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Weird fiction

Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries. Weird fiction either eschews or radically reinterprets traditional antagonists of supernatural horror fiction, such as ghosts, vampires, and werewolves. Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European Gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft.

Definitions
John Clute defines weird fiction as a term "used loosely to describe fantasy, supernatural fiction and horror tales embodying transgressive material". China Miéville defines it as "usually, roughly, conceived of as a rather breathless and generically slippery macabre fiction, a dark fantastic ('horror' plus 'fantasy') often featuring nontraditional alien monsters (thus plus 'science fiction')". Discussing the "Old Weird Fiction" published in the late 19th and early 20th centuries, Jeffrey Andrew Weinstock says, "Old Weird fiction utilises elements of horror, science fiction and fantasy to showcase the impotence and insignificance of human beings within a much larger universe populated by often malign powers and forces that greatly exceed the human capacities to understand or control them." Jeff and Ann VanderMeer describe weird fiction not as a genre of fiction, but rather as a mode of literature (i.e. a style or mood) usually appearing within the horror fiction genre. ==History==
History
, Although the term "weird fiction" did not appear until the 20th century, Edgar Allan Poe is often regarded as the pioneering author of weird fiction. Poe was identified by Lovecraft as the first author of a distinct type of supernatural fiction different from traditional Gothic literature, and later commentators on the term have also suggested Poe was the first "weird fiction" writer. The Irish magazine ''The Freeman's Journal, in an 1898 review of Dracula'' by Bram Stoker, described the novel as "wild and weird" and not Gothic. Weinstock has suggested there was a period of "Old Weird Fiction" that lasted from the late 19th to early 20th centuries. Other pioneering British weird fiction writers included Algernon Blackwood, William Hope Hodgson, Lord Dunsany, and M. R. James. The American pulp magazine Weird Tales published many such stories in the United States from March 1923 to September 1954. The magazine's editor Farnsworth Wright often used the term "weird fiction" to describe the type of material that the magazine published. The writers who wrote for the magazine Weird Tales are thus closely identified with the weird fiction subgenre, especially H. P. Lovecraft, Clark Ashton Smith, Fritz Leiber and Robert Bloch. and Unknown Worlds (edited by John W. Campbell). H. P. Lovecraft popularised the term "weird fiction" in his essays. Although Lovecraft was one of the few early 20th-century writers to describe his work as "weird fiction", and Ramsey Campbell, ==Notable authors==
Notable authors
The following notable authors have been described as writers of weird fiction. They are listed alphabetically by last name, and organised by the time period when they began to publish weird fiction. Before 1940Ryūnosuke AkutagawaAlgernon BlackwoodRobert BlochMarjorie BowenJohn BuchanMikhail BulgakovLeonora CarringtonRobert Murray GilchristStefan GrabińskiAlexander GrinNikolai GogolSakutarō HagiwaraL. P. HartleyLafcadio HearnGeorg HeymWilliam Hope HodgsonE. T. A. HoffmannRobert E. HowardAlfred KubinHenry KuttnerVernon LeeJoseph Sheridan Le FanuFrank Belknap LongH. P. LovecraftArthur MachenDaphne du MaurierAbraham MerritEdgar Allan PoeEric Frank RussellBruno SchulzFrancis Stevens 1940–1980Kōbō AbePhilip K. DickGene WolfeLaird BarronDavid BeauchardK. J. BishopJames P. BlaylockGiannina BraschiPoppy Z. BriteKevin BrockmeierCharles BurnsJonathan CarrollDavid F. CaseMichael ChabonMichael CiscoNancy CollinsBrendan ConnellAndrey DashkovMark Z. DanielewskiJunot DíazDoug DorstMichael DoughertyHal DuncanKatherine DunnDennis EtchisonBrian EvensonPaul Di FilippoJeffrey FordNeil GaimanFelix GilmanJean GiraudElizabeth HandM. John HarrisonBrian HodgeWolfgang HohlbeinSimon IngsJunji ItoAlejandro JodorowskyCaitlín R. KiernanT. E. D. KleinKathe KojaLeena KrohnMarc LaidlawJay LakeMargo LanaganJohn LanganJoe R. LansdaleDeborah LevyThomas LigottiKelly LinkBrian LumleyCarmen Maria MachadoIlya MasodovMichael McDowellLincoln MichelChina MiévilleSarah MonetteGrant MorrisonReza NegarestaniScott NicolayJeff NoonDavid OhleBen OkriOtsuichiHelen OyeyemiJason Pargin (David Wong)Benoît PeetersCameron PierceRachel PollackTim PowersW. H. PugmireJoseph S. Pulver, Sr.Cat RamboAlistair RennieMatt RuffSofia SamatarAndrzej SarwaFrançois SchuitenJD ScottLucius ShepardWilliam Browning SpencerSimon StrantzasCharles StrossOh Seong-daeR. L. StineSteph SwainstonJeffrey ThomasRichard ThomasKarin TidbeckLisa TuttleSteven UtleyJeff VanderMeerAliya WhiteleyLiz WilliamsChet WilliamsonF. Paul WilsonChristopher Howard Wolf ==New Weird==
New Weird
Ann and Jeff VanderMeer and China Miéville have suggested that weird fiction has seen a recent resurgence, a phenomenon they term the New Weird. Tales which fit this category, as well as extensive discussion of the phenomenon, appear in the anthology The New Weird. ==See also==
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