Competitive swimming in 1939 Williams was enthusiastic about swimming in her youth. Her older sister Maurine took her to
Manhattan Beach and to the local pool. Esther took a job counting towels at the pool to pay the five-cent entry fee, and while there, she had swimming lessons from the male lifeguards. From them she learned the "male only" swimming strokes, including the
butterfly, with which she would later break records. Her medley team set the record for the 300-yard relay at the Los Angeles Athletic Club in 1939 and was also the national AAU champion in the 100-meter freestyle, with a record-breaking time of 1 minute 9.0 seconds. By age 16 Williams had won three U.S. national championships in breaststroke and freestyle swimming. Williams graduated from
Washington High School (now known as Washington Preparatory High School) in Los Angeles in 1939, where she served as class vice president and later president. However, Williams never trained in swimming while there. During her senior year Williams received a D in her
algebra course, preventing her from getting a scholarship to the
University of Southern California. She enrolled in
Los Angeles City College to retake the course. In 1939 Williams expressed interest in pursuing a degree in physical education in order to teach it one day. who, according to Williams' autobiography, repeatedly tried to seduce her. Despite this, she remained with the show until it closed on September 29, 1940. Williams had planned to compete in the
1940 Summer Olympics, which were cancelled due to the outbreak of World War II. Sometime in the mid to late 1950s, NBC built a large studio with a huge swimming pool on Avenue M between E 14th and E 15th St. in Brooklyn, New York. The intent was, according to local rumors, that Esther Williams was going to have a show from the studio. It never occurred. The building remained empty until 1959/1960, when the “Steve Allen Show” was brought to the studios and televised live on Sunday evenings.
Acting It was at the Aquacade that Williams first attracted attention from
Metro-Goldwyn-Mayer scouts. MGM's head,
Louis B. Mayer, had been looking for a female sports star for the studio to compete with
Fox's figure-skating star
Sonja Henie. Williams signed with MGM in 1941. In her contract were two clauses: the first being that she receive a guest pass to
The Beverly Hills Hotel, where she could swim in the pool every day, and the second, that she would not appear on camera for nine months to allow for acting, singing, dancing, and diction lessons beforehand. Williams wrote in her autobiography, "If it took nine months for a baby to be born, I figured my 'birth' from Esther Williams the swimmer to Esther Williams the movie actress would not be much different." of Williams from a 1945 issue of
Yank, the Army Weekly While top stars at the studios such as
Judy Garland,
Betty Grable, and
Shirley Temple took part in
bond tours during the war, Williams was asked to take in hospital tours. At this point Williams had achieved pin-up status because of the number of photographs of her in bathing suits. To prepare, Williams and her publicity assistant would listen to
Bob Hope and
Jack Benny's radio programs, then retell the funniest jokes while at the hospitals. Williams also invited GIs to dance with her on stage and take part in mock screen tests. The men would be given their lines on a card, and they would act out the scene in front of the other soldiers. These tests were always romantic scenes, which the men were required to refuse to do multiple times. When the men said the final "No", Williams would pull off her tear-away skirt and sweater, leaving nothing on but a gold lamé swimsuit. The scenes would always end with the men giving in and kissing her after that stunt. Her hospital tours continued into the 1950s. A (forged) signed waterproof portrait of Williams was circulated among men in the United States Navy for a
"capture the Esther" competition. This competition continues to this day in the
Royal Australian Navy, which holds in its archives an "original" forged signed portrait while maintaining a "capturable" image for use in the fleet.
1940s Three weeks after Williams signed her contract,
George Sidney directed her first screen test. According to Williams' autobiography, the studio used this test to get
Lana Turner back in line with the terms of her contract and as punishment for Turner's having eloped with
Artie Shaw. Williams screen tested with the leading man
Clark Gable for the film ''
Somewhere I'll Find You. However, when Turner divorced Shaw after four months of marriage, she rejoined the film. Following several short subject films, Williams appeared as Sheila Brooks in Andy Hardy's Double Life. Sheila was a student with whom Andy falls in love. Next was a small part in the film A Guy Named Joe'', starring
Spencer Tracy and
Irene Dunne. It was on this title that she first worked with
Van Johnson, with whom she would partner in a total of five films.
Bathing Beauty, previously titled
Mr. Coed, starred
Red Skelton as a man who enrolls in a women's college to win back his swimming instructor fiancée, played by Williams. This was her first Technicolor musical. The studio changed the film title to showcase Williams. Almost all of the film posters featured Williams in a bathing suit, though the swimming sequences make up a small portion of the film. Her date to the premiere at the Astor Theater in New York City was future husband
Ben Gage. For the event MGM publicity set up a six-story-tall billboard of Williams diving into Times Square with a large sign that said "Come on in! The story's fine!" and
Carleton G. Young in
Thrill of a Romance (1945) Williams appeared as herself in the number "A Water Ballet" for the musical revue
Ziegfeld Follies. This was followed by the musical
Thrill of a Romance.
Van Johnson co-starred as a decorated war veteran who falls in love with Williams while she is on her honeymoon.
Thrill of a Romance was the eighth highest-grossing film of 1945. Williams tried a more serious role in
The Hoodlum Saint (1946), with
William Powell and
Angela Lansbury. Audiences expected Powell's
Nick Charles persona and rejected the idea of a romance between Williams and Powell onscreen due to their age difference. She also appeared in
Easy to Wed, a remake of 1936's
Libeled Lady, with Johnson and
Lucille Ball. It was the first singing part in a film for Williams, who had
Harriet Lee as her
singing teacher. She even had the added challenge of singing in Portuguese with the song "Boneca de Pixe". '' (1947)
Fiesta (originally called
Fiesta Brava) starred Williams as
Ricardo Montalbán's twin sister Maria, who pretends to be her
bullfighting brother in hopes of luring him back home. Audiences and Williams thought the film was silly, as Williams and Montalbán had vastly different accents. Montalbán was born in Mexico and was a native Spanish speaker while Williams had a Midwestern accent picked up from her Kansas-born parents. Production was difficult with a multitude of problems. By 1947 Ben Gage and Williams were married. Gage had traveled to Mexico for the making of the film. He got into a fight with an employee of the cast's hotel, was arrested, and was subsequently thrown out of the country. The director of photography Sidney Wagner and one other crew member died of
cholera from eating contaminated street food. Many of the film's stuntmen were sent to the hospital after being gored by bulls. Director
Dick Thorpe had not wanted the bulls killed (as they usually were at the end of a bullfight) because he believed them to be too expensive to replace. After filming was completed on
Fiesta, Williams appeared in the romance
This Time for Keeps (1947) with singer
Johnnie Johnston. In 1948 Williams signed a contract with swimwear company Cole of California to appear as their spokesperson, and Williams and the other swimmers in her films wore Cole swimsuits. Since the aquamusical was an entirely new genre, the studio's costume designers had little experience creating practical swimsuits. William's plaid flannel swimsuit for
This Time for Keeps was so heavy that she was dragged to the bottom of the pool and had to unzip the suit, swimming naked to the edge of the pool to avoid drowning. Cole swimsuits used latex, which meant zippers were no longer necessary. While filming
Skirts Ahoy! (1952), Williams discovered that members of the
WAVES program received thin cotton, shapeless swimsuits as part of their uniforms. Williams modeled a Cole swimsuit for the
Secretary of the Navy and explained that the new swimsuits helped support women's figures. The United States Navy ordered 50,000 suits immediately. Filming the period musical
Take Me Out to the Ball Game (1949) was, according to Williams, an experience of "pure misery".
Gene Kelly and
Frank Sinatra's characters were players on a baseball team owned by K.C. Higgins, played by Williams. She claimed that Kelly and co-writer
Stanley Donen treated her with contempt and went out of their way to make jokes at her expense. The film was well-received critically and became a major commercial success, raking in $3.4 million in rentals and becoming the 11th highest-earning film of the year. ''Neptune's Daughter
became the 10th highest-grossing film of 1949. MGM paired her with Howard Keel for three films, Pagan Love Song (also 1950), Texas Carnival (1951
), and later Jupiter's Darling (1955). They both had cameos in the film Callaway Went Thataway'' (1951). In
Million Dollar Mermaid (1952) Williams portrayed
Annette Kellermann, a real-life Australian swimming and diving star. Williams co-starred with
Victor Mature, who played Kellermann's husband and manager, James Sullivan. The two engaged in a passionate affair during filming. Williams often called this her favourite film and named her autobiography after it. Williams also won the
Henrietta Award at the 1952
Golden Globes for World Film Favorite – Female.
Easy to Love (1953), also with Van Johnson, was filmed on location in
Cypress Gardens,
Florida, where a swimming pool in the shape of the state had been built specifically for the film. Williams was pregnant during shooting but still performed all her own waterskiing stunts. In
Dangerous When Wet (also 1953) Williams worked with three important male co-stars –
Tom and Jerry and her future husband
Fernando Lamas. During casting, Lamas told Williams he did not want to star in the film with her because he only wanted to be involved in "important pictures". His part had to be rewritten to persuade him to take part in the film. During 1953 Williams and writers Leo Pogostin and
Chuck Walters came up with a script idea for a film to be titled
Athena. She then went on maternity leave for three months, pregnant with her daughter Susan, and assumed she would go straight to work on the film
Athena upon her return. However, production started without her, and the studio cast
Jane Powell in the lead role, requiring a rewrite of much of the original premise. The studio moved her to ''Jupiter's Darling.
Two more films were planned, Bermuda Encounter
and Olympic Venus'', about the first Olympic swimmers; however, these were never made. Many of her MGM films, such as
Million Dollar Mermaid and ''Jupiter's Darling
, contained elaborately staged synchronized swimming scenes with considerable risk to Williams. She broke her neck filming a 115 ft dive off a tower during a climactic musical number in Million Dollar Mermaid'' and was in a body cast for seven months. She subsequently recovered, although she continued to suffer headaches as a result of the accident. Her many hours spent submerged in a studio tank resulted in ruptured
eardrums numerous times. She also nearly drowned after not being able to find the trapdoor in the ceiling of a tank. The walls and ceiling were painted black and the trapdoor blended in. Williams was pulled out only because a member of the crew realized the door was not opening.
After MGM After 15 years of appearing in films, Williams was threatened with contract suspension from MGM after refusing the lead role in
The Opposite Sex, a musical remake of 1939's
The Women that was released in 1956. The role of Mary would have been rewritten to be an aquacade star—instead,
June Allyson was cast in the role as Kay, a nightclub singer. Knowing that she was slowly being phased out of MGM by being given projects that were bound to be flops, Williams preferred to avoid the embarrassment and indignity of such an ending to her career. She redecorated her dressing room to accommodate returning star
Grace Kelly, packed her terry cloth robes and swimsuits, and drove off the studio lot. As a result of leaving her contract, Williams lost almost $3 million in deferred contract payments, which had been taken from her paychecks over the previous 14 years and put aside as both a nest egg and a
tax deferral. She was, however, still able to collect on the $50,000 signing bonus from when she first signed her contract. In 1956 she moved to
Universal International and appeared in a non-musical dramatic film,
The Unguarded Moment. After that, her film career slowly wound down. She later admitted that husband
Fernando Lamas preferred her not to continue in films. She would, however, make occasional appearances on television, including mystery guest spots for ''
What's My Line?, The Donna Reed Show, The Ed Sullivan Show, and two aqua-specials, The Esther Williams Aqua Spectacle
held in London at The Empire Pool Wembley in 1956 and Esther Williams at Cypress Gardens
which was telecast on August 8, 1960. More than half of all television sets in use in the United States were tuned in to watch the Cypress Gardens'' special. In 1966, Williams was inducted into the International Swimming Hall of Fame. ==Later years==