William Randolph Hearst

Hearst was born in San Francisco to George Hearst on April 29, 1863, a millionaire mining engineer, owner of gold and other mines through his corporation, and his much younger wife Phoebe Apperson Hearst, from a small town in Missouri. The elder Hearst later entered politics. He served as a U.S. senator, first appointed for a brief period in 1886 and was then elected later that year. He served from 1887 to his death in 1891. His paternal great-grandfather was John Hearst of Ulster Protestant origin. John Hearst, with his wife and six children, migrated to America from Ballybay, County Monaghan, Ireland, as part of the Cahans Exodus in 1766. The family settled in the Province of South Carolina. Their immigration there was spurred in part by the colonial government's policy that encouraged the immigration of Irish Protestants, many of Scots origin. The names "John Hearse" and "John Hearse Jr." appear on the council records of October 26, 1766, being credited with meriting of land on the Long Canes in what became Abbeville District, based upon to heads of household and for each dependent of a Protestant immigrant; the "Hearse" spelling of the family name was never used afterward by the family members themselves, nor any family of any size. Hearst's mother, née Phoebe Elizabeth Apperson, was also of Scots-Irish ancestry; her family came from Galway. She was appointed as the first woman Regent of University of California, Berkeley, donated funds to establish libraries at several universities, funded many anthropological expeditions, and founded the Phoebe A. Hearst Museum of Anthropology. Hearst attended preparatory school at St. Paul's School in Concord, New Hampshire. He gained admission to Harvard College, and began attending in 1885. While there, he was a member of Delta Kappa Epsilon, the A.D. Club, a Harvard Final club, the Hasty Pudding Theatricals, and the Harvard Lampoon prior to being expelled. His antics at Harvard ranged from sponsoring massive beer parties on Harvard Square to sending pudding pots used as chamber pots to his professors with their images depicted within the bowls. == Publishing business ==

, noting their circulation Searching for an occupation, in 1887 Hearst took over management of his father's newspaper, the San Francisco Examiner, which his father had acquired in 1880 as repayment for a gambling debt. == New York Morning Journal ==

Early in his career at the San Francisco Examiner, Hearst envisioned running a large newspaper chain and "always knew that his dream of a nation-spanning, multi-paper news operation was impossible without a triumph in New York". In 1895, with the financial support of his widowed mother (his father had died in 1891), Hearst bought the then failing New York Morning Journal, hiring writers such as Stephen Crane and Julian Hawthorne and entering into a head-to-head circulation war with Joseph Pulitzer, owner and publisher of the New York World. Hearst "stole" cartoonist Richard F. Outcault along with all of Pulitzer's Sunday staff. Another prominent hire was James J. Montague, who came from the Portland Oregonian and started his well-known "More Truth Than Poetry" column at the Hearst-owned New York Evening Journal. When Hearst purchased the "penny paper", so called because its copies sold for a penny apiece, the Journal was competing with New York's 16 other major dailies. It had a strong focus on Democratic Party politics. Hearst imported his best managers from the San Francisco Examiner and "quickly established himself as the most attractive employer" among New York newspapers. He was seen as generous, paid more than his competitors, and gave credit to his writers with page-one bylines. Further, he was unfailingly polite, unassuming, "impeccably calm", and indulgent of "prima donnas, eccentrics, bohemians, drunks, or reprobates so long as they had useful talents" according to historian Kenneth Whyte. Hearst's activist approach to journalism can be summarized by the motto, "While others Talk, the Journal Acts." Yellow journalism and rivalry with the New York World '', November 21, 1896 The New York Journal and its chief rival, the New York World, mastered a style of popular journalism that came to be derided as "yellow journalism", so named after Outcault's Yellow Kid comic. Pulitzer's World had pushed the boundaries of mass appeal for newspapers through bold headlines, aggressive news gathering, generous use of cartoons and illustrations, populist politics, progressive crusades, an exuberant public spirit and dramatic crime and human-interest stories. Hearst's Journal used the same recipe for success, forcing Pulitzer to drop the price of the World from two cents to a penny. Soon the two papers were locked in a fierce, often spiteful competition for readers in which both papers spent large sums of money and saw huge gains in circulation. , and Arthur Brisbane during the filming of Vignola's The World and His Wife in New York City in April 1920 Within a few months of purchasing the Journal, Hearst hired away Pulitzer's three top editors: Sunday editor Morrill Goddard, who greatly expanded the scope and appeal of the American Sunday newspaper; Solomon Carvalho; and a young Arthur Brisbane, who became managing editor of the Hearst newspaper empire and a well-known columnist. Contrary to popular assumption, they were not lured away by higher pay—rather, each man had grown tired of the office environment that Pulitzer encouraged. While Hearst's many critics attribute the Journals incredible success to cheap sensationalism, Kenneth Whyte noted in The Uncrowned King: The Sensational Rise of William Randolph Hearst: "Rather than racing to the bottom, he [Hearst] drove the Journal and the penny press upmarket. The Journal was a demanding, sophisticated paper by contemporary standards." Though yellow journalism would be much maligned, Whyte said, "All good yellow journalists ... sought the human in every story and edited without fear of emotion or drama. They wore their feelings on their pages, believing it was an honest and wholesome way to communicate with readers", but, as Whyte pointed out: "This appeal to feelings is not an end in itself... [they believed] our emotions tend to ignite our intellects: a story catering to a reader's feelings is more likely than a dry treatise to stimulate thought." The two papers finally declared a truce in late 1898, after both lost vast amounts of money covering the Spanish–American War. Hearst probably lost several million dollars in his first three years as publisher of the Journal (figures are impossible to verify), but the paper began turning a profit after it ended its fight with the World. Under Hearst, the Journal remained loyal to the populist or left wing of the Democrat Party. It was the only major publication in the East to support William Jennings Bryan in 1896. Its coverage of that election was probably the most important of any newspaper in the country, attacking relentlessly the unprecedented role of money in the Republican campaign and the dominating role played by William McKinley's political and financial manager, Mark Hanna, the first national party 'boss' in American history. A year after taking over the paper, Hearst could boast that sales of the Journals post-election issue (including the evening and German-language editions) topped 1.5 million, a record "unparalleled in the history of the world." The Journals political coverage, however, was not entirely one-sided. Kenneth Whyte says that most editors of the time "believed their papers should speak with one voice on political matters"; by contrast, in New York, Hearst "helped to usher in the multi-perspective approach we identify with the modern op-ed page". At first he supported the Russian Revolution of 1917 but later he turned against it. Hearst fought hard against Wilsonian internationalism, the League of Nations, and the World Court, thereby appealing to an isolationist audience. == Spanish–American War ==

The Morning Journals daily circulation routinely climbed above the one million mark after the sinking of the and U.S. entry into the Spanish–American War, a war that some called "the Journals War", due to the paper's immense influence in provoking American outrage against Spain. Much of the coverage leading up to the war, beginning with the outbreak of the Cuban Revolution in 1895, was tainted by rumor, propaganda, and sensationalism, with the "yellow" papers regarded as the worst offenders. The Journal and other New York newspapers were so one-sided and full of errors in their reporting that coverage of the Cuban crisis and the ensuing Spanish–American War is often cited as one of the most significant milestones in the rise of yellow journalism's hold over the mainstream media. Perhaps the best known myth in American journalism is the claim, without any contemporary evidence, that the illustrator Frederic Remington, sent by Hearst to Cuba to cover the Cuban War of Independence, Hearst was personally dedicated to the cause of the Cuban rebels, and the Journal did some of the most important and courageous reporting on the conflict—as well as some of the most sensationalized. Their stories on the Cuban rebellion and Spain's atrocities on the island—many of which turned out to be untrue While Hearst and the yellow press did not directly cause America's war with Spain, they inflamed public opinion in New York City to a fever pitch. New York's elites read other papers, such as the Times and Sun, which were far more restrained. The Journal and the World were local papers oriented to a very large working class audience in New York City. They were not among the top ten sources of news in papers in other cities, and their stories did not make a splash outside New York City. Outrage across the country came from evidence of what Spain was doing in Cuba, a major influence in the decision by Congress to declare war. According to a 21st-century historian, war was declared by Congress because public opinion was sickened by the bloodshed, and because leaders like McKinley realized that Spain had lost control of Cuba. These factors weighed more on the president's mind than the melodramas in the New York Journal. Hearst sailed to Cuba with a small army of Journal reporters to cover the Spanish–American War; they brought along portable printing equipment, which was used to print a single-edition newspaper in Cuba after the fighting had ended. Two of the Journals correspondents, James Creelman and Edward Marshall, were wounded in the fighting. A leader of the Cuban rebels, Gen. Calixto García, gave Hearst a Cuban flag that had been riddled with bullets as a gift, in appreciation of Hearst's major role in Cuba's liberation. == Expansion ==

, shows Hearst as the Scarecrow character from the book The Wonderful Wizard of Oz sliding helplessly into a mud puddle while the stick that had held him upright still supports his hat. The cartoon was drawn by William Allen Rogers and published in ''Harper's Weekly.'' In part to aid in his political ambitions, Hearst opened newspapers in other cities, among them Chicago, Los Angeles and Boston. In 1915, he founded International Film Service, an animation studio designed to exploit the popularity of the comic strips he controlled. The creation of his Chicago paper was requested by the Democratic National Committee. Hearst used this as an excuse for his mother Phoebe Hearst to transfer him the necessary start-up funds. By the mid-1920s he had a nationwide string of 28 newspapers, among them the Los Angeles Examiner, the Boston American, the Atlanta Georgian, the Chicago Examiner, the Detroit Times, the Seattle Post-Intelligencer, the Washington Times-Herald, the Washington Herald, and his flagship, the San Francisco Examiner. Hearst also diversified his publishing interests into book publishing and magazines. Several of the latter are still in circulation, including such periodicals as Cosmopolitan, Good Housekeeping, Town and Country, and ''Harper's Bazaar''. In 1924, Hearst opened the New York Daily Mirror, a racy tabloid frankly imitating the New York Daily News. Among his other holdings were two news services, Universal News and International News Service, or INS, the latter of which he founded in 1909. He also owned INS companion radio station WINS in New York; King Features Syndicate, which still owns the copyrights of a number of popular comics characters; a film company, Cosmopolitan Productions; extensive New York City real estate; and thousands of acres of land in California and Mexico, along with timber and mining interests inherited from his father. Hearst promoted writers and cartoonists despite the lack of any apparent demand for them by his readers. The press critic A. J. Liebling reminds us how many of Hearst's stars would not have been deemed employable elsewhere. One Hearst favorite, George Herriman, was the inventor of the dizzy comic strip Krazy Kat. Not especially popular with either readers or editors when it was first published, in the 21st century it is considered a classic, a belief once held only by Hearst himself. In 1929, he became one of the sponsors of the first round-the-world voyage in an airship, the LZ 127 Graf Zeppelin from Germany. His sponsorship was conditional on the trip starting at Lakehurst Naval Air Station, New Jersey. The ship's captain, Dr. Hugo Eckener, first flew the Graf Zeppelin across the Atlantic from Germany to pick up Hearst's photographer and at least three Hearst correspondents. One of them, Grace Marguerite Hay Drummond-Hay, by that flight became the first woman to travel around the world by air. The Hearst news empire reached a revenue peak about 1928, but the economic collapse of the Great Depression in the United States and the vast over-extension of his empire cost him control of his holdings. It is unlikely that the newspapers ever paid their own way; mining, ranching and forestry provided whatever dividends the Hearst Corporation paid out. When the collapse came, all Hearst properties were hit hard, but none more so than the papers. Hearst's conservative politics, increasingly at odds with those of his readers, worsened matters for the once great Hearst media chain. Having been refused the right to sell another round of bonds to unsuspecting investors, the shaky empire tottered. Unable to service its existing debts, Hearst Corporation faced a court-mandated reorganization in 1937. From that point, Hearst was reduced to being an employee, subject to the directives of an outside manager. Newspapers and other properties were liquidated, the film company shut down; there was even a well-publicized sale of art and antiquities. While World War II restored circulation and advertising revenues, his great days were over. The Hearst Corporation continues to this day as a large, privately held media conglomerate based in New York City. == Political engagement ==

'' magazine; seen as supporting "Hoist" in his bid for governor are Happy Hooligan, Foxy Grandpa, Alphonse and Gaston, Buster Brown, The Katzenjammer Kids, and Maud the mule. All of these comic strips ran in newspapers owned by Hearst. Hearst won two elections to Congress, then lost a series of elections. He narrowly failed in attempts to become mayor of New York City in both 1905 and 1909 and governor of New York in 1906, nominally remaining a Democrat while also creating the Independence Party. He was defeated for the governorship by Charles Evans Hughes. Hearst's unsuccessful campaigns for office after his tenure in the House of Representatives earned him the unflattering but short-lived nickname of "William 'Also-Randolph' Hearst", which was coined by Wallace Irwin. Hearst was on the left wing of the Progressive Movement, speaking on behalf of the working class (who bought his papers) and denouncing the rich and powerful (who disdained his editorials). With the support of Tammany Hall (the regular Democratic organization in Manhattan), Hearst was elected to Congress from New York in 1902 and 1904. He made a major effort to win the 1904 Democratic nomination for president, losing to conservative Alton B. Parker. Breaking with Tammany in 1907, Hearst ran for mayor of New York City under a third party of his own creation, the Municipal Ownership League. Tammany Hall exerted its utmost to defeat him. An opponent of the British Empire, Hearst opposed American involvement in the First World War and attacked the formation of the League of Nations. His newspapers abstained from endorsing any candidate in 1920 and 1924. Hearst's last bid for office came in 1922, when he was backed by Tammany Hall leaders for the U.S. Senate nomination in New York. Al Smith vetoed this, earning the lasting enmity of Hearst. Although Hearst shared Smith's opposition to Prohibition, he swung his papers behind Herbert Hoover in the 1928 presidential election. Move to the right and break with Franklin D. Roosevelt During the 1920s Hearst was a Jeffersonian democrat. He warned citizens against the dangers of big government and against unchecked federal power that could infringe on individual rights. When unemployment was near 25 percent, it appeared that Hoover would lose his bid for reelection in 1932, so Hearst sought to block the nomination of Franklin D. Roosevelt as the Democratic challenger. While continuing to oppose Smith, At the Democratic Party Convention in 1932, with control of delegations from his own state of California and from Garner's home state of Texas, Hearst had enough influence to ensure that the triumphant Roosevelt picked Garner as his running mate. In the anticipation that Roosevelt would turn out to be, in his words, "properly conservative", Hearst supported his election. But the rapprochement with Roosevelt did not last the year. The New Deal's program of unemployment relief, in Hearst's view, was "more communistic than the communist" and "un-American to the core". Hearst broke with FDR in spring 1935 when the president vetoed the Patman Bonus Bill for veterans and tried to enter the World Court. His papers carried the publisher's rambling, vitriolic, all-capital-letters editorials, but he no longer employed the energetic reporters, editors, and columnists who might have made a serious attack. He reached 20 million readers in the mid-1930s. They included much of the working class which Roosevelt had attracted by three-to-one margins in the 1936 election. The Hearst papers—like most major chains—had supported the Republican Alf Landon that year. While campaigning against Roosevelt's policy of developing formal diplomatic relations with the Soviet Union, in 1935 Hearst ordered his editors to reprint eyewitness accounts of the Ukrainian famine (the Holodomor, which occurred in 1932–1933). These had been supplied in 1933 by Welsh freelance journalist Gareth Jones, and by the disillusioned American Communist Fred Beal. The New York Times, content with what it has since conceded was "tendentious" reporting of Soviet achievements, printed the blanket denials of its Pulitzer Prize-winning Moscow correspondent Walter Duranty. Duranty, who was widely credited with facilitating the rapprochement with Moscow, dismissed the Hearst-circulated reports of man-made starvation as a politically motivated "scare story". In the articles, written by Thomas Walker, to better serve Hearst's editorial line against Roosevelt's Soviet policy the famine was "updated": the impression was created of the famine continuing into 1934. In response, Louis Fischer wrote an article in The Nation accusing Walker of "pure invention" because Fischer had been to Ukraine in 1934 and claimed that he had not seen famine. He framed the story as an attempt by Hearst to "spoil Soviet-American relations" as part of "an anti-red campaign". Position regarding Germany According to Rodney Carlisle, "Hearst condemned the domestic practices of Nazism, but he believed that German demands for boundary revision were legitimate. While he was not pro-Nazi, he accepted more German positions and propaganda than did some other editors and publishers." With "AMERICA FIRST" emblazoned on his newspaper masthead, Hearst celebrated the "great achievement" of the new Nazi regime in Germany—a lesson to all "liberty-loving people." In 1934, after checking with Jewish leaders, Hearst visited Berlin to interview Adolf Hitler. When Hitler asked why he was so misunderstood by the American press, Hearst retorted: "Because Americans believe in democracy, and are averse to dictatorship." William Randolph Hearst instructed his reporters in Germany to give positive coverage of the Nazis, and fired journalists who refused to write stories favorable of German fascism. Hearst's papers ran columns without rebuttal by Nazi leader Hermann Göring, Alfred Rosenberg, and Hitler himself, as well as Mussolini and other dictators in Europe and Latin America. After the systematic massive Nazi attacks on Jews known as Kristallnacht (November 9–10, 1938), the Hearst press, like all major American newspapers, blamed Hitler and the Nazis: "The entire civilized world is shocked and shamed by Germany's brutal oppression of the Jewish people," read an editorial in all Hearst papers. "You [Hitler] are making the flag of National Socialism a symbol of national savagery," read an editorial written by Hearst. Despite this, following the Nazi invasion of the Soviet Union in 1941, Hearst wrote a column in the New York Journal-American the following day, praising Hitler as the "saviour of Europe", expressed regret that the British policy of "co-operation with Hitler against communism was thrown out" and had hope that "peace can still be made and Europe united against the expansion of Asiatic Communism". During 1934, Japan / U.S. relations were unstable. In an attempt to remedy this, Prince Tokugawa Iesato travelled throughout the United States on a goodwill visit. During his visit, Prince Iesato and his delegation met with William Randolph Hearst with the hope of improving relations between the two nations. == Personal life ==

Millicent Willson In 1903, 40-year-old Hearst married Millicent Veronica Willson (1882–1974), a 21-year-old chorus girl, in New York City. The couple had five sons: George Randolph Hearst, born on April 23, 1904; William Randolph Hearst Jr., born on January 27, 1908; John Randolph Hearst, born September 26, 1909; and twins Randolph Apperson Hearst and David Whitmire (né Elbert Willson) Hearst, born on December 2, 1915. Millicent separated from Hearst in the mid-1920s after tiring of his longtime affair with Marion Davies, but the couple remained legally married until Hearst's death. As a leading philanthropist, Millicent built an independent life for herself in New York City. She was active in society and in 1921 founded the Free Milk Fund for Babies. For decades, the fund provided New York's poverty-stricken families with free milk for children. From about 1919, he lived openly with her in California. After the death of Patricia Lake, who had been presented as Davies's "niece," her family confirmed that she was Davies and Hearst's daughter. She had acknowledged this before her death. California properties George Hearst invested some of his fortune from the Comstock Lode in land. In 1865 he purchased about , part of Rancho Piedra Blanca stretching from Simeon Bay and reached to Ragged Point. He paid the original grantee Jose de Jesus Pico USD$1 an acre, about twice the current market price. Hearst continued to buy parcels whenever they became available, including Rancho San Simeon. In 1865, Hearst bought all of Rancho Santa Rosa totaling except one section of that Estrada lived on. However, as was common with claims before the Public Land Commission, Estrada's legal claim was costly and took many years to resolve. Estrada mortgaged the ranch to Domingo Pujol, a Spanish-born San Francisco lawyer, who represented him. Estrada was unable to pay the loan and Pujol foreclosed on it. Estrada did not have the title to the land. Hearst sued, but ended up with only of Estrada's holdings. Rancho Milpitas was a land grant given in 1838 by California governor Juan Bautista Alvarado to Ygnacio Pastor. The grant encompassed present-day Jolon and land to the west. When Pastor obtained title from the Public Land Commission in 1875, Faxon Atherton immediately purchased the land. By 1880, the James Brown Cattle Company owned and operated Rancho Milpitas and neighboring Rancho Los Ojitos. In 1923, Newhall Land sold Rancho San Miguelito de Trinidad and Rancho El Piojo to William Randolph Hearst. In 1925, Hearst's Piedmont Land and Cattle Company bought Rancho Milpitas and Rancho Los Ojitos (Little Springs) from the James Brown Cattle Company. Hearst gradually bought adjoining land until he owned about . Fort Hunter Liggett On December 12, 1940, Hearst sold , including the Rancho Milpitas, to the United States government. Neighboring landowners sold another to create the Hunter Liggett Military Reservation troop training base for the War Department. The US Army used a ranch house and guest lodge named The Hacienda as housing for the base commander, for visiting officers, and for the officers' club. Little Sur River In 1916, the Eberhard and Kron Tanning Company of Santa Cruz purchased land from the homesteaders along the Little Sur River. They harvested tanbark oak and brought the bark out on mules and crude wooden sleds known as "go-devils" to Notleys Landing at the mouth of Palo Colorado Canyon, where it was loaded via cable onto ships anchored offshore. Hearst was interested in preserving the uncut, abundant redwood forest, and on November 18, 1921, he purchased the land from the tanning company for about $50,000. On July 23, 1948, the Monterey Bay Area Council of the Boy Scouts of America purchased the property, originally , from the Hearst Sunical Land and Packing Company for $20,000. On September 9, 1948, Albert M. Lester of Carmel obtained a grant for the council of $20,000 from Hearst through the Hearst Foundation of New York City, offsetting the cost of the purchase. Hearst Castle in San Simeon, California Beginning in 1919, Hearst began to build Hearst Castle, which he never completed, on the ranch he had acquired near San Simeon. He furnished the mansion with art, antiques, and entire historic rooms purchased and brought from great houses in Europe. He established an Arabian horse breeding operation on the grounds. Northern California forest land Hearst also owned property on the McCloud River in Siskiyou County, in far northern California, called Wyntoon. The buildings at Wyntoon were designed by architect Julia Morgan, who also designed Hearst Castle and worked in collaboration with William J. Dodd on a number of other projects. Beverly Hills mansion In 1947, Hearst paid $120,000 for an H-shaped Beverly Hills mansion, (located at 1011 N. Beverly Dr.), on 3.7 acres three blocks from Sunset Boulevard. The Beverly House, as it has come to be known, has some cinematic connections. According to Hearst Over Hollywood, John and Jacqueline Kennedy stayed at the house for part of their honeymoon. The house appeared in the film The Godfather (1972). In the early 1890s, Hearst began building a mansion on the hills overlooking Pleasanton, California, on land purchased by his father a decade earlier. Hearst's mother took over the project, hired Julia Morgan to finish it as her home, and named it Hacienda del Pozo de Verona. After her death, it was acquired by Castlewood Country Club, which used it as their clubhouse from 1925 to 1969, when it was destroyed in a major fire. Art collection , a 1697 landscape painting once owned by Hearst Hearst was renowned for his extensive collection of international art that spanned centuries. Most notable in his collection were his Greek vases, Spanish and Italian furniture, Oriental carpets, Renaissance vestments, an extensive library with many books signed by their authors, and paintings and statues. In addition to collecting pieces of fine art, he also gathered manuscripts, rare books, and autographs. His guests included varied celebrities and politicians, who stayed in rooms furnished with pieces of antique furniture and decorated with artwork by famous artists. The Castle was restored by Hearst, who spent a fortune buying entire rooms from other castles and palaces across the UK and Europe. The Great Hall was bought from the Bradenstoke Priory in Wiltshire and reconstructed brick by brick in its current site at St. Donat's. From the Bradenstoke Priory, he also bought and removed the guest house, Prior's lodging, and great tithe barn; of these, some of the materials became the St. Donat's banqueting hall, complete with a sixteenth-century French chimney-piece and windows; also used were a fireplace dated to c. 1514 and a fourteenth-century roof, which became part of the Bradenstoke Hall, despite this use being questioned in Parliament. Hearst built 34 green and white marble bathrooms for the many guest suites in the castle and completed a series of terraced gardens which survive intact today. Hearst and Davies spent much of their time entertaining, and held a number of lavish parties attended by guests including Charlie Chaplin, Douglas Fairbanks, Winston Churchill, and a young John F. Kennedy. When Hearst died, the castle was purchased by Antonin Besse II and donated to Atlantic College, an international boarding school founded by Kurt Hahn in 1962, which still uses it. Interest in aviation Hearst was particularly interested in the newly emerging technologies relating to aviation and had his first experience of flight in January 1910, in Los Angeles. Louis Paulhan, a French aviator, took him for an air trip on his Farman biplane. Hearst also sponsored Old Glory as well as the Hearst Transcontinental Prize. Financial disaster Hearst's crusade against Roosevelt and the New Deal, combined with union strikes and boycotts of his properties, undermined the financial strength of his empire. Circulation of his major publications declined in the mid-1930s, while rivals such as the New York Daily News were flourishing. He refused to take effective cost-cutting measures, and instead increased his very expensive art purchases. His friend Joseph P. Kennedy offered to buy the magazines, but Hearst jealously guarded his empire and refused. Instead, he sold some of his heavily mortgaged real estate. San Simeon itself was mortgaged to Los Angeles Times owner Harry Chandler in 1933 for $600,000. Finally his financial advisors realized he was tens of millions of dollars in debt, and could not pay the interest on the loans, let alone reduce the principal. The proposed bond sale failed to attract investors when Hearst's financial crisis became widely known. Marion Davies's stardom waned and Hearst's movies also began to hemorrhage money. As the crisis deepened he let go of most of his household staff, sold his exotic animals to the Los Angeles Zoo and named a trustee to control his finances. He still refused to sell his beloved newspapers. At one point, to avoid outright bankruptcy, he had to accept a $1 million loan from Marion Davies, who sold all her jewelry, stocks and bonds to raise the cash for him. Davies also managed to raise him another million as a loan from Washington Herald owner Cissy Patterson. The trustee cut Hearst's annual salary to $500,000, and stopped the annual payment of $700,000 in dividends. He had to pay rent for living in his castle at San Simeon. Legally Hearst avoided bankruptcy although the public generally saw it as such, since appraisers went through the tapestries, paintings, furniture, silver, pottery, buildings, autographs, jewelry, and other collectibles. Items in the thousands were gathered from a five-story warehouse in New York, warehouses near San Simeon containing large amounts of Greek sculpture and ceramics, and the contents of St. Donat's. His collections were sold off in a series of auctions and private sales in 1938–39. John D. Rockefeller, Junior, bought $100,000 of antique silver for his new museum at Colonial Williamsburg. The market for art and antiques had not recovered from the depression, so Hearst made an overall loss of hundreds of thousands of dollars. During this time, Hearst's friend George Loorz commented sarcastically: "He would like to start work on the outside pool [at San Simeon], start a new reservoir etc. but told me yesterday 'I want so many things but haven't got the money.' Poor fellow, let's take up a collection." He was embarrassed in early 1939 when Time magazine published a feature which revealed he was at risk of defaulting on his mortgage for San Simeon and losing it to his creditor and publishing rival, Harry Chandler. This, however, was averted, as Chandler agreed to extend the repayment. == Final years and death ==

After the disastrous financial losses of the 1930s, the Hearst Company returned to profitability during the Second World War, when advertising revenues skyrocketed. Hearst, after spending much of the war at his estate of Wyntoon, returned to San Simeon full-time in 1945 and resumed building works. He also continued collecting, on a reduced scale. He threw himself into philanthropy by donating a great many works to the Los Angeles County Museum of Art. He was interred in the Hearst family mausoleum at the Cypress Lawn Memorial Park in Colma, California, which his parents had established. His will established two charitable trusts, the Hearst Foundation and the William Randolph Hearst Foundation. By his amended will, Marion Davies inherited 170,000 shares in the Hearst Corporation, which, combined with a trust fund of 30,000 shares that Hearst had established for her in 1950, gave her a controlling interest in the corporation. This was short-lived, as she relinquished the 170,000 shares to the Corporation on October 30, 1951, retaining her original 30,000 shares and a role as an advisor. Like their father, none of Hearst's five sons graduated from college. They all followed their father into the media business, and Hearst's namesake, William Randolph Jr., became a Pulitzer Prize–winning newspaper reporter. == Criticism ==

In the 1890s, the already existing anti-Chinese and anti-Asian racism in San Francisco were further fanned by Hearst's anti-Asian beliefs, which were reflected in the rhetoric and the focus in the Examiner and one of his own signed editorials. These prejudices continued to be the mainstays throughout his journalistic career to galvanize his readers’ fears. Some media outlets have attempted to bring attention to Hearst's involvement in the prohibition of cannabis in the United States. Hearst collaborated with Harry J. Anslinger to ban hemp due to the threat that the burgeoning hemp paper industry posed to his major investment and market share in the paper milling industry. Due to their efforts, hemp would remain illegal to grow in the US for almost a century, not being legalized until 2018. As Martin Lee and Norman Solomon noted in their 1990 book Unreliable Sources, Hearst "routinely invented sensational stories, faked interviews, ran phony pictures and distorted real events". Hearst's use of yellow journalism techniques in his New York Journal to whip up popular support for U.S. military adventurism in Cuba, Puerto Rico and the Philippines in 1898 was also criticized in Upton Sinclair's 1919 book, The Brass Check: A Study of American Journalism. According to Sinclair, Hearst's newspapers distorted world events and deliberately tried to discredit socialists. Another critic, Ferdinand Lundberg, extended the criticism in Imperial Hearst (1936), charging that Hearst papers accepted payments from abroad to slant the news. After the Second World War, a further critic, George Seldes, repeated the charges in Facts and Fascism (1947). Lundberg described Hearst as "the weakest strong man and the strongest weak man in the world today... a giant with feet of clay." == In fiction ==

Citizen Kane The film Citizen Kane (released on May 1, 1941) is loosely based on Hearst's life. Welles and his collaborator, screenwriter Herman J. Mankiewicz, created Kane as a composite character, among them Harold Fowler McCormick, Samuel Insull and Howard Hughes. Hearst, enraged at the idea of Citizen Kane being a thinly disguised and very unflattering portrait of him, used his massive influence and resources to prevent the film from being released—all without even having seen it. Welles and the studio RKO Pictures resisted the pressure but Hearst and his Hollywood friends ultimately succeeded in pressuring theater chains to limit showings of Citizen Kane, resulting in only moderate box-office numbers and seriously impairing Welles's career prospects. The fight over the film was documented in the Academy Award-nominated documentary, The Battle Over Citizen Kane, and nearly 60 years later, HBO offered a fictionalized version of Hearst's efforts in its original production RKO 281 (1999), in which James Cromwell portrays Hearst. Citizen Kane has twice been ranked No. 1 on AFI's 100 Years...100 Movies: in 1998 and 2007. In 2020, David Fincher directed Mank, starring Gary Oldman as Mankiewicz, as he interacts with Hearst prior to the writing of Citizen Kane's screenplay. Charles Dance portrays Hearst in the film. Other works Films • In the television film Rough Riders (1997), Hearst (played by George Hamilton) is depicted as traveling to Cuba with a small band of journalists, to personally cover the Spanish–American War. • Hearst is mentioned in the Disney movie Newsies (1992), directed by Kenny Ortega, which depicts the Newsboys' Strike of 1899. Hearst is never seen onscreen but is referenced by several of the newsies in various musical numbers, and is portrayed as an antagonist engaged in a bitter circulation war with Joseph Pulitzer. • In the HBO movie Winchell (1998), Kevin Tighe played Hearst. • In RKO 281 (1999), Hearst was played by James Cromwell. • ''The Cat's Meow'' (2001), a fictitious version of the death of Thomas H. Ince, takes place in November 1924, on a weekend cruise aboard Hearst's yacht, celebrating Ince's 44th birthday. The film's fictionalizes Ince's death by suggesting that Hearst shot Ince and covered it up. Hearst is portrayed by Edward Herrmann. (Ince actually became severely ill aboard Hearst's private yacht, and the official cause of the filmmaker's death was heart failure.) • He was portrayed by Matthew Marsh in Agnieszka Holland's 2019 film Mr Jones. • He was portrayed by Charles Dance in David Fincher's 2020 film Mank. • He was portrayed by Pat Skipper in Damien Chazelle's 2022 film Babylon. Literature • John Dos Passos's novel The Big Money (1936) includes a biographical sketch of Hearst. • Jack London's futuristic, dystopian novel The Iron Heel (1908) refers to Hearst by name; and the plot "predicts" the destruction of his publishing empire (along with the Democratic Party) in 1912 by means of an oligarchy of plutocrats and industrial trusts engineering the cessation of his advertising revenue. • In Ayn Rand's novel The Fountainhead (1943) and its eponymous 1949 film adaptation, the character Gail Wynand, a newspaper magnate who thinks he can control public sentiment but in reality is only a servant of the masses, is inspired by and modeled after the life of Hearst. • In John Steinbeck's novel The Grapes of Wrath (1939), Hearst is anonymously described as the "newspaper fella near the coast" who "got a million acres" and looks "crazy an' mean" in pictures (ch. 18). • In Gore Vidal's historic novel series, Narratives of Empire, Hearst is a major character. • Cormac McCarthy's novel The Crossing (1994) refers to Hearst by name and workers at his million-acre ranch in Chihuahua, La Babícora, act as antagonists in the story. • Scott Westerfeld's novel Goliath (2011) depicts Hearst in World War I. • In Charlaine Harris' The Russian Cage (2021), Hearst was the ruler of the HRE (formerly west coast states of US) who permitted the tsar and his entourage to settle in the defunct Navy base at San Diego. • Hearst makes a guest appearance in Chapters 21 and 22 of the Molly Murphy Mystery "All That is Hidden" (2023) by Rhys Bowen and Clare Broyles. • The book "Great Big Beautiful Life" by Emily Henry is a nod toward the Hearst family • He is mentioned throughout multiple Lanny Budd books by Upton Sinclair, especially "A World to Win", and "One Clear Call" Television • The rivalry between Hearst and Joseph Pulitzer has been documented on National Geographic Channel's series American Genius (2015). • In the TNT series The Alienist, in the second season played by Matt Letscher. • In "The Paper Dynasty" (1964) episode of the syndicated Western television series Death Valley Days, hosted by Stanley Andrews. In the story line, Hearst (played by James Hampton) struggles to turn a profit despite increased circulation of The San Francisco Examiner, featuring James Lanphier (1920–1969) as Ambrose Bierce and Robert O. Cornthwaite as Sam Chamberlain. • In "The Odyssey", a 1979 episode of the television series Little House on the Prairie, Hearst (played by Bill Ewing) is depicted as a friendly and talented young San Francisco journalist. • Hearst (portrayed by John Colton) appears in the season 2 episode "Hollywoodland" of the NBC series Timeless. == See also ==