Trevor Pinnock

Early life Trevor Pinnock was born in Canterbury, the second of four siblings. His grandfather had played in the Canterbury Silver Band. His father was Kenneth Alfred Thomas Pinnock. At the time of Trevor's birth he was teaching History at the local grammar school. He went in to publishing two years after Trevor's birth. His mother, Joyce Edith, née Muggleton, was an amateur singer. In Canterbury, the Pinnock family lived near the pianist Ronald Smith, from whose sister Pinnock had piano lessons. He became a chorister at Canterbury Cathedral when he was seven, attending the choir school from 1956 to 1961 and subsequently Simon Langton Grammar School for Boys. After receiving instruction in piano and organ, he served as a church organist; by the time he was 15, he began to play the harpsichord. His teachers were Ralph Downes and Millicent Silver. A strong early influence was Gustav Leonhardt, though he did not study with him. While a student at the RCM, he was told by the registrar, John Stainer, that it would be impossible to make a living as a harpsichordist. To maximise his possibilities for work early on in his career, he included in his repertoire not only the regular baroque repertoire, but also modern harpsichord concertos, including Roberto Gerhard's concerto for harpsichord, percussion and strings, Manuel de Falla's concerto for harpsichord, Frank Martin's Petite symphonie concertante for harp, harpsichord, piano and double string orchestra and Francis Poulenc's Concert Champêtre. Pinnock and Maxim Vengerov toured together in 2000, with Vengerov taking up the baroque violin for the first time and Pinnock taking up the modern grand piano. These concerts consisted of a first half of harpsichord and baroque violin, followed by a second half of piano and modern violin. The English Concert In November 1972 the Galliard Trio expanded to become The English Concert, an orchestra specialising in performances of baroque and classical music on period instruments. The orchestra initially started with seven members but soon grew in size. The decision to move to period performance was taken for a number of reasons: Pinnock was at the forefront of the period performance movement and the revitalisation of the baroque repertoire; the reaction of Leonard Bernstein to his performances is typical: "In my opinion, the work of the conductor Trevor Pinnock in this area is particularly exciting – his performances of Bach and Handel make me jump out of my seat!" The English Concert's London debut was at the English Bach Festival in 1973. In 1975, Pinnock played the harpsichord in the first-ever performance of Rameau's last opera, Les Boréades, under John Eliot Gardiner. He toured North America with The English Concert for the first time in 1983; he had earlier spent two periods as Artist in Residence at Washington University in St. Louis. He directed The English Concert, usually from the harpsichord or chamber organ, for over 30 years, deciding, with the other orchestra members, to hand it over to violinist Andrew Manze in 2003. He explained the decision as follows: Other conducting projects In 1989 Pinnock founded The Classical Band in New York, signing an 18-disc recording contract with Deutsche Grammophon before the ensemble's first rehearsal. He led the group in performances of the classical and romantic repertoire from Haydn to Mendelssohn on period instruments, including playing as fortepiano soloist. After a disappointing series of concerts, he resigned in 1990 and was succeeded by Bruno Weil. From 1991 to 1996 he was artistic director and principal conductor of the National Arts Centre Orchestra in Ottawa, a group he had first directed in 1985. He subsequently served as its artistic advisor during the 1996–1997 and 1997–1998 seasons, including a tour of the US with the performance and recording of Beethoven's 1st and 5th piano concertos with Grigory Sokolov as soloist. He has made occasional return visits to the orchestra since relinquishing his formal position with them. chamber orchestras, the Freiburger Barockorchester, Philharmonia Baroque Orchestra, Mozarteum Orchestra of Salzburg, Berlin Philharmoniker, Vienna Philharmonic Orchestra, Austro-Hungarian Haydn Orchestra, the Chicago Symphony Orchestra and London Philharmonic Orchestra and at the Tanglewood, Mostly Mozart and Salzburg festivals. He made his Metropolitan Opera debut in 1988 conducting Handel's opera Giulio Cesare, the same year he made his debut at the Salzburg Festival with Handel's Messiah. He also played William Babell's virtuoso harpsichord transcriptions with some of the arias (which Babell claimed were of Handel's actual improvisations). Recent years Since resigning his position with The English Concert, Pinnock has divided his time between performing as a harpsichordist and conducting both modern- and period-instrument orchestras. He has also taken an interest in educational projects. In 2004 he commissioned modern harpsichord music by English composer John Webb, whose Surge (2004) "is built up over an implacable rhythmic repeat-figure. Though neither is explicitly tonal, each skilfully avoids the merely percussive effect that the harpsichord's complex overtones can all too easily impart to more densely dissonant music." He toured Europe and the Far East in 2007 with the European Brandenburg Ensemble, a baroque orchestra, formed to mark his 60th birthday by recording Bach's Brandenburg Concertos and performing popular baroque music. Its recording of the concertos won the Gramophone Award for Baroque Instrumental in 2008. The band was not a permanent orchestra, but planned to reconvene in 2011 when Bach's St John Passion was to be the focus of their work. Pinnock's educational work takes place both in the United Kingdom and elsewhere. It includes being principal guest conductor of the Royal Academy of Music's Concert Orchestra, taking masterclasses or workshops at other British universities, and conducting the orchestras of such establishments as Mozarteum University of Salzburg and The Hong Kong Academy for Performing Arts. He has also taught a handful of harpsichordists including Lars Ulrik Mortensen, Nicholas Parle, Carole Cerasi and Julian Perkins. == Degrees, honours and awards ==