At the
2014 Polaris Music Prize ceremony, Inuk musician
Tanya Tagaq performed her number in front of a screen featuring a scrolling list of names of missing and murdered Indigenous women. Documentary filmmaker
Kim O'Bomsawin released the documentary film
Quiet Killing (Ce silence qui tue) in 2018. The film examined the MMIW issue, and won the
Donald Brittain Award for Best Social or Political Documentary Program at the
7th Canadian Screen Awards.
REDress Project The
REDress Project is a public art installation dedicated to the remembrance of the Missing and Murdered Indigenous women. Canadian Jaime Black (
Métis) began the project in 2000. She told
CTV News that "a friend of [hers], who is also an aboriginal, explained that red was the only colour spirits could see. The REDress Project has been displayed at the campuses of the universities of Winnipeg, Saskatchewan, Kamloops, Alberta, Toronto, the University of Western Ontario and Queen's University as well as the Manitoba Legislature, and the
Canadian Museum of Human Rights.
Walking with Our Sisters in 2014|alt=
Walking with Our Sisters is a community-based art installation, commemorating murdered or missing women and children from Indigenous communities. The project is community-led, from the creation of the piece to the facilitation of the exhibit at different sites. The hope is to raise awareness on this issue and create a space for dialogue-based community discussions on this issue. It is a solely volunteer initiative. The art project is a collection of
moccasin vamps. A vamp is the extra layer of leather for the top lip of the moccasin, which is usually decorated with beadwork or quillwork in traditional patterns from the Indigenous woman's culture. The installation has more than 1763 pairs of adult vamps and 108 pairs for children. Each pair is custom made for each individual woman reported missing. The vamps from unfinished moccasins represent the unfinished lives of the missing or murdered women. The project began in 2012, with a call to action issued on
Facebook. People were asked to design and create these moccasin tops for their missing and murdered loved ones. By July 2013, the project leaders had received 1,600 vamps, more than tripling their initial goal of 600. Men, women, and children of all backgrounds responded to the call and became active in the project. This installation consists of these moccasin vamps ceremonially placed on the floor of a public space in a sacred manner. It travels to select galleries and art exhibition halls. Patrons are asked to take off their shoes and respectfully walk alongside the vamps in the gallery, to ensure that the people they represent are not forgotten, and to show solidarity with the missing or murdered women. Booked until 2019, the installation is scheduled for 25 locations across North America.
Faceless Dolls Project Begun by the
Native Women's Association of Canada in 2012, the Faceless Dolls Project encourages people to make dolls to represent missing and murdered women, and those affected by violence. The dolls are designed as "a process of reconstructing identity" for women who lose individuality in becoming victims of crime. The first dolls were made to commemorate the 582 MMIW documented by the association. They are intended as an artistic reminder of the lives and identities of the affected women and girls. NWAC has brought this art project to universities and communities across Canada, where participants join in making dolls as a form of activism and raising awareness of the issue of MMIW.
Inuksuit stone monuments Since late 2015 Kristen Villebrun, a local activist in
Hamilton, Ontario, and about ten other Indigenous women have been constructing
inuksuit stone monuments on the Chedoke Radial Trail. An
inuksuk (plural
inuksuit) is a human-built stone structure commonly used for navigation or as trail markers.
Inuksuk translates to "in the likeness of a human". The Chedoke Radial trail connects to the
Chedoke Creek, a watercourse in Hamilton. The women began the project in October 2015 when they noticed that shadows cast by previously constructed
inuksuit on the trail were lifelike and reminiscent of women. These activists saw an opportunity to use these structures as a way of drawing attention to the issue of the missing women. They have constructed 1,181
inuksuit, working for six hours a day, four days a week. The project has attracted many questions, with hundreds of people stopping to inquire about the
inuksuit. The women welcomed the questions, and they announced their intention to continue to build the female
inuksuit until the government undertook an official inquiry into missing Indigenous women. In December 2015 Prime Minister Justin Trudeau announced he would initiate such an inquiry.
Missing and Murdered In October 2016 journalist
Connie Walker and the
Canadian Broadcasting Corporation launched a podcast titled
Missing and Murdered: Who Killed Alberta Williams? The eight-part first season examines the Missing and Murdered Indigenous Women crisis in Canada though the lens of a specific case, the murder of Alberta Williams in 1989 along the
Highway of Tears in British Columbia. The series was nominated for a
Webby Award. After she left the CBC, Walker created another podcast called Stolen. The first season, Stolen: The Search for Jermain focussed on the disappearance of Jermain Charlo, a Bitterroot Salish woman who went missing in Missoula, Montana in 2018. Another unrelated podcast,
Missing and Murdered: True Consequences covers the MMIWG crisis and features an interview with Cheyenne Antonio from the Coalition to Stop Violence Against Native Women.
Big Green Sky Big Green Sky is a play commissioned and produced by Windsor Feminist Theatre (WFT), which debuted in May 2016 in Windsor Ontario. It was prompted by the outrage over the acquittal of Bradley Barton in his trial for the sexual assault and murder of
Cindy Gladue. This play is a direct result of reaching out to
Muriel Stanley Venne, Chair of the Aboriginal Commission on Human Rights and Justice, and President of the Institute for the Advancement of Aboriginal Women. Venne's report was submitted to United Nations rapporteur
James Anaya. Venne created her report because she wanted to "influence decision-makers who have become very complacent and unconcerned about the lives of Indigenous women in our country." The play is centred around an
RCMP officer who is new to the area. She goes up North to see the
aurora borealis or Northern Lights (the "green sky" of the title). While there, she finds out about the MMIW situation – a crisis that, she is shocked to realize, can be so deeply interwoven into the daily lives of so many (
FNIM) people, while remaining almost invisible (or at least ignored) by the mainstream population of the country. The play is being gifted by the WFT to any organization or individual wishing to bring awareness to this issue. It is being distributed without royalty fees, providing that all revenues and fundraising efforts be donated to local First Nations, Inuit or Métis (FNIM) women's initiatives. Statistics indicate that when compared with non-Indigenous women, Indigenous women are three times as likely to suffer from domestic abuse. The campaign, which started as a grassroots movement in Victoria, British Columbia in 2011, has since become nationally recognized. February 11 has been recognized as Moose Hide Campaign Day, The pins are small squares of tanned moose hide, that symbolize ending violence against women. These moose hide pins symbolize one's dedication and vow to protect Indigenous women and children from violence, honouring, respecting and protecting these people, while also working with others to end the cycle of violence. The idea to create the pin came from the two founders, who harvested and tanned the hide of a moose that came from their traditional territory (Nadleh Whut'en (Carrier) First Nation) along Highway 16, known as the Highway of Tears. These gatherings provide both men and women with safe spaces to share their experiences, while also pledging to stand up against violence that targets Indigenous women and children. The goal of the Moose Hide Campaign is to break the cycle of violence, that disproportionately targets Indigenous women and children. In order to do this the campaign addresses the impacts of colonization that continue today, such as the Residential School System. The campaign also aims to bring awareness to the racism that is perpetrated towards Indigenous peoples. By actively speaking out against gender-based violence, and pledging to stand up against violence that targets Indigenous women and children, the Moose Hide Campaign promotes healthy relationships that include gender equity, while also combating toxic-masculinity by promoting positive ideas of men.
In film Some non-documentary films have attempted to draw attention to the problem in several countries. Some examples include the American film
Wind River and the Australian film
Limbo. ==See also==