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Predator (fictional species)

The Predators are a fictional extraterrestrial species characterized by their ritualistic trophy hunting of other lifeforms. Initially conceived by screenwriters Jim and John Thomas and designed by special effects artist Stan Winston, the species made its first appearance as the villain in the 1987 science fiction action film Predator, directed by John McTiernan. Depicted as large, sapient and sentient humanoid beings equipped with advanced technologies such as active camouflage, directed-energy weapons, and interstellar spacecraft, they became emblematic horror monsters of the late 20th century, blending the tropes of slasher villains with elements of alien invasion and militaristic survival narratives.

Concept and creation
Original conception The Predator was initially developed by screenwriters Jim and John Thomas, who conceived of an alien big-game hunter, and determined that the most dangerous prey for it to hunt would be trained human soldiers. Originally, 20th Century Fox had contracted the makeup effects for the creature from Richard Edlund's Boss Film Creature Shop. According to former Boss Films make-up supervisor Steve Johnson, the initial ‌endorsed by director John ‌included leg extensions that gave the Predator backward bent satyr-like legs and extended arms, along with a long neck, a dog-like head, and a single eye. Jean-Claude Van Damme was cast with the idea that his martial arts skills would lend the creature an agile, ninja-like quality. While flying to Japan with Aliens director James Cameron to promote that film, Winston was doing concept art for the Predator on the flight. In Predator 2, Danny Glover suggested using members of the Los Angeles Lakers as background Predators due to his fan status, and Hall persuaded some of them to appear on short notice. Hall died shortly after the release of Predator 2. The voices of the Predators in the film were provided by Hal Rayle. In Alien vs. Predator (2004), Welsh actor Ian Whyte, standing at , took over the Predator suit, portraying the "Scar" Predator. Whyte returned to play the "Wolf" Predator in Aliens vs. Predator: Requiem (2007). In Predators (2010), Brian Steele and Carey Jones portrayed the "Black Super Predators," a new breed who had been dropping humans on their planet for years to play a survival game against them. In a nod to the original film, Derek Mears played the "Classic Predator," resembling the original creature from Predator. In The Predator (2018), stuntman BrianA. Prince, standing , portrayed the "standard" Predator, while a larger genetically enhanced Predator was CGI, though both Prince and Canadian actor Kyle Strauts, standing at served as stand-ins on set. In the prequel Prey, Dane DiLiegro plays a more primitive version of the Predator. This iteration relies more on brute strength and hand-to-hand combat than the stealth-based tactics of later Predators, using metal spear tips and arrows instead of plasma-based weaponry. Its mask is made of bone rather than the smooth steel of later Predators, though it functions the same way. While visually distinct, this version of the Predator adheres to the species' honor code and spares those it doesn't deem a threat. For Predator: Badlands, Dimitrius Schuster-Koloamatangi portrays a young runt Predator named Dek. For this iteration, Dek's body was portrayed by a traditional Predator suit, while the face was CGI motion capture. Special and make-up effects The portrayal of the Predator throughout the film franchise has relied on a combination of practical effects and visual effects techniques. To create the creature's distinctive green luminescent blood, filmmakers used a mixture of glow stick fluid and K-Y Jelly. Green was chosen after attempts at making the creatures blood orange failed. The blend produced a bright glow on camera but degraded quickly, requiring frequent reapplication between takes. First developed for the original film, variations of this method were later used in subsequent installments. The Predator's invisibility cloak in the first two films was achieved through an intricate optical compositing process developed by R/Greenberg Associates under visual effects supervisor Joel Hynek. The concept was reportedly inspired by a dream described by one of the screenwriters, involving a chrome figure inside a reflective sphere that became visible only when it moved. Various visual effects studios have contributed to the depiction of the Predator's technologies, including its cloaking devices and energy-based weaponry. Name Across the first five films in the ‌Predator (1987), Predator 2 (1990), Predators (2010), The Predator (2018), and Prey ‌as well as in Aliens vs Predator: Requiem (2007), the creatures are identified in the end credits as Predators. The term is also used diegetically by human characters in Predator 2 and The Predator, establishing it as the principal designation within the franchise. In licensed expanded-universe media, the species has been given additional nomenclature. Yautja was introduced in the 1994 novel Alien vs. Predator: Prey, ==Characteristics==
Characteristics
Appearance and capabilities Predators are typically depicted as physically distinguished from humans by their arthropod-like mandibles, and long, dredlock-like appendages on their heads. Predator blood is depicted as bioluminescent green, and they possess infrared vision, which can be augmented by bio-masks that enhance their perception across multiple spectra, including ultraviolet. However, Predators are not invulnerable, as the films depict the creatures carrying portable surgical kits to treat injuries. In Alien vs. Predator, the appearance of the Predators was redesigned to make them seem more heroic. In Aliens vs. Predator: Requiem, the Predator was returned to the sleeker design concept prior to Alien vs. Predator. For the so-called "Black Super Predators" in the 2010 film Predators, the designers used the differences between a cassette tape and an iPod as an analogy in differentiating the new subspecies from the original. The so-called "Feral Predator" from Prey was described as hailing from a desertic location in another hemisphere of the Predator homeworld. Fictional culture and history {{quote box |quote=The Predator society builds sophisticated spaceships, yet they should not look as sleek and hi-tech as a Star Wars stormtrooper. They are a tribal culture, yet their look should not be as primitive as the orcs from Lord of the Rings. They are also a warrior culture, so the ornate cannot conflict with the practical. Predator culture revolves around the stalking and hunting of dangerous lifeforms. Their written script is presented as a series of patterned dashes, For Predator: Badlands, a consistent written and verbal language for the Predators was developed for the film by the language creator Britton Watkins. Predator vocalizations in the films were designed using recordings of various real-world animals, including lions, tigers, leopards, jaguars, cougars, snow leopards, black bears, grizzly bears, dolphins, alligators, and camels. Folklore and conduct Predators appear in human folklore. In some Latin American cultures, they are referred to as "El Diablo que hace trofeos de los hombres" (“The Demon who makes trophies of men”), In Predators, a brief view of an Xenomorph skull is visible in a Predator encampment, while the lower jaw of another is mounted on the Berserker Predator's helmet. Neanderthal remains in Predators suggest early hominins were also hunted. Predators are shown contacting civilizations including the Ancient Egyptians, Khmer Empire, Aztecs, Comanche Nation, and a fictional culture on Bouvetøya. Predator: Badlands shows the Predators hunting lifeforms from worlds other than Earth, and establishes that Predators hunt in order to gain status in their clans, with Predators considered runts regarded as being weak and unworthy of survival within their society. ==Expanded universe==
Expanded universe
Comics and Novels In the Aliens vs. Predator novel series (based on the Dark Horse Comics) by David Bischoff, Steve and Stephani Perry, the Predators are depicted as living in a matriarchal clan-based society bearing similarities to a pack mentality whose strongest and most skilled of the group lead. The Predators are portrayed as sexually dimorphic mammals. It is also revealed that their blood has the capacity of partially neutralizing the acidity of Alien blood. Their religion is partially explored in the series, showing that they are polytheistic, and that their equivalent of the Grim Reaper is the so-called "Black Warrior," who is seen as an eternal adversary who eventually wins all battles. The comic series Predator and Aliens vs Predator: Three World War introduce a clan of Predators referred to as "Killers," who are enemies of mainstream Predators (here called "Hunters") because of their tradition of training Aliens as attack animals rather than hunting them, as well as their desire for killing as opposed to honorable hunting. The character Machiko Noguchi notes in issue #1 of Three World War that "You have to understand the mindset of the Hunters, and the honor they place on facing a worthy opponent on an equal footing ... a kill is the end result, but it's not the point of a hunt ... For the 'Killers', that wasn't the case. They were all about the killing." They are first seen in the 2009 Predator series, where a number interfere in an East African civil war, coming into conflict with both humans and their Hunter counterparts. By the time of Three World War the Killers are assumed to have been wiped out by the Hunters, but some survive and begin attacking human colonies, forcing Noguchi to forge an alliance between humans and the Hunters in order to deal with them. In John Shirley's stand-alone novel Predator: Forever Midnight, Predators, now referred to as "Hish," are shown to possess a gland located between their neck and collarbone which secretes powerful hormones into their bloodstream and which drives them to hyper-aggression. When this gland is overstimulated, it sends the creatures into a frenzied rage, causing them to attempt killing any living thing in sight, including members of their own species. This "kill rage" can be contagious and spread from one Predator to another, driving them all to attack each other. The Predators as a species barely survived the wars provoked by their kill glands, and they have learned to control the gland's secretions with artificial hormone regulators. In Ian Edginton and Alex Maleev's graphic novel Aliens vs. Predator: Eternal and the videogame Predator: Concrete Jungle, Predator flesh and blood, if consumed, is shown to have the capacity of greatly lengthening a human's lifespan. Video games In the 2020 video game Predator: Hunting Grounds, the Predator species appears as one of two playable factions in the asymmetric multiplayer mode known as Hunt. The mode pits a single player-controlled Predator against four player-controlled Human special operations soldiers called the fireteam, which mirrors the setup of the first Predator film. The Predator player hunts the fireteam from a third-person perspective and attempts to prevent their escape before the timer expires, using weapons and abilities taken from the films and comic books. The fireteam works together to complete objectives and escape while avoiding the Predator and hostile AI units, which they encounter through a traditional first-person tactical shooter perspective. At the start of each match, the characters are unaware that a Predator is nearby, which serves as the narrative reason for the conflict. The game is presented as a spiritual successor to the original films and tells additional story content through fully voiced cassette tapes. These recordings expand the timeline and connect characters such as Dutch (Arnold Schwarzenegger, Predator 1987), Sean Keyes (Jake Busey, The Predator 2018), son of Peter Keyes (Gary Busey, Predator 2 1990), and Isabelle (Alice Braga, Predators 2010). All tapes are voiced by the original actors. Dutch's activities between the 1987 Val-Verde incident and the game's 2025 setting are detailed in free DLC recordings voiced by Schwarzenegger. In 2025 Dutch is in his late seventies, although his life has been extended unintentionally through Predator medical technology, giving him the strength and physique of a man in his forties. After the events of the original film, Dutch devoted himself to hunting Predators and now serves as a consultant and mercenary for the OWLF ("Other Worldly Life Forms"). Animated series Aliens vs. Predator: Annihilation In May 2023, Alien Day founder Josh Izzo revealed that "10 episodes of a fully completed Alien vs. Predator anime series" had been completed at 20th Century Fox, intended for a Netflix release prior to its acquisition by Disney, had been produced by Eric Calderon and Dave Baker, and directed by Shinji Aramaki, but was yet to see official release from the Disney Vault, despite completion. Originally developed as an adaptation of Dark Horse Comics' The Machiko Noguchi Saga, with Izzio using the comic as the basis for storyboards in his pitch, the series was redeveloped by Aramaki as a "deep future"-set story set years after the events of Alien Resurrection, told from the perspective of a Predator clan (including a cyborg and a bone-weapon-wielding warrior named "Bone") as they hunt down Xenomorphs. The unreleased anime series was revealed to be titled Aliens vs. Predator: Annihilation. ==Critical reception and legacy==
Critical reception and legacy
dressed as a female Predator for cosplay Stan Winston's design for the Predator was widely regarded as a visually distinctive and memorable creation. Critics highlighted its alien anatomy, noting its insect-like mandibles and muscular humanoid form, which evoked fear in viewers and provoked fascination with its otherworldly appearance. Its heat-vision perspective has been noted as in innovation in cinematic language. Through its unrelenting and impartial method of hunting, the Predator mirrors the hypermasculinity of the film's lead characters, exposing their arrogance, pride, and rigid codes of honor that ultimately make them vulnerable, showing that traits often celebrated as strength in action heroes can be self-destructive. The Predator's methodical and relentless hunting exposes the destructiveness and arrogance of expansionist impulses, reflecting the violent consequences of colonial and military endeavors. The Predator character serves as a reflection of humanity's own predatory instincts, which forces viewers to reflect on the ethical implications of violence and predation, questioning what separates us from the monsters we fear. Robert Rodriguez, producer of the 2010 film, stated that the title "Predators" is a double meaning, referring to not just the alien hunters but the human characters as well. In Predator 2, certain scholars interpreted the Predator as being racially coded as Black through visual cues such as dreadlocks, tribal-like weaponry, and associations with Jamaican gang characters, while in contrast, the protagonist Lieutenant Harrigan, a Black police officer played by Danny Glover, was seen as embodying “heroic Blackness” by operating within but also being marginalized by the law enforcement system. In popular culture The Predators have become one of the most recognizable and enduring figures in science fiction, with the concept of an extraterrestrial hunter stalking humans becoming a recurring influence on subsequent media. Like the Predator, he uses his signature wrist blades but also uses throwing spears as a ranged weapon. His special skill lets him turn invisible and upon putting in certain button inputs, he can explode before properly dying. In the first-person shooting video game Call of Duty: Ghosts, the Predator appears as a hidden killstreak on the multiplayer map "Ruins" from the Devastation map pack. The player can play as Predator for a brief period by completing a Field Order and obtaining a care package. The Predator is also a playable guest character via downloadable content in the fighting game Mortal Kombat X, opposite an Alien. In the tactical shooting video game ''Tom Clancy's Ghost Recon Wildlands'', a live event titled "The Hunt" was released on December 14, 2017. During this event, players may take part in a bonus campaign mission in the Caimanes district to battle the Predator, with the event lasting until January 2018. A Predator and its ship made a guest appearance in Fortnite Battle Royale as the collaboration outfit for the Chapter 2 Season 5 Battle Pass. One of the many iconic hunters attempted to be hired as part of Agent Jones' initiative to maintain order inside the game, the Predator could not be convinced, instead opting to hunt Jones himself. After accidentally following Jones through a rift into the Fortnite world, the Predator set himself up inside a jungle compound, and is "eager to sample all the new prey the island has to offer". In October 2023, the Rick and Morty seventh season premiere, "How Poopy Got His Poop Back," licensed a Predator from 20th Century Studios to serve as a recurring character in the animated series by Adult Swim. In the episode, written by Nick Rutherford and directed by Lucas Gray, Wayne "Mr. Poopybutthole" reveals he hired a "Predator P.I." to follow his ex-wife Amy, only for the group to learn that she is now dating the Predator. By the end of the episode, Wayne accepts the relationship, and Amy introduces the character as '''Gul'Karna, Clan Leader of the Skin Thieves'''. In October 2025, the Predator returned to the Call of Duty franchise with Call of Duty: Warzone and the Call of Duty: Black Ops 6 in an event called "The Haunting". The event featured multiple iterations of the Predator, including the original, the Feral Predator from Prey, and Dek from Badlands. == See also ==
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