, U.S. In the late 19th century,
cowboy and
"Wild West" imagery entered the collective imagination. The first American female superstar,
Annie Oakley, was a
sharpshooter who toured the country starting in 1885, performing in
Buffalo Bill's Wild West show. The cowboy archetype of the individualist hero was established largely by
Owen Wister in stories and novels, most notably
The Virginian (1902), following close on the heels of
Theodore Roosevelt's
The Winning of the West (1889–1895), a history of the early frontier. Cowboys were also popularized in turn of the 20th century cinema, notably through such early classics as
The Great Train Robbery (1903) and
A California Hold Up (1906)—the most commercially successful film of the pre-
nickelodeon era.
Gangster films started in 1910, but became popular only with the advent of sound in film in the 1930s. The genre was boosted by the events of the
prohibition era, such as bootlegging and the
St. Valentine's Day Massacre of 1929, the existence of real-life gangsters such as
Al Capone and the rise of contemporary
organized crime and escalation of urban violence. These movies flaunted the archetypal exploits of "swaggering, cruel, wily, tough, and law-defying bootleggers and urban gangsters". Since
World War II, Hollywood produced many morale-boosting movies, patriotic rallying cries that affirmed a sense of national purpose. The image of the lone cowboy was replaced in these combat films by stories emphasizing group efforts and the value of individual sacrifices for a larger cause, often featuring a group of men from diverse ethnic backgrounds who were thrown together, tested on the battlefield, and molded into a dedicated fighting unit. Guns frequently accompanied famous heroes and villains in late 20th-century American films, from the outlaws of
Bonnie and Clyde (1967) and
The Godfather (1972), to fictional law and order avengers such as
Dirty Harry (1971) and
RoboCop (1987). In the 1970s, fictional madmen ostensibly produced by the
Vietnam War were central to films such as
Taxi Driver (1976) and
Apocalypse Now (1979), while the 1978 films
Coming Home and
The Deer Hunter told stories of fictional veterans who were victims of the war and in need of rehabilitation. Many action films continue to celebrate the gun toting hero in fictional settings. The negative role of the gun in fictionalized modern urban violence has been explored in films such as
Boyz n the Hood (1991) and
Menace 2 Society (1993).
Bowling for Columbine was a 2002 documentary by
Michael Moore exploring gun culture in the United States. == Political and cultural theories ==