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Romance of the Three Kingdoms

Romance of the Three Kingdoms is a 14th-century historical novel attributed to Luo Guanzhong. It is set during the turbulent final years of the Han dynasty and the subsequent Three Kingdoms period, spanning from the Yellow Turban Rebellion in 184 CE to the reunification of China proper under the Western Jin dynasty in 280. The novel is based primarily on the Records of the Three Kingdoms, written by Chen Shou in the 3rd century.

Origins and versions
Stories about the heroes of the Three Kingdoms were the basis of entertainment dating back to the Sui and Tang dynasty (6th–10th centuries). By the Song dynasty (10th–13th centuries), records mention professional oral storytellers who specialized in tales of the Three Kingdoms heroes. The earliest written work to combine these stories was a pinghua named Sanguozhi Pinghua published sometime between 1321 and 1323. Expansion of the history Romance of the Three Kingdoms is traditionally attributed to Luo Guanzhong, a playwright who lived sometime between 1315 and 1400 (late Yuan to early Ming period) known for compiling historical plays in styles which were prevalent during the Yuan period. It was first printed in 1522 Regardless of when it was written or whether Luo was the writer, the author made use of several available historical records, primarily the Records of the Three Kingdoms compiled by Chen Shou in the 3rd century. The Records of the Three Kingdoms covered events ranging from the Yellow Turban Rebellion in 184 to the unification of the Three Kingdoms under the Jin dynasty in 280. The novel also includes material from Tang dynasty poetic works, Yuan dynasty operas and his own personal interpretation of elements such as virtue and legitimacy. The author combined this historical knowledge with his own storytelling skills to create a rich tapestry of personalities. Recensions and standardised text Luo Guanzhong's version in 24 volumes, known as the Sanguozhi Tongsu Yanyi, is now held in the Shanghai Library in China, Tenri Central Library in Japan, and several other major libraries. Various 10-volume, 12-volume and 20-volume recensions of Luo's text, made between 1522 and 1690, are also held at libraries around the world. However, the standard text familiar to general readers is a recension by Mao Lun and his son Mao Zonggang. At the end of the Ming dynasty, "Li Zhuowu" added commentary to the Luo version, which expanded its circulation and influence. Scholars have long debated whether the Maos' viewpoint was anti-Qing (identifying Southern Ming remnants with Shu-Han) or pro-Qing. Commentary is estimated to be almost two-thirds as large as the bulk of the text. None of the earlier editions contained this phrase. In addition, Mao also added Yang Shen's The Immortals by the River as the famous introductory poem (which began with "The gushing waters of the Yangzi River pour and disappear into the East", ) to the novel. The earlier editions, moreover, spend less time on the process of division, which they found painful, and far more time on the process of reunification and the struggles of the heroes who sacrificed for it. File:Three Kingdoms Li Zhuowu edition - example commentary.jpg|Pages from chapter one of Li Zhuowu's (late Ming dynasty) commentary edition of the novel, which includes Li's comments describing Liu Bei, e.g. "He is a hero in the world" File:Three Kingdoms Li Zhuowu edition – two illustrations.jpg|Illustrations from Li Zhuowu's commentary edition: "Dong Zhuo burns the Changle Palace [in Luoyang]" (left) and "Three heroes [Liu Bei, Guan Yu, and Zhang Fei] fight Lü Bu" (right) File:新刊校正古本大字音释三国志通俗演义_明万历十九年书林周曰校刊本_055.jpg|A 2-page illustration from Zhou Yue's 1591 edition: "Guan Yu Traveled One Thousand Li Alone". Guan Yu is depicted on his horse Red Hare File:Three Kingdoms Mao version - Zhuge Liang and Zhang Fei.jpg|Illustrations from Romance of the Three Kingdoms, an 1802 edition of the Mao version: Facing pages: Zhuge Liang (left) and Zhang Fei (right) ==Plot==
Plot
The following is a summary of the central plot and some well-known highlights in the novel. Yellow Turban Rebellion and the Ten Attendants In the late second century, towards the end of the Han dynasty in China, corruption was rampant on all levels throughout the government, with treacherous eunuchs and villainous officials deceiving the emperor and persecuting those who stood up to them. The Han Empire gradually deteriorated and became increasingly fragmented, with many regional officials being warlords with their own armies. In the meantime, the common people suffered, and the Yellow Turban Rebellion (led by Zhang Jiao and his brothers) eventually broke out during the reign of Emperor Ling. The rebellion was barely suppressed by imperial forces commanded by the general He Jin. Shortly after Emperor Ling's death, He Jin installed the young Emperor Shao on the throne and took control of the central government. The Ten Attendants, a group of influential court eunuchs, feared that He Jin was growing too powerful, so they lured him into the palace and assassinated him. In revenge, He Jin's followers broke into the palace and indiscriminately slaughtered any person who looked like a eunuch. In the ensuing chaos, Emperor Shao and his younger half-brother, the Prince of Chenliu, disappeared from the palace. Dong Zhuo's tyranny The missing emperor and prince were found by soldiers of the warlord Dong Zhuo, who escorted them back to the palace and used the opportunity to seize control of the imperial capital, Luoyang, under the pretext of protecting the emperor. Dong Zhuo later deposed Emperor Shao and replaced him with the Prince of Chenliu (Emperor Xian), who was merely a figurehead under his control. Dong Zhuo monopolised state power, persecuted his political opponents, and oppressed the common people for his personal gain. During this time, there were two attempts on his life: the first was by a military officer Wu Fu (), who failed and died a gruesome death; the second was by Cao Cao, who was also unsuccessful but managed to escape. Cao Cao fled from Luoyang, returned to his home commandery, and sent out a fake imperial edict to various warlords, calling them to rise up against Dong Zhuo. Under Yuan Shao's leadership, eighteen warlords formed a coalition and launched a punitive campaign against Dong Zhuo. After Dong Zhuo lost the battles of Sishui Pass and Hulao Pass, he forced the citizens of Luoyang to relocate to Chang'an with him and burnt down Luoyang. The coalition ultimately broke up due to indecisive leadership and conflicting interests among its members. Meanwhile, in Chang'an, Dong Zhuo was betrayed and murdered by his foster son Lü Bu in a dispute over the maiden Diaochan as part of a plot orchestrated by the minister Wang Yun. Conflict among the various warlords and nobles In the meantime, the Han Empire was already disintegrating into civil war as warlords fought for territories and power. Sun Jian found the Imperial Seal in the ruins of Luoyang and secretly kept it for himself. When Yuan Shao confronted him, he refused to hand over the Imperial Seal and left, but was attacked by Liu Biao (acting on Yuan Shao's instruction) on the way back to his base. At the same time, Yuan Shao waged war against Gongsun Zan to consolidate his power in northern China. Other warlords such as Cao Cao and Liu Bei, who initially had no titles or land, were also gradually forming their own armies and taking control of territories. During those times of upheaval, Cao Cao saved Emperor Xian from Dong Zhuo's followers, established the new imperial capital in Xu, and became the new head of the central government. He also defeated rival warlords such as Lü Bu, Yuan Shu and Zhang Xiu in a series of wars and gained control over much of central China. Meanwhile, Sun Jian was killed in an ambush by Liu Biao's forces. His eldest son, Sun Ce, delivered the Imperial Seal as a tribute to the warlord Yuan Shu, a rising pretender to the throne, in exchange for troops and horses. Sun Ce then secured himself a power base in the rich riverlands of Jiangdong (Wu), on which the state of Eastern Wu was founded later. Tragically, Sun Ce also died at the pinnacle of his career from illness under stress of his terrifying encounter with the ghost of Yu Ji, a venerable magician whom he had falsely accused of heresy and executed in jealousy. Sun Quan, his younger brother and successor, proved to be a capable and charismatic ruler. With assistance from Zhou Yu, Zhang Zhao and others, Sun Quan found hidden talents such as Lu Su to serve him, built up his military forces, and maintained stability in Jiangdong. Liu Bei's ambition painting by Dai Jin (1388–1462). Liu Bei and his oath brothers Guan Yu and Zhang Fei swore allegiance to the Han Empire in the Oath of the Peach Garden and pledged to do their best for the people. However, their ambitions were not realised as they did not receive due recognition for helping to suppress the Yellow Turban Rebellion and participating in the campaign against Dong Zhuo. After Liu Bei succeeded Tao Qian as the governor of Xu Province, he offered shelter to Lü Bu, who had just been defeated by Cao Cao. However, Lü Bu betrayed his host, seized control of the province and attacked Liu Bei. After combining forces with Cao Cao to defeat Lü Bu at the Battle of Xiapi, Liu Bei followed Cao Cao back to the imperial capital, Xu, where Emperor Xian honoured him as his "Imperial Uncle" upon learning that he was also a descendant of the imperial clan. When Cao Cao showed signs that he wanted to usurp the throne, Emperor Xian wrote a secret decree in blood to his father-in-law, Dong Cheng, and ordered him to get rid of Cao Cao. Dong Cheng secretly contacted Liu Bei, Ma Teng and others, and they planned to assassinate Cao Cao. However, their plans were leaked, and Cao Cao had Dong Cheng and the others arrested and executed along with their families. Liu Bei had already left the imperial capital when the plot was exposed, and he moved on to seize control of Xu Province from Che Zhou, the new governor appointed by Cao Cao. In retaliation, Cao Cao attacked Xu Province and defeated Liu Bei, causing him to be separated from his oath brothers. While Liu Bei briefly joined Yuan Shao after his defeat, Zhang Fei took control of a small city, and Guan Yu temporarily served under Cao Cao and helped him slay two of Yuan Shao's generals in battle. The three oath brothers were eventually reunited and managed to establish a new base in Runan, but they were defeated by Cao Cao's forces again so they retreated south to Jing Province, where they took shelter under the governor Liu Biao. Battle of Guandu After pacifying the nearby provinces, suppressing a rebellion by former Yellow Turbans, and consolidating power in the central government, Cao Cao turned his attention north to Yuan Shao, who had recently eliminated Gongsun Zan and now controlled most of northern China. Yuan Shao amassed a large army and camped along the northern bank of the Yellow River. In the summer of 200, after months of preparations, Cao Cao and Yuan Shao clashed at the Battle of Guandu. Although Cao Cao was heavily outnumbered by Yuan Shao, he secured a decisive victory over his rival after launching a surprise raid on Yuan Shao's supply train and throwing the enemy into disarray. Yuan Shao retreated north after his defeat, fell ill and died about two years later. Cao Cao took advantage of Yuan Shao's death, which had resulted in internal conflict among his sons who were fighting over their father's territories, and advanced north to attack and seize all of Yuan Shao's lands. By the end of 207, after a victorious campaign beyond the frontier against the Wuhuan, Cao Cao achieved complete dominance of northern China. The territories in central and northern China which came under Cao Cao's control became the foundation of the state of Cao Wei, which would later be established by Cao Cao's son and successor Cao Pi. Zhuge Liang joins Liu Bei In the meantime, Liu Biao had put Liu Bei in charge of Xinye. During this time, Liu Bei visited Zhuge Liang thrice and recruited him. Acting on Zhuge Liang's advice, Liu Bei built up his forces in preparation for war against Cao Cao. Following his unification of central and northern China under his control, Cao Cao, having been appointed Imperial Chancellor by Emperor Xian, led his forces on a southern campaign to eliminate Liu Bei and Sun Quan. By then, Liu Biao had died and his younger son Liu Cong decided to surrender control of Jing Province to Cao Cao. In 208, although Liu Bei managed to repel two attacks by Cao Cao at Xinye, he was eventually forced to flee due to the overwhelming strength of the enemy forces. Cao Cao and his cavalry caught up with Liu Bei and his forces at Changban and defeated them. During the battle, Liu Bei's generals Zhao Yun and Zhang Fei displayed heroics: the former fought his way through enemy lines to rescue Liu Bei's infant son Liu Shan and deliver him safely back to his father; the latter single-handedly held off enemy forces at a bridge by intimidating and staring them down. Liu Bei and his forces managed to rendezvous with Guan Yu, who had left earlier to seek help from Liu Biao's elder son Liu Qi, and they retreated to Xiakou. Battle of Red Cliffs In 208, Liu Bei dispatched Zhuge Liang on a diplomatic mission to Jiangdong to meet Sun Quan and discuss forming a Sun–Liu alliance to counter Cao Cao. Although Sun Quan was initially hesitant due to many of his followers advising him to surrender to Cao Cao, he ultimately made up his mind to ally with Liu Bei, placing Zhou Yu in command of his forces to prepare for the upcoming war. Zhuge Liang temporarily remained in Jiangdong to assist Zhou Yu, who sensed that Zhuge Liang posed a future threat to his lord. Zhou Yu attempted to outwit and kill Zhuge Liang, but failed and had no choice but to cooperate with the latter. The Sun–Liu forces scored a decisive victory over Cao Cao at the Battle of Red Cliffs. Sun Quan and Liu Bei started vying for control of southern Jing Province after their victory, but Liu Bei won and took over the territories from Cao Cao's general Cao Ren. Sun Quan, unhappy over having gained nothing, sent messengers to ask Liu Bei to "return" the territories to him, but Liu Bei dismissed the messenger each time with a different excuse. Sun Quan was unwilling to give up, so he followed Zhou Yu's plan to trick Liu Bei to come to Jiangdong to marry his sister Lady Sun and then hold Liu Bei hostage in exchange for Jing Province. However, Zhuge Liang foiled Zhou Yu's plot, and the newlywed couple returned to Jing Province safely. Zhou Yu later died in frustration after Zhuge Liang repeatedly thwarted his moves to take Jing Province. Liu Bei's takeover of Yi Province Relations between Liu Bei and Sun Quan deteriorated after Zhou Yu's death, but not to the point of war. Following Zhuge Liang's Longzhong Plan, Liu Bei led his forces westward into Yi Province and seized control of the territories from the governor Liu Zhang. By then, Liu Bei ruled over a vast stretch of land from Yi Province to southern Jing Province; these territories served as the foundation of the state of Shu Han later. Liu Bei declared himself King of Hanzhong after defeating Cao Cao in the Hanzhong Campaign and capturing Hanzhong Commandery. At the same time, Emperor Xian awarded Cao Cao the title of a vassal king – King of Wei – while Sun Quan was known as the Duke of Wu. In eastern China, Sun Quan and Cao Cao's forces fought in various battles along the Yangtze River, including the battles of Hefei and Ruxu, but neither side managed to gain a significant advantage over the other. Death of Guan Yu s in the Sichuan Provincial Museum depicting Guan Yu and Zhang Fei. Meanwhile, Sun Quan plotted to take Jing Province after growing tired of Liu Bei's repeated refusals to hand over the territories. He secretly made peace and allied with Cao Cao against Liu Bei. While Guan Yu, who guarded Liu Bei's territories in Jing Province, was away attacking Cao Ren at the Battle of Fancheng, Sun Quan sent his general Lü Meng to launch a stealth invasion on Jing Province. Guan Yu was unable to capture Fancheng so he retreated, but was caught off guard by Lü Meng and had already lost Jing Province before he knew it. With his army's morale falling and the troops gradually deserting, Guan Yu and his remaining men withdrew to Maicheng, where they were surrounded by Sun Quan's forces. In desperation, Guan Yu attempted to break out of the siege but failed and was captured in an ambush. Sun Quan had him executed after he refused to surrender. Shortly after Guan Yu's death, Cao Cao died of a brain tumour in Luoyang. His son and successor, Cao Pi, forced Emperor Xian to abdicate the throne to him and established the state of Cao Wei to replace the Han dynasty. About a year later, Liu Bei declared himself emperor and founded the state of Shu Han as a continuation of the Han dynasty. While Liu Bei was planning to avenge Guan Yu, Zhang Fei was assassinated in his sleep by his subordinates. Battle of Yiling As Liu Bei led a large army to avenge Guan Yu and retake Jing Province, Sun Quan attempted to appease him by offering to return him the territories in southern Jing Province. Liu Bei's subjects urged him to accept Sun Quan's offer but Liu Bei insisted on avenging his oath brother. After initial victories against Sun Quan's forces, a series of strategic mistakes resulted in Sun Quan's general Lu Xun inflicting a calamitous defeat on Liu Bei at the Battle of Yiling. Lu Xun initially pursued Liu Bei during his retreat, but gave up after getting trapped inside and barely escaping from Zhuge Liang's Stone Sentinel Maze. . Liu Bei died in Baidicheng from illness a few months later. On his deathbed, Liu Bei granted Zhuge Liang permission to take the throne if his son and successor, Liu Shan, proved to be an inept ruler. Zhuge Liang firmly refused and swore to remain faithful to the trust Liu Bei had placed in him. Zhuge Liang's campaigns After Liu Bei's death, Cao Pi induced several forces, including Sun Quan, a turncoat Shu general Meng Da, the Nanman and Qiang tribes, to attack Shu, in coordination with a Wei army. However, Zhuge Liang managed to make the five armies retreat without any bloodshed. He also sent Deng Zhi to make peace with Sun Quan and restore the alliance between Shu and Wu. Zhuge Liang then personally led a southern campaign against the Nanman, defeated them seven times, and won the allegiance of the Nanman king Meng Huo. After pacifying the south, Zhuge Liang led the Shu army on five military expeditions to attack Wei as part of his mission to restore the Han dynasty. Each time, as Zhuge Liang was on the verge of success, he was recalled due to various unfortunate circumstances, such as Liu Shan listening to rumours spread by eunuchs. Moreover, his days were numbered because he had been suffering from chronic illness and his condition worsened under stress. He died of illness at the Battle of Wuzhang Plains while leading a stalemate battle against the Wei general Sima Yi. End of the Three Kingdoms The long years of battle between Shu and Wei saw many changes in the ruling Cao family in Wei. The influence of the Caos weakened after Cao Rui's death and state power eventually fell into the hands of the regent Sima Yi and subsequently to his sons, Sima Shi and Sima Zhao. In Shu, Jiang Wei inherited Zhuge Liang's legacy and continued to lead another nine campaigns against Wei for three decades, but ultimately failed to achieve any significant success. The Shu emperor Liu Shan also turned out to be an incompetent ruler who trusted corrupt officials. Shu gradually declined under Liu Shan's rule and was eventually conquered by Wei forces. Jiang Wei attempted to restore Shu with the help of Zhong Hui, a disgruntled Wei general, but their plan failed and Zhong Hui was killed by Wei troops while Jiang Wei died by suicide. Shortly after the fall of Shu, Sima Zhao died and his son, Sima Yan, forced the last Wei emperor, Cao Huan, to abdicate the throne to him. Sima Yan then established the Jin dynasty to replace the state of Cao Wei. In Wu, there had been internal conflict among the nobles since Sun Quan's death. The regents Zhuge Ke and Sun Chen consecutively attempted to usurp the throne but were eventually ousted from power and eliminated in coups. Although stability was temporarily restored in Wu, the last Wu emperor, Sun Hao, turned out to be a tyrant. Wu, the last of the Three Kingdoms, was eventually conquered by the Jin dynasty. The fall of Wu marked the end of the near century-long era of civil strife historically known as the Three Kingdoms period. ==Historical accuracy==
Historical accuracy
The novel draws from Chen Shou's Records of the Three Kingdoms as the main historical source. Other major influences include Liu Yiqing's A New Account of the Tales of the World (Shishuo Xinyu), published in 430, and the Sanguozhi Pinghua, a chronological collection of eighty fictional sketches starting with the peach garden oath and ending with Zhuge Liang's death. Some 50 or 60 Yuan and early Ming plays about the Three Kingdoms are known to have existed, and their material is almost entirely fictional, based on thin threads of actual history. The novel is thus a return to greater emphasis on history, compared to these dramas. The novel also shifted towards better acknowledgement of southern China's historical importance, while still portraying some prejudice against the south. The Qing dynasty historian Zhang Xuecheng famously wrote that the novel was "seven-parts fact and three-parts fiction." The fictional parts are culled from different sources, including unofficial histories, folk stories, the Sanguozhi Pinghua, and also the author's own imagination. Nonetheless, the description of the social conditions and the logic that the characters use is accurate to the Three Kingdoms period, creating "believable" situations and characters, even if they are not historically accurate. Romance of the Three Kingdoms, like the dramas and folk stories of its day, features Liu Bei and his associates as the protagonists; hence the depiction of the people in Shu Han was glorified. The antagonists, Cao Cao, Sun Quan and their followers, on the other hand, were often denigrated. This suited the political climate in the Ming dynasty, unlike in the Jin dynasty when Cao Wei was considered the legitimate successor to the Han dynasty. Some non-historical scenes in the novel have become well-known and subsequently became a part of traditional Chinese culture. ==Literary analysis==
Literary analysis
In a literary analysis of the novel, Yao Yao focuses on the way the Mao edition interlaces the stories told about the three kingdoms in a way designed to highlight the relationships among the story elements. Yao Yao uses the analogy of a rope: "juxtaposed and reasonably developed strands of narrative become interlaced". The opening lines of the novel, "The empire, long divided, must unite; long united, must divide. Thus it has ever been", added by Mao Lun and Mao Zonggang in their recension, epitomise the tragic theme of the novel. One recent critic notes that the novel takes political and moral stands and lets the reader know which of the characters are heroes and which villains, yet the heroes are forced to make a tragic choice between equal values, not merely between good and evil. The heroes know that the end of the empire is ordained by this cosmic cycle of division and unity, yet their choices are moral, based on loyalty, not political. Plaks states the novel deals with the "cyclical theories of dynastic decline," and relates the "breakdown of order" at the end of the Han dynasty to "the improper exercise of imperial authority, the destabilisation influence of special-interest groups (eunuchs, imperial clansmen), the problem of factional and individual idealism carried to the point of civil strife-all of which eventually surface in the body of the narrative." He goes on to say, the "overlapping claims to legitimacy and multiple spheres of power," give the novel a "sense of epic greatness" with its "combination of grandeur and futility." ==Cultural impact==
Cultural impact
Besides the famous Peach Garden Oath, many Chinese proverbs in use today are derived from the novel: The writing style adopted by Romance of the Three Kingdoms was part of the emergence of written vernacular during the Ming period, as part of the so-called "Four Masterworks" (si da qishu). Buddhist aspects File:新刊校正古本大字音释三国志通俗演义_明万历十九年书林周曰校刊本_155.jpg|thumb|Illustration from a 1591 edition of the novel: "On Jade Spring Mountain, Lord Guan reveals his sanctity" which depicts the apparition of Lord Guan [left, mounted on Red Hare] appearing to Monk Pujing [with deer tail whisk]. The famous Tiantai monk Zhiyi, established a monastery at Jade Spring Mountain in Hubei, in the sixth century. "Historical" records claimed that he had to overcome a local dragon deity before it could be built. Fortuitously, the monastery was located near the burial place of Guan Yu, where there was a local cult that held him as a deity. Over time interactions with the local people led the monks to elevate Guan Yu as a supernatural being, referring to him as Lord Guan. A story was developed that he had aided in construction of the monastery. In Romance of the Three Kingdoms the association of Guan Yu and the monastery was included in the narrative. In the novel, Guan Yu, was beheaded on orders from Sun Quan. His spirit appears to the Monk Pujing and asks him to return his head. Pujing reminds him of the generals he had beheaded. Guan Yu's sprit comprehends and disappears (chapter 77). The popularity of the novel then caused the original story of the dragon to be "largely pushed out of sight". Scholars argue that the emergence of this type of adaptation was motivated by the marginalization and heavily stereotyped female characters as well as unexplored plotlines in the original text. Liu Bei's tendency to share his bed with good friends like Guan Yu, Zhang Fei and Zhao Yun popularized the trope in which one character watches another male's body in sleep. The vulnerability associated with this trope goes hand in hand with the use of adjectives associated with female beauty to physically describe submissive characters like Zhuge Liang. According to scholars, this practice was popularized by the idea of "soft-masculinity" in contemporary China and now reinforces this same “soft-masculinity”. Finally, the progressiveness of Romance of the Three Kingdoms fan fiction comes from the transformation of the political discourse into a sexual discourse and from the pleasure derived from producing and consuming fan fiction. ==Translations==
Translations
Manchu The Jurchen chieftain Nurhaci was an avid reader of the Romance of the Three Kingdoms and Water Margin, learning all he knew about Chinese military and political strategies from them. Thus, when his descendants founded the Qing dynasty and became the rulers of China, the book was one of the first Chinese books to be translated into their Manchu language along with military manuals. Indeed, it is one of only two Chinese novels that had a Manchu translation put into print during the Qing dynasty (the other being Jin Ping Mei). This is the first translation of the Romance that could be dated with certainty in any language. The Manchu translation was itself translated into a number of languages including Xibe, Mongolian, Korean, Tibetan and French. It was also back-translated into Chinese in a bilingual Manchu-Chinese edition during the Yongzheng period (1723–1735). English The Romance of the Three Kingdoms has been translated into English a number of times. Excerpts The first known translation was performed in 1907 by John G. Steele and consisted of a single chapter excerpt that was distributed in China to students learning English at Presbyterian missionary schools. Z. Q. Parker published a 1925 translation containing four episodes from the novel including the events of the Battle of Red Cliffs, while Yang Xianyi and Gladys Yang published excerpts in 1981, including chapters 43–50. Unabridged A complete and faithful translation of the novel was published in two volumes in 1925 by Charles Henry Brewitt-Taylor, a long time official of the Chinese Maritime Customs Service. In 2014, Tuttle published a new, three-volume translation of the novel, translated by Yu Sumei and edited by Ronald C. Iverson. According to its publisher, this translation is an unabridged "dynamic translation" intended to be more readable than past English translations of the novel. ==See also==
References and further reading
• Translation of the 13th century anonymous Sanguozhi pinghua. • Besio, Kimberly Ann and Constantine Tung, eds., Three Kingdoms and Chinese Culture. Albany: State University of New York Press, 2007. . Essays on this novel's literary aspects, use of history, and in contemporary popular culture. • Hsia, Chih-tsing,"The Romance of the Three Kingdoms," in The Classic Chinese Novel: A Critical Introduction (1968) rpr. Cornell East Asia Series. Ithaca, N.Y.: East Asia Program, Cornell University, 1996. • Li Chengli, Zhang Qirong, Wu Jingyu. Romance of the Three Kingdoms (illustrated in English and Chinese) (2008) Asiapac Books. • • • • • • • • • ==External links==
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