Cathedral Typikon The ancient and medieval cathedral rite of Constantinople, called the "asmatikē akolouthia" ("sung services"), is not well preserved and the earliest surviving manuscript dates from the middle of the eighth century. This rite reached its climax in the Typikon of the Great Church (
Hagia Sophia) which was used in only two places, its eponymous cathedral and in the
Basilica of Saint Demetrios in Thessalonica; in the latter it survived until the Ottoman conquest and most of what is known of it comes from descriptions in the writings of Saint
Symeon of Thessalonica.
Monastic Typikon Typika arose within the
monastic movements of the early
Christian era to regulate life in
monasteries and several surviving typika from Constantinople, such as those of the
Pantokrator monastery and the
Kecharitomene nunnery, give us an insight into ancient Byzantine monastic life and habits. However, it is the typikon of the
Holy Lavra of Saint Sabbas the Sanctified near
Jerusalem that came to be synthesized with the above-mentioned cathedral rite and whose name is borne by the typikon in use today by the
Byzantine Rite. In his
Lausaic History,
Palladius of Galatia,
Bishop of Helenopolis, records that the early Christian
hermits not only prayed the
Psalms, but also sang hymns and recited prayers (often in combinations of twelve). With the rise of
Cenobitic monasticism (i.e., living in a
community under an
Abbot, rather than as solitary hermits), the cycle of prayer became more fixed and complex, with different ritual practices in different places.
Egeria, a pilgrim who visited the
Holy Land about 381–384, recorded the following: But among all things it is a special feature that they arrange that suitable psalms and antiphons are said on every occasion, both those said by night, or in the morning, as well as those throughout the day, at the sixth hour, the ninth hour, or at lucernare, all being so appropriate and so reasonable as to bear on the matter in hand. (XXV, 5) The standardization of what became Byzantine monastic worship began with Saint
Sabbas the Sanctified (439–532), who recorded the office as it was practiced at his time in the area around Jerusalem, passing on what had been handed down to him by St. Euthymius the Great (377–473) and St. Theoktistos (c. 467). This area was at the time a major center of both pilgrimage and monasticism, and as a result the daily cycle of services became highly developed.
St. Sophronius, Patriarch of Jerusalem (560–638) revised the Typikon, and the material was then expanded by
St. John Damascene (c. 676 – 749). This ordering of services was later known as the
Jerusalem or
Palestinian or
Sabbaite Typikon. Its usage was further solidified when the first printed typikon was published in 1545. It is still in widespread use among most Byzantine monastic communities worldwide as well as in parishes and cathedrals in large swaths of
Eastern Orthodoxy, notably, in
Russia.
Synthesis In the 8th century, the development of monastic liturgical practice was centered in the Monastery of the
Stoudios in Constantinople where the services were further sophisticated, in particular with regard to Lenten and Paschal services and, most importantly, the Sabbaite Typikon was imported and melded with the existing typikon; as Fr.
Robert F. Taft noted, How the cathedral and monastic traditions meld into one is the history of the present Byzantine Rite. ... [St.
Theodore the Studite] summoned to the capital some monks of St. Sabas to help combat iconoclasm, for in the Sabaitic chants Theodore discerned a sure guide of orthodoxy, he writes to Patriarch Thomas of Jerusalem. So it was the office of St. Sabas, not the [sung service] currently in use in the monasteries of Constantinople, which the monks of Stoudios would synthesize with material from the asmatike akolouthia or cathedral office of the Great Church to create a hybrid "Studite" office, the ancestor of the one that has come down to us to this day: a Palestinian horologion with its psalmody and hymns grafted onto a skeleton of litanies and their collects from the euchology of the Great Church. Like the fusion of Anglo-Saxon and French in the formation of English, this unlikely mongrel would stand the test of time. The typika in contemporary use evolved from this synthesis. ==Modern Typika==