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Xian (Taoism)

A xian is any manner of immortal or mythical being within the Taoist pantheon or Chinese folklore. Xian has often been translated into English as "transcendent", "immortal" or "wizard".

Description
Victor H. Mair describes the archetype as: They are immune to heat and cold, untouched by the elements, and can fly, mounting upward with a fluttering motion. They dwell apart from the chaotic world of man, subsist on air and dew, are not anxious like ordinary people, and have the smooth skin and innocent faces of children. The transcendents live an effortless existence that is best described as spontaneous. They recall the ancient Indian ascetics and holy men known as who possessed similar traits. were regarded as "personal gods" who had been human and ascended through ascetics, scholarship, or martial arts. Taoists would venerate them, and emulate their example in everyday life. The Eight Immortals and other were believed to possess powers connected to their symbolic tools, which could extend or shorten human lifespans depending on their use. Some Taoists regarded as inner gods of the body, capable of troubling mortals but countered through martial virtue and discipline. They were considered capable of both benevolent and malevolent actions. and Chinese dragons. Xiān dragons were believed to serve as mounts for Deities ==Types of xian and levels of achievement==
Types of xian and levels of achievement
Zhongli Chuandao ji descends from heavens with a Peach of Immortality (Jade Pond Birthday greeting, by Jin Tingbiao, Qing dynasty (1368–1644). The immortals are from left to right: Shide, Hanshan, Iron-Crutch Li, and Liu Haichan. The longevity deity riding the crane. The is a Song dynasty Taoist compendium, following the textual tradition of internal alchemy (), which lists five classes of immortals: • —"Ghost Immortals": A person who cultivates too much yin energy. These immortals are likened to Vampires because they drain the life essence of the living, much like the fox spirit. Ghost immortals do not leave the realm of ghosts. • —"Human Immortals": Humans have an equal balance of yin and yang energies, so they have the potential of becoming either a ghost or immortal. Although they continue to hunger and thirst and require clothing and shelter like a normal human, these immortals do not suffer from aging or sickness. Human immortals do not leave the realm of humans. There are many sub-classes of human immortals. • — "Earthly Immortals": When the yin is transformed into the pure yang, a true immortal body will emerge that does not need food, drink, clothing or shelter and is not affected by hot or cold temperatures. Earth immortals do not leave the realm of earth. These immortals are forced to stay on earth until they shed their human form. • —"Spirit Immortals" also known as "Divine Immortals": The immortal body of the earthbound class will eventually change into vapor through further practice. They have supernatural powers and can take on the shape of any object. These immortals must remain on earth, acquiring merit by teaching mankind about the Tao. Spirit immortals do not leave the realm of spirits. Once enough merit is accumulated, they are called to heaven by a celestial decree. • —"Celestial Immortals" also known as "Heavenly Immortals" : Spirit immortals who are summoned to heaven are given the minor office of water realm judge. Over time, they are promoted to oversee the earth realm and finally become administrators of the celestial realm. These immortals have the power to travel back and forth between the earthly and celestial realms. Baopuzi painting of Old Man of the South Pole riding a crane The 4th century CE Baopuzi ( "[Book of] Master Embracing Simplicity"), written by Ge Hong, gives some highly detailed descriptions of xian, listing three classes: • – "Celestial Immortals" or "Heavenly Immortals" - The highest level. • – "Earthly Immortals" - The middle level. • - "Escaped-by-means-of-a-stimulated-corpse-simulacrum Immortal"- The lowest level. This is considered the lowest form of immortality since a person must first "fake" their own death by substituting a bewitched object like a bamboo pole, talisman, or a shoe for their corpse. Mortals who choose this route have to protect themselves from heavenly retribution by enacting the . However, this is not a true form of immortality. For each misdeed a person commits, the Director of Allotted Lifespans subtracts days and sometimes years from their allotted lifespan. This method allows a person to live out the entirety of their allotted lifespan and avoid the agents of death. But the body still has to be transformed into an immortal one, hence the phrase – "The 'death' is apparent, [but] the sloughing off of the body's mortality remains to be done." There are three levels of Shījiě immortals: – "Agents Beneath the Earth" – in charge of keeping the peace within the Chinese underworld. They are eligible for promotion to earthbound immortality after 280 years of faithful service. – "Agents Above the Earth" – given magic talismans which prolong their lives (but not indefinitely) and allow them to heal the sick and exorcize demons and evil spirits from the earth. This level was not eligible for promotion to earthbound immortality. – "Lords Who Control the Earth" – a heavenly decree ordered them to "disperse all subordinate junior demons, whether high or low [in rank], that have cause afflictions and injury owing to blows or offenses against the Motion of the Year, the Original Destiny, Great Year, the Kings of the Soil or the establishing or breaking influences of the chronograms of the tome. Annihilate them all." This level was also not eligible for promotion to immortality. These titles were usually given to humans who had either not proven themselves worthy of or were not fated to become immortals. One such famous agent was Fei Changfang, who was eventually murdered by evil spirits because he lost his book of magic talismans. Some accounts describe immortals using this method to escape execution. ==Translations==
Translations
. of the Eight Immortals on the left releasing a bat and Liu Haichan on the right holding one of the Peaches of Immortality and accompanied by the three-legged toad, Jin Chan. By Soga Shōhaku (), circa 1760. The Chinese word xian is translatable into English as: • (in Daoist philosophy and cosmology) spiritually immortal; transcendent human; celestial being • (in Daoist religion and pantheon) physically immortal; immortal person; an immortal; saint, • (in Chinese alchemy) alchemist; one who seeks the elixir of life; one who practices longevity techniques by turning Shen to Jing. • (or by extension) alchemical, herbal, shi liao, or qigong methods for attaining immortality • (in Chinese mythology) wizard; magician; shaman; sorcerer • (in popular Chinese literature) genie; elf, fairy; nymph; xian jing () is fairyland. • (based on the folk etymology for the character xian [''], a compound of the characters for person and ''mountain) sage living high in the mountains; mountain-man; hermit; recluse • (as a metaphorical modifier) immortal [talent]; accomplished person; celestial [beauty]; marvelous; extraordinary • (in new-age conception) seeker who takes refuge in immortality (longevity for the realization of divinity); transcended person [self] recoded by the "higher self"; divine soul; fully established being • (in early Tang dynasty folk religion conception) immortal being part of a small spiritual cabal who had immortal lifespans and supernatural powers, and were enlightened to the works of heaven, which assigned everyone else to "gloomy underworld jails", "a fiery underworld", and/or a mundane role in the afterlife depending on how positively one viewed the afterlife • (in Daoism and Chinese folk religion) a Daoist who was blessed to become immortal from death onwards and/or a guardian of a village • (in Chinese Buddhism and Buddhist-inspired Taoist sects) a kind of deity or spiritual person imported from Taoism • (in Confucianism within some imperial courts and folk religion practice that believes in the three teachings) an ideal existence often associated with cult images made from bronze and with "everlasting life" that is synonymous with and a part of tian or an afterlife that combines elements of Confucianism, Taoism, and Buddhism, a higher reality (variably a yin-yang realm or a mountain world beyond reality that created jade that manifests in the real world), the Tao and the forces of nature, or existence itself or a being that a deceased person's soul should become • (in Fujian Confucianism, Buddhism, Taoism, and folk religion) a boddhisatva, a person who is on the path like Gautama Buddha or a being of comparable holiness and power over nature to one, or a type of god worshipped in temples • (in Korean Taoist-inspired new religions) a being subservient to heaven that helps humans ==Etymology==
Etymology
. The etymology of xian remains uncertain. The Shiming (c. 200 CE), a Chinese dictionary of wordplay etymologies, defines xiān (仙) as "to get old and not die," explained as someone who qiān () the mountains. Its writing is a combination of ren () and shan (). Its historical form is xian () a combination of ren () and qian (). Xian is often used as Chinese compound, such as the Baxian (). Other common words include xianren (), xianrenzhang (), xiannü (), and shenxian (). Edward H. Schafer defined xian as "a transcendent, sylph-like being who, through alchemical, gymnastic and other disciplines, achieved a refined and possibly immortal body, able to fly beyond the material world and subsist on air and dew." Schafer noted xian was cognate to , , and ; and compared Chinese with English peri "a fairy or supernatural being in Persian mythology" (Persian pari from par "feather; wing"). Two linguistic hypotheses for the etymology of involve Arabic and Sino-Tibetan languages. Wu and Davis suggested the source was jinn, or jinni "genie" (from Arabic جني jinnī). "The marvelous powers of the Hsien are so like those of the jinni of the Arabian Nights that one wonders whether the Arabic word, jinn, may not be derived from the Chinese Hsien." Axel Schuessler's etymological dictionary proposes a Sino-Tibetan connection between xiān (Old Chinese *san or *sen, "an immortal; men and women who attain supernatural abilities and, after death, become immortals and deities able to fly") and Classical Tibetan gšen < g-syen ("shaman, one with supernatural abilities, including flight"). The character and its variants for The word is written with three characters (, , or ) which combine the logographic radical ren () with two phonetic elements (see Chinese character classification). The oldest recorded xian character () includes a qian () phonetic, reflecting the idea that immortals could "ascend into the heavens". (Compare combining this phonetic and the motion radical.) The usual modern character (), and its rare variant (), have a phonetic. For a character analysis, Schipper interprets "'the human being of the mountain,' or alternatively, 'human mountain'. The two explanations are appropriate to these beings: they haunt the holy mountains, while also embodying nature." The Classic of Poetry (220/3) contains the oldest occurrence of the character xian (), reduplicated as , and rhymed with . "But when they have drunk too much, Their deportment becomes light and frivolous—They leave their seats, and [] go elsewhere, They keep [] dancing and capering." (tr. James Legge) Needham and Wang suggest was cognate with . Paper writes: "The function of the term xiān in a line describing dancing may be to denote the height of the leaps. Since "to live for a long time" has no etymological relation to xiān, it may be a later accretion." The 121 CE Shuowen Jiezi, the first important dictionary of Chinese characters, does not enter xian () except in the definition for . It defines xian () as "live long and move away" and xian () as "appearance of a person on a mountaintop". ==History and textual references==
History and textual references
stone-relief of Xiwangmu, surrounded by winged or feathered Immortals, Yuren () . Descriptions of xian ("immortals; transcendents") in Chinese texts vary according to historical changes in Daoist views on immortality. Early texts such as the Zhuangzi, Chuci, and Liezi used xiān and magical islands allegorically to describe spiritual immortality. They sometimes employed the term yuren (; later also meaning "Daoist") and associated immortals with motifs of feathers and flight, such as yuhua (), with "feather; wing". Later texts such as the Shenxian Zhuan and Baopuzi treated immortality literally, describing esoteric alchemical practices aimed at physical longevity. Neidan ("internal alchemy") included taixi ("embryonic respiration"), breath control, meditation, visualization, sexual training and daoyin exercises (later evolving into qigong and tai chi). Waidan ("external alchemy") emphasized recipes involving magical plants, rare minerals, herbal medicines, drugs and dietary regimens such as inedia. Besides the following major Chinese texts, many others use both graphic variants of . occurs in the Chunqiu Fanlu, Fengsu Tongyi, Qian fu lun, Fayan, and Shenjian; () occurs in the Caizhong langji, Fengsu Tongyi, Guanzi, and Shenjian. They are most commonly found in Daoist texts, although some Buddhist sources also mention them. Chinese folk religion likewise includes such figures, for example in Northeast China with the fox gods, or huxian, that are common in the region. The Three Sovereigns had similarities to because of some of their supernatural abilities and could have been considered such. Upon his death, the Yellow Emperor was "said to have become" a . They often had "magical" Tao powers including the abilities to "walk ... through walls or stand ... in light without casting a shadow." In ancient Chinese dynasties such as the Han, various gods were thought to be xian instead in some retellings of their mythology. Hou Yi was one example of this.'''' Liezi The Liezi ("[Book of] Master Lie"), which Louis Komjathy suggests was compiled in the 3rd century CE (though it contains earlier material), uses xian four times, always in the compound xiansheng (). Nearly half of Chapter 2 ("The Yellow Emperor") comes from the Zhuangzi, including this recounting of the above fable about Mount Gushe (, or Guye, or Miao Gushe ). The Ku-ye mountains stand on a chain of islands where the Yellow River enters the sea. Upon the mountains there lives a Divine Man, who inhales the wind and drinks the dew, and does not eat the five grains. His mind is like a bottomless spring, his body is like a virgin's. He knows neither intimacy nor love, yet [] immortals and sages serve him as ministers. He inspires no awe, he is never angry, yet the eager and diligent act as his messengers. He is without kindness and bounty, but others have enough by themselves; he does not store and save, but he himself never lacks. The Yin and Yang are always in tune, the sun and moon always shine, the four seasons are always regular, wind and rain are always temperate, breeding is always timely, the harvest is always rich, and there are no plagues to ravage the land, no early deaths to afflict men, animals have no diseases, and ghosts have no uncanny echoes. Chapter 5 uses xiansheng three times in a conversation set between legendary rulers Tang () of the Shang dynasty and Ji () of the Xia dynasty. T'ang asked again: 'Are there large things and small, long and short, similar and different?'—'To the East of the Gulf of Chih-li, who knows how many thousands and millions of miles, there is a deep ravine, a valley truly without bottom; and its bottomless underneath is named "The Entry to the Void". The waters of the eight corners and the nine regions, the stream of the Milky Way, all pour into it, but it neither shrinks nor grows. Within it there are five mountains, called Tai-yü, Yüan-chiao, Fang-hu, Ying-chou and P'eng-Iai. These mountains are thirty thousand miles high, and as many miles round; the tablelands on their summits extend for nine thousand miles. It is seventy thousand miles from one mountain to the next, but they are considered close neighbours. The towers and terraces upon them are all gold and jade, the beasts and birds are all unsullied white; trees of pearl and garnet always grow densely, flowering and bearing fruit which is always luscious, and those who eat of it never grow old and die. The men who dwell there are all of the race of [] immortal sages, who fly, too many to be counted, to and from one mountain to another in a day and a night. Yet the bases of the five mountains used to rest on nothing; they were always rising and falling, going and returning, with the ebb and flow of the tide, and never for a moment stood firm. The [] immortals found this troublesome, and complained about it to God. God was afraid that they would drift to the far West and he would lose the home of his sages. So he commanded Yü-ch'iang to make fifteen [] giant turtles carry the five mountains on their lifted heads, taking turns in three watches, each sixty thousand years long; and for the first time the mountains stood firm and did not move.'But there was a giant from the kingdom of the Dragon Earl, who came to the place of the five mountains in no more than a few strides. In one throw he hooked six of the turtles in a bunch, hurried back to his country carrying them together on his back, and scorched their bones to tell fortunes by the cracks. Thereupon two of the mountains, Tai-yü and Yüan-chiao, drifted to the far North and sank in the great sea; the [] immortals who were carried away numbered many millions. God was very angry, and reduced by degrees the size of the Dragon Earl's kingdom and the height of his subjects. At the time of Fu-hsi and Shen-nung, the people of this country were still several hundred feet high.' Penglai Mountain became the most famous of these five mythical peaks where the elixir of life supposedly grew, and is known as Horai in Japanese legends. The first emperor Qin Shi Huang sent his court alchemist Xu Fu on expeditions to find these plants of immortality. He never returned, although some accounts claim he discovered Japan. Holmes Welch analyzed the beginnings of Daoism, sometime around the 4th–3rd centuries BCE, from four separate streams: philosophical Daoism (Laozi, Zhuangzi, Liezi), a "hygiene school" that cultivated longevity through breathing exercises and yoga, Chinese alchemy and Five Elements philosophy, and those who sought Penglai and elixirs of "immortality". This is what he concludes about xian. It is my own opinion, therefore, that though the word hsien, or Immortal, is used by Chuang Tzu and Lieh Tzu, and though they attributed to their idealized individual the magic powers that were attributed to the hsien in later times, nonetheless the hsien ideal was something they did not believe in—either that it was possible or that it was good. The magic powers are allegories and hyperboles for the natural powers that come from identification with Tao. Spiritualized Man, P'eng-lai, and the rest are features of a genre which is meant to entertain, disturb, and exalt us, not to be taken as literal hagiography. Then and later, the philosophical Taoists were distinguished from all other schools of Taoism by their rejection of the pursuit of immortality. As we shall see, their books came to be adopted as scriptural authority by those who did practice magic and seek to become immortal. But it was their misunderstanding of philosophical Taoism that was the reason they adopted it. Shenxian zhuan stone-relief The is a hagiography of xian. Although it was traditionally attributed to Ge Hong (283–343 CE), Komjathy says, "The received versions of the text contain some 100-odd hagiographies, most of which date from 6th–8th centuries at the earliest." According to the Shenxian zhuan, there are four schools of immortality: : Breath control and meditation. Practitioners of this school were believed to be able to: "...blow on water and it will flow against its own current for several paces; blow on fire, and it will be extinguished; blow at tigers or wolves, and they will crouch down and not be able to move; blow at serpents, and they will coil up and be unable to flee. If someone is wounded by a weapon, blow on the wound, and the bleeding will stop. If you hear of someone who has suffered a poisonous insect bite, even if you are not in his presence, you can, from a distance, blow and say in incantation over your own hand (males on the left hand, females on the right), and the person will at once be healed even if more than a hundred li away. And if you yourself are struck by a sudden illness, you have merely to swallow pneumas in three series of nine, and you will immediately recover.But the most essential thing [among such arts] is fetal breathing. Those who obtain [the technique of] fetal breathing become able to breathe without using their nose or mouth, as if in the womb, and this is the culmination of the way [of pneumatic cultivation]." : The ingestion of herbal compounds and abstention from the Sān Shī Fàn (), which included meats (raw fish, pork, dog), leeks, scallions and grains. "During the reign of Emperor Cheng of the Han, hunters in the Zhongnan Mountains saw a person who wore no clothes, his body covered with black hair. Upon seeing this person, the hunters wanted to pursue and capture him, but the person leapt over gullies and valleys as if in flight, and so could not be overtaken. [But after being surrounded and captured, it was discovered this person was a 200 plus year old woman, who had once been a concubine of Qin Emperor Ziying. When he had surrendered to the 'invaders of the east', she fled into the mountains where she learned to subside on 'the resin and nuts of pines' from an old man. Afterwards, this diet 'enabled [her] to feel neither hunger nor thirst; in winter [she] was not cold, in summer [she] was not hot.']The hunters took the woman back in. They offered her grain to eat. When she first smelled the stink of grain, she vomited, and only after several days could she tolerate it. After little more than two years of this [diet], her body hair fell out; she turned old and died. Had she not been caught by men, she would have become a transcendent." ( ), the two "Immortals of Harmony and Unity", associated with happy marriage, depicted in Changchun Temple, a Taoist temple in Wuhan : Sexual yoga. According to a discourse between the Yellow Emperor and the immortaless , one of the three daughters of Hsi Wang Mu, "The sexual behaviors between a man and woman are identical to how the universe itself came into creation. Like Heaven and Earth, the male and female share a parallel relationship in attaining an immortal existence. They both must learn how to engage and develop their natural sexual instincts and behaviors; otherwise the only result is decay and traumatic discord of their physical lives. However, if they engage in the utmost joys of sensuality and apply the principles of yin and yang to their sexual activity, their health, vigor, and joy of love will bear them the fruits of longevity and immortality. The White Tigress Manual, a treatise on female sexual yoga, states: "A female can completely restore her youthfulness and attain immortality if she refrains from allowing just one or two men in her life from stealing and destroying her [sexual] essence, which will only serve in aging her at a rapid rate and bring about an early death. However, if she can acquire the sexual essence of a thousand males through absorption, she will acquire the great benefits of youthfulness and immortality." Ge Hong wrote in his book The Master Who Embraces Simplicity, The immortals Dark Girl and Plain Girl compared sexual activity as the intermingling of fire [yang/male] and water [yin/female], claiming that water and fire can kill people but can also regenerate their life, depending on whether or not they know the correct methods of sexual activity according to their nature. These arts are based on the theory that the more females a man copulates with, the greater benefit he will derive from the act. Men who are ignorant of this art, copulating with only one or two females during their life, will only suffice to bring about their untimely and early death. : Elixir of Immortality. Śūraṅgama Sūtra The Śūraṅgama Sūtra, a Mahayana Buddhist manuscript, in a borrowing from Taoist teachings, discusses the characteristics of ten types of xian who exist between the world of devas ("gods") and that of human beings. This position in Buddhist literature is usually occupied by asuras. Xian as portrayed here are of a different and contrasting type of existence in Buddhist cosmology to asuras. These xian are not considered true cultivators of samadhi ("unification of mind"), as their methods differ from the practice of dhyāna ("meditation"). •  – Xian who constantly ingest special food called . •  – Xian who constantly ingest certain herbs and plants. •  – Xian who "transform" by constantly ingesting metals and minerals. •  – Xian who perfect their qi and essence through unceasing movement and stillness . •  – Xian who constantly practice control of their fluids and saliva. •  – Xian who constantly practice the inhalation of unadulterated essences. •  – Xian who achieve transcendence through unceasing recitation of spells and prohibitions. •  – Xian who achieve transcendence through constant periods of thought and recollection. •  – Xian who have mastered the stimuli and responses of intercourse. •  – Xian who "have attained the end" and perfected their awakening through constant transformation. ==In religions==
In religions
Chinese folk religion In ancient Chinese folk religion, xian were regarded as deceased noblemen such as emperors and ancestors, as well as commoner "worthies". Taoism eventually altered this belief, promoting the idea of xian as holy humans either good or evil who could ascend to heaven by following practices that preserved the soul within the body while the physical body disappeared from Earth. This view became popular among folk religious practitioners. Taoism mural of scholar-official and heavenly beings, from Tomb of Yingchengzi. Taoism is a polytheistic religion. Its pantheon includes both deities and immortals (), generally divided into two categories: "gods" (also called deities) and xian (immortals). Many kinds of gods exist, such as gods of heaven (), gods of the ground (), wuling (), gods of the netherworld (), gods of the human body (), and gods of human ghosts (). These gods are innately divine beings. In contrast, xian become persons with vast supernatural powers, unpredictable changes, and immortality through the culivation of the Dao. In China, "gods" are often referred to together with "xian". Taoists sometimes shared with folk practitioners the belief that noblemen and ancestors could become xian, although Taoism also developed alternative interpretations. Heaven, and therefore, status as an immortal, was also thought to be accessible through being an unenlightened soul in the afterlife that is prayed for in the collective salvation prayers of Taoist temple worshippers, who pray in the hope that souls will reach a better status in their death. ==In art and culture==
In art and culture
was a symbol of longevity and immortality. In art and literature, immortals are often depicted riding on cranes.|300x300px tomb in Xi'an . -Qing dynasty painting. According to Michael Loewe, the earliest artistic and textual evidence of xian transcendents dates from the fifth or fourth centuries BCE. They were depicted as avian or serpentine hybrids capable of flight, usually as a bird's body with a human face, or as a human figure with wings sprouting from the back—known as yuren (). According to John Lagerway, the earliest artistic representations of xian date from the 2nd century BCE. In tomb reliefs from the Eastern Han dynasty (25–220 CE), xian are often shown as bird–human or reptile–human hybrids. They are depicted as "liminal but spiritually empowered figures' who accompanied a deceased soul to paradise. These "transient figures" are frequently portrayed alongside animals such as deer, tigers, dragons, birds, and heavenly horses (). These avian, serpentine, and human hybrid xian are frequently depicted with "secondary characteristics" including androgyny, large ears, long hair, exaggerated nonhuman faces, tattoo-like markings and nudity; many of these traits also appear in depictions of foreigners, who also lived outside the Chinese cultural and spiritual sphere. Xian were associated with yin and yang, and some Taoist sects held that the "adept of immortality" could get in touch with the "pure energies possessed at birth by every infant" to become a xian. According to these beliefs, a Taoist who became a xian could live for 1,000 years in the human world before transforming into "pure yang energy" and ascending to Tiān (Heaven). Xian are conventionally regarded as benevolent spirits who bring good fortune. Some Taoists prayed to individual xian or entire pantheons of them for assistance in life or forgiveness of sins. In many Taoist sects, xian were thought to "dress...in feathers" and live in the atmosphere "just off-planet" and explore various places in the universe to perform "various actions and miracles." A Confucian cosmology that had immortals in it viewed them as beings of a "heavenly world", which was "above the earthly world" that was distinct "from a dark underworld". and some real Taoists were thought to become xian if they died after performing certain rituals or living a certain way and gain the ability to explore "heavenly realms". and were often referred to by that name. becoming a xian is technically a process that lets a practitioner get enough holy or spiritual power to defy that role, and some Taoists chose to worship xian instead of gods, Sennin is a common Japanese character name. For example, Ikkaku Sennin ( "One-horned Immortal") was a Noh play by Komparu Zenpō (, 1454–1520?). The Japanese legend of Gama Sennin ( "Toad Immortal") is based upon Chinese Liu Hai, a fabled 10th-century alchemist who learned the secret of immortality from the Chan Chu ("Three-legged Money Toad"). In Korea, among commoners who belonged to no specific religious tradition, the desire to become an immortal, imported from China and Korean Taoist sects, mostly manifested itself in the wish for merely longer life instead of living forever. Peaks and valleys were commonly named after the xian, and Buddhist principles were also sometimes thought to be important to becoming one in Korea and art communities in Korea often approved of paintings of Taoist immortals and others depicting Buddhist symbolism. ==Depictions of xians, sennins and tiên in art==
Depictions of xians, sennins and tiên in art
Gallery In popular culture of Ganyu from Genshin Impact, who was based on the female xian (called "adepti" in the game) according to its creators. Xian are common characters in Chinese fantasy works. There is a genre called xianxia, which is part of a larger genre called cultivation fantasy or cultivation, named after the beings where characters usually seek to become xian in a fantasy world that is either militaristic or fraught with other dangers. Example worksThe Legend of Sword and Fairy, video game based on xianxia fiction. • Lotus Lantern, an animated film based on the story of The Magic Lotus Lantern. • ''Heaven Official's Blessing features a story based on the concept of xian'' and spiritual worship and cultivation. • Xuanyuan Sword, video game based on xianxia fiction. • Zu Warriors from the Magic Mountain, a 1983 Hong Kong supernatural wuxia fantasy film directed by Tsui Hark and based on the 1932 xianxia novel Legend of the Swordsmen of the Mountains of Shu by Huanzhulouzhu. ==See also==
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