a mad scientist's lab. The series was produced by Warner Bros. Animation, with
Sam Register serving as executive producer in collaboration with
Darrell Van Citters and
Ashley Postlewaite at
Renegade Animation. Originally slated for a 2013 Cartoon Network premiere, the series was pushed back to April 9, 2014. It is the second
Tom and Jerry production presented in 16:9 widescreen aspect ratio. In November 2014, a two-minute sketch was shown as part of the
Children in Need telethon in the United Kingdom. The sketch was produced as a collaboration with Warner Bros. In May 2016, WB Kids began releasing excerpts from various
Tom and Jerry works to the online platform
YouTube. By January 2017, compilation videos of the
Tom and Jerry franchise began to be released by WB Kids on the platform. On February 20, 2021, Warner Bros. released two new shorts onto
HBO Max titled
Tom and Jerry Special Shorts to honor the 81st anniversary of
Tom and Jerry, as well as to promote the 2021 film. These shorts share the style of the other HBO Max original
Looney Tunes Cartoons, also produced by Warner Bros. Animation. A new
Tom and Jerry series made its debut on July 1, 2021, as a
Max Original on HBO Max, called
Tom and Jerry in New York, which basically served as a spin-off of
The Tom and Jerry Show by having the exact same animation style and slapstick, except that the events take place in the city of
New York City. It was loosely based on the 2021 film, as the humans in the series were shown with their faces intact. On November 11, 2022,
Cartoon Network in Japan premiered a new series of animated shorts,
Tom and Jerry (), marking the first Japanese production based on the property. Featuring the voices of Megumi Aratake (as Tom), Aya Yonekura (as Jerry) and Eri Tanaka and Nana Kumagai (as
Tuffy), the shorts were animated by
Fanworks in co-operation with Studio Nanahoshi. Ayu handled the character design and Captain Mirai composed the musical scores. The November 11, 2022 premiere coincided with Cartoon Network's celebration of Cheese Day, which is organized by cheese industry in Japan. On July 25, 2023, the
Southeast Asian version of
Tom and Jerry animated shorts was announced, to be presented on
Cartoon Network Asia alongside
HBO Asia streaming platform
HBO GO before it was aired globally. The animated shorts, which were set in
Singapore, were produced by
Warner Bros. Discovery Asia-Pacific's director of original kids content Carlene Tan, with animation by Aum Animation Studios India alongside Singapore-based Robot Playground Media and Chips and Toon Studios for both the stories and designs. ==Outside the United States==